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Canon EOS C400 6K Full Frame Cinema Camera

Expected September 2024
Cat No.
66156
SKU
6388C008AA
Canon

Available to Pre-Order

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

£7,799.00 £6,499.17

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Product Information

CINEMA EOS SYSTEM

CANON EOS C400

Redefining versatility, the Canon EOS C400 is a workhorse across cinema, live broadcast, and virtual production.

REDEFINING VERSATILITY

The Canon C400 delivers uncompromising performance in cinema, live broadcast, and virtual production.

Unleash your creativity with a mighty 6K full frame BSI sensor and 16 stops of dynamic range.

 

Specifications

  • Full frame 6K BSI sensor

    Next-generation backside illuminated design maximises light sensitivity with 16 stops of dynamic range.

  • Triple base ISO

    For optimal signal-to-noise ratio at 800 / 3200 / 12800 ISO.

  • RF mount system

    Enhanced imaging system platform also adaptable to PL and EF mounts.

  • Dual Pixel CMOS AF II

    Including EOS iTR AF X for tack-sharp auto focus across the full sensor.

  • Cinema RAW Light

    Record 12-bit internally at LT, ST, and HQ for flexibility in post-production.

  • XF-HEVC S, XF-AVC S, and XF-AVC

    Oversampled 4K 4:2:2 10-bit MP4 / MXF formats with detailed metadata.

  • HDR

    Produce high dynamic range content with Canon Log 2 / 3, PQ, and HLG.

  • 5-axis image stabilisation

    Combine Electronic IS with Optical IS for the most stable cinematic footage.

  • Two card slots

    Record to CFexpress Type B or SD UHS-II.

  • Professional I/O

    Extensive professional connectivity built in.

  • Active cooling

    Quiet, efficient cooling for long recording times.

  • Robust and compact

    Versatile design adaptable to your shooting style.

Full frame 6K BSI sensor

Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.

Dual Pixel CMOS AF II with EOS iTR AF X

The Canon C400 allows you to enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.

 

Professional recording formats and high frame rates

Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures.

RF mount

Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.

 

Uncompromised connectivity

On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi / Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe.

Built for live multi-camera productions

Return Input and advanced features enable live programming monitoring and compatibility with Industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App.

Designed for the future

Real-time metadata for VP and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the Canon C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.

Canon EOS C400 6K Full Frame Cinema Camera

The Canon C400 camera was designed to excel in cinematic shooting, live broadcast, and virtual production. With the C400 Canon you can unleash your creativity with a 6K full frame BSI sensor and 16 stops of dynamic range.

Packing a 6K Full Frame BSI sensor, triple base ISO, and 18 customisable buttons into a compact, robust body. Building on Canon’s colour science to deliver warm skin tones and a naturally pleasing image. With professional connectivity, the CINEMA EOS C400 is your ally in cinema, live broadcast, and virtual production.

Full frame 6K BSI sensor
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.

Dual Pixel CMOS AF II with EOS iTR AF X
Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.

Professional recording formats and high frame rates
Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. 

RF mount
Panasonic GH7 relies on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.  

Uncompromised connectivity
On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi/Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe.

Built for live multi-camera productions
Return Input and advanced features enable live programming monitoring and compatibility with industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App.

Designed for the future
Real-time metadata for virtual production and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the CINEMA EOS C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.

What is triple base ISO? 
Triple base ISO delivers the best signal-to-noise ratio at multiple amplifications. Canon's cutting-edge 6K BSI sensor measures at three base ISOs – 800, 3200, and 12800 ISO – choose between them, or use auto-switching and the CINEMA EOS C400 will pick the optimal setting. 

The basics: BSI sensors
The backside illuminated (BSI) sensor's improved architecture places circuity underneath the sensor plane. Benefits include increased dynamic range, auto-focus and rolling shutter performance.

Why is metadata so important?
In Virtual Production and VFX workflows, camera metadata is essential to producing professional results. The CINEMA EOS C400 and Canon RF mount lenses let you extract every drop of metadata – from ISO to f stop and even distortion correction – so your post process becomes smoother than ever.

