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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range.
With 6 inputs, Zoom’s solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.
32-Bit Float Recording
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise.
The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality – without ever adjusting gain!
For Those Hard to Reach Places
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder
Checks All The Boxes
Files and Formats
Monitor What Matters
Use the F6 and your headphones to keep tabs on your tracks pre- or post-fader. Check levels, route signals to the left or right and set alert tones for battery and recording status.
iOS Wireless Control
The F6’s F Control APP lets you monitor signals, adjust levels, trigger transport controls, enter metadata and more from your iPhone or iPad via Bluetooth.*
*Optional BTA-1 required
Fine Tune Your Mix
The Zoom F-Control (FRC-8) gives you more flexibility in the field. With 60 mm faders and controls for trim, pan and track-arming, the FRC-8 is a must-have for any professional filmmaker.
* The F-Control is sold separately.
Ambisonics Audio
The F6’s Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture spatial audio for VR, AR and more.
Key Features
Recording Media | SD cards, SDHC cards, SDXC cards (that conform to standards) |
---|---|
Inputs | |
Inputs 1-6 | Connectors XLR jack (pin 2 hot) |
Input (Mic) | Input gain +12 dB - +75 dB Input impedance 3 kΩ or more Maximum input level +4 dBu |
Input (Line) | Input gain −8 dB - +55 dB Input impedance 5 kΩ or more Maximum input level +24 dBu |
Phantom Power | +24/+48V 10mA maximum for each channel |
Equivalent input noise | −127 dBu or less (A-weighted, +75 dB input gain, 150 Ω input) |
Outputs | |
Line output | Connectors 3.5 mm stereo mini unbalanced output Output impedance 100 Ω or less Reference output level –10 dBV, 1 kHz, 10 kΩ load Maximum output level +10 dBV, 1 kHz, 10 kΩ load D/A dynamic range 95 dB typ (−60dBFS input, A-weighted) |
Headphone output | Connector 3.5 mm stereo mini unbalanced output Output impedance 15 Ω or less Maximum output level 100 mW + 100 mW (32Ω load) D/A dynamic range 108 dB typ (−60dBFS input, A-weighted) |
Recording Formats | |
When WAV selected | |
Supported formats | 44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit/32-bit float, mono/stereo/2-8ch poly, BWF/iXML |
Max Simultaneous recording tracks | 14 (6 inputs x 2 (Linear and Floating) + LR mix) 6 (6 inputs (Linear or Floating) at Float(32bit) Mode, 192 kHz) |
When MP3 Selected | |
Supported Formats | 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags |
Max simultaneous recording tracks | 2 |
Recording Time | |
Using a 32GB Card | 30:46:00 (48 kHz/24-bit stereo WAV) 7:41:00 (192 kHz/24-bit stereo WAV) |
Timecode | |
Connectors | 3.5 mm stereo mini (Tip: IN, Ring: OUT)
|
Modes | Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) |
Frame rates | 23.976 ND, 24 ND, 25 ND, 29.97 ND, 29.97 D, 30 ND, 30 D |
Precision | ±0.2 ppm |
Allowed input level | 0.2 – 5.0 Vpp |
Allowed input impedance | 4.6 kΩ |
Output level | 3.3 Vpp |
Output Impedance | 50 Ω or less |
Power | |
Options | AC adapter : DC 5V (supports USB bus power) Sony® L-Series battery 4 AA batteries (alkaline, lithium or rechargeable NiMH batteries) |
Continuous recording time | |
48 kHz/16-bit 2ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off): | Alkaline batteries 7.5 hours or more NiMH batteries (2450 mAh) 10.5 hours or more Lithium batteries 16.5 hours or more |
48 kHz/24-bit 6ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off): | Alkaline batteries 5.0 hours or more NiMH batteries (2450 mAh) 7.0 hours or more Lithium batteries 10.5 hours or more |
192 kHz/24-bit 6ch recording to SD card (LINE OUT on, TIME CODE set to Int Free Run, LED/LCD Brightness 60, headphones into 32Ω load, PHANTOM at 48 V) | Alkaline batteries 0.5 hours or more NiMH batteries (2450 mAh) 1.5 hours or more Lithium batteries 3.5 hours or more |
Display | 1.54" full-color LCD (240 × 240) |
USB | |
Mass Storage Operation | Class USB 2.0 High Speed |
Multitrack audio interface operation (driver required for Windows, no driver required for MacOS) | Class USB 2.0 High Speed Specifications Sampling rate 44.1/48/88.2/96 kHz Bit Rate 16/24-bit Channels 6 in/4 out |
Stereo mix audio interface operation (no driver required) | Class USB 2.0 Full Speed Specifications Sampling rate 44.1/48 kHz Bit Rate 16-bit Channels 2 in/2 out Note: iOS device audio interface operation supported (stereo mode only) |
AIF with Rec operation (driver required for Windows, no driver required for MacOS) | Class USB 2.0 High Speed Specifications Sampling rate 44.1/48 kHz Bit Rate 16/24-bit Channels 8 in/4 out |
Power consumption | 10 W |
External dimensions | 100 mm (W) x 119.8 mm (D) x 62.9 mm (H) |
Weight | 520 g |