  • Full frame 6K BSI sensor: Next-generation backside illuminated design maximises light sensitivity with 16 stops of dynamic range.
  • Triple base ISO: For optimal signal-to-noise ratio at 800 / 3200 / 12800 ISO
  • RF mount system: Enhanced imaging system platform also adaptable to PL and EF mounts
  • Dual Pixel CMOS AF II: Including EOS iTR AF X for tack-sharp auto focus across the full sensor
  • Cinema RAW Light: Record 12-bit internally at LT, ST, and HQ for flexibility in post-production
  • XF-HEVC S, XF-AVC S, and XF-AVC: Oversampled 4K 4:2:2 10-bit MP4 / MXF formats with detailed metadata
  • HDR: Produce high dynamic range content with Canon Log 2/3, PQ, and HLG
  • 5-axis Image Stabilisation: Combine Electronic IS with lens Optical IS for the most stable cinematic footage
  • Two card slots: Record to CFexpress Type B or SD UHS-II
  • Professional I/O: Extensive professional connectivity built in
  • Active cooling: Quiet, efficient cooling for long recording times
  • Robust and compact: Versatile design adaptable to your shooting style
  • EOS C400 Body
  • Handle Unit
  • Camera Grip (incl. grip attachment ring)
  • LCD Monitor & Attachment Unit
  • MC-5U Monitor Cable
  • Microphone Holder & Screws
  • Body Cap
  • Tape Measure Hook
  • Hex Wrench
  • BP-A60N Battery
  • CG-A10 Battery Charger
  • CA-CP300B Power Adapter
  • User Manual
IMAGE SENSOR
Sensor Full Frame Back-Side Illuminated
(BSI) CMOS sensor
System RGB primary color filter (Bayer array)
Sensor Modes Full Frame / Super 35mm (Crop) /
Super 16mm (Crop)
Total Pixels Approx. 26.67 megapixels (6202 x 4300)
Effective Pixels Approx. 19.05 megapixels (6008 x 3170):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution
Approx. 17.86 megapixels (5633 x 3170):When 3840 x 2160 / 1920 x 1080 is selected as the resolution
Effective Sensor Full Frame: 38.4 x 20.2 mm (40.7 mm on the diagonal):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution
Screen Size 36.0 x 20.2 mm (38.7 mm on the diagonal):When 3840 x 2160 / 1920 x 1080 is selected as the resolution
Dynamic Range Canon Log 2:1600% / 16 stops (at ISO 800)
Canon Log 3:1600% / 14 stops (at ISO 800)
Base ISO : 800 / 3200 / 12800
IMAGE PROCESSOR
Type DIGIC DV7
LENS
Lens Mount Canon RF mount
PL mount support via PL-RF Mount Adapter
EF mount support via EF-EOS R Mount Adapters
Lens Magnification Factor Full Frame;
4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.06
3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.12
Super 35mm (Crop);
4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.46
3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.54
Super 16mm (Crop);
2048 x 1080 : Actual focal length x Approx. 2.92
1920 x 1080 : Actual focal length x Approx. 3.07
Digital Lens Correction Peripheral Illumination Correction
Chromatic Aberration Correction
Diffraction Correction
Distortion Correction (RF lenses only)
ND Filter 2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode)
Iris Control 1/2-stop, 1/3-stop or
(EF Mount Lenses) FINE control
Auto Iris
Cooke /i Technology SupportTM Only when equipped with Mount Adapter PL-RF
Anamorphic Lens Support x2.0 / x1.8 / x1.3
Image Stabilization System 5-Axis Combination IS (Optical and Digital)
with supported lenses
Digital 5-Axis IS for non IS lenses.
RECORDING
Internal Recording Media1 1x CFexpress 2.0 (Type-B)
1x SD Card (SD / SDHC / SDXC)
Recording Time2 Cinema RAW Light LT : 6000 x 3164 576 Mbps : approx. 118 Mins
Cinema RAW Light ST : 6000 x 3164 886 Mbps : approx. 77 Mins
Cinema RAW Light HQ : 6000 x 3164 1800 Mbps : approx. 37 Mins
XF-AVC : 4096 x 2160 500 Mbps : approx. 136 Mins
XF-AVC S : 4096 x 2160 500 Mbps :
approx. 136 Mins
XF-HEVC S : 4096 x 2160 135 Mbps :
approx. 505 Mins
Recording Formats Cinema RAW Light (CRM), XF-AVC (MXF),
XF-AVC S (MP4), XF-HEVC S (MP4)
Relay Recording3 Yes
Double Slot (Simultaneous) Recording Yes
Simultaneous Recording in Multiple Formats Yes
System Frequency / 59.94 Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
Frame Rates 50.00 Hz mode (50.00P / 50.00i / 25.00P)
24.00 Hz mode (24.00P)
Cinema RAW Light Bit Rate / Bit Depth (PAL) 12-bit Cinema RAW Light LT :
FF / 6000 x 3164 / 50P [1160 Mbps]
FF / 6000 x 3164 / 25P [576 Mbps]
S35 / 4368 x 2304 / 50P [611 Mbps]
S35 / 4368 x 2304 / 25P [306 Mbps]
S16 / 2184 x 1152 / 50P [154 Mbps]
S16 / 2184 x 1152 / 25P [77 Mbps]
12-bit Cinema RAW Light ST :
FF / 6000 x 3164 / 50P [1780 Mbps]
FF / 6000 x 3164 / 25P [886 Mbps]
S35 / 4368 x 2304 / 50P [939 Mbps]
S35 / 4368 x 2304 / 25P [470 Mbps]
S16 / 2184 x 1152 / 50P [236 Mbps]
S16 / 2184 x 1152 / 25P [118 Mbps]
12-bit Cinema RAW Light HQ :
FF / 6000 x 3164 / 25P [1800 Mbps]
S35 / 4368 x 2304 / 50P [1910 Mbps]
S35 / 4368 x 2304 / 25P [954 Mbps]
S16 / 2184 x 1152 / 50P [479 Mbps]
S16 / 2184 x 1152 / 25P [240 Mbps]
XF-AVC Recording Bit Rate / Sampling (PAL / MXF) 4:2:2 10-bit (Intra-frame) :
4096 x 2160 or 3840 x 2160 / 50P
[1000 / 750 / 500 Mbps]
4096 x 2160 or 3840 x 2160 / 25P
[500 / 375 / 250 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [250 Mbps]
2048 x 1080 or 1920 x 1080 / 50i [125 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [125 Mbps]
4:2:2 10-bit (Long GOP) :
4096 x 2160 or 3840 x 2160 / 50P [250 Mbps]
4096 x 2160 or 3840 x 2160 / 25P [150 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps]
2048 x 1080 or 1920 x 1080 / 50i [50 / 25 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps]
XF-AVC S Recording Bit Rate / Sampling 4:2:2 10-bit (Intra-frame) :
(PAL / MP4) 4096 x 2160 or 3840 x 2160 / 50P
[1000 / 750 / 500 Mbps]
4096 x 2160 or 3840 x 2160 / 25P
[500 / 375 / 250 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [250 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [125 Mbps]
4:2:2 10-bit (Long GOP) :
4096 x 2160 or 3840 x 2160 / 50P [250 Mbps]
4096 x 2160 or 3840 x 2160 / 25P [150 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps]
4:2:0 8-bit (Long GOP) :
4096 x 2160 or 3840 x 2160 / 50P [150 Mbps]
4096 x 2160 or 3840 x 2160 / 25P [100 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [35 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [35 Mbps]
XF-HEVC S Recording Bit Rate / Sampling 4:2:2 10-bit (Long GOP) :
(PAL / MP4) 4096 x 2160 or 3840 x 2160 / 50P [225 Mbps]
4096 x 2160 or 3840 x 2160 / 25P [135 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps]
4:2:0 10-bit (Long GOP) :
4096 x 2160 or 3840 x 2160 / 50P [150 Mbps]
4096 x 2160 or 3840 x 2160 / 25P [100 Mbps]
2048 x 1080 or 1920 x 1080 / 50P [35 Mbps]
2048 x 1080 or 1920 x 1080 / 25P [35 Mbps]
Proxy Recording Bit Rate / Sampling (PAL)4 4:2:0 8-bit (Long GOP) :
2048 x 1080 or 1920 x 1080 35 / 16 / 9 Mbps]
1280 x 720 [6 Mbps]
4:2:0 10-bit (Long GOP) :
2048 x 1080 or 1920 x 1080 [16 / 9 Mbps]
Slow / Fast Motion5 6K RAW : up to 60FPS
4K : up to 120FPS
4.3K RAW (S35 Crop) : up to 100FPS
2K (S16 Crop) : up to 180 FPS
Interval Record Yes
Frame Record Yes
Pre Record  3 Seconds
(Cache Record)6
Digital Tele-converter 1.5x, 2x, 2.5x, 3x, Off
Photo Storage Media SD Card
Photo Recording Size7 4096 x 2160 / 3840 x 2160 / 2048 x 1080 /
1920 x 1080
SYSTEM
Display Type 3.5 inch LCD Touch Panel
Display Resolution approx. 2.76 million dots (1280 x RGB x 720)
Display Touch Screen Functions Focus Point Selection
Touch Screen UI for Shooting Settings
OSD for Vertical Shooting Yes
Wave Form Monitor Yes (Line / Line + Spot / RGB Parade /
YPrPb Parade)
False Colour Display (Exposure Indication) Yes (6 Colour Index)
Colour Bars SMPTE / EBU / ARIB
Peaking Peaking 1, Peaking 2 (Colour, Gain,
Frequency customisable)
Zebra Level 1; Level 2; Both
Markers On / Off selectable: centre, horizontal / vertical, grid, aspect, safe area and user marker. Colour selectable
EVF
Built-In EVF No
INPUTS / OUTPUTS
Audio In 2x Mini XLR 3-pin connector 
1x 3.5 mm stereo mini jack
Built in Stereo microphones on camera body
Headphone Output 1x 3.5mm stereo mini jack
Video Monitor Output 1x 3G-SDI Output (BNC)
HDMI 1x HDMI (Type-A)
USB 1x USB-C Data Terminal (USB 3.2 Gen1)
SDI Output 1x 12G-SDI Output (BNC)
Time Code 1x DIN1.0 / 2.3 (Input / Output)
Genlock 1x DIN1.0 / 2.3 (shared with Sync & Return)
Sync 1x DIN1.0 / 2.3 (shared with Genlock & Return)
DC Input 12V (4-pin XLR / 11.5-20V)
Multi-Accessory Shoe Yes (via camera body or top handle)
Remote Control Terminal 1x 2.5 mm stereo mini jack
Lens Terminal 1x 12-pin jack
Ethernet Terminal 1x RJ45 Connector (1000BASE-T compatible)
Grip 1x USB-C Terminal (for supplied Hand Grip only)
IP Streaming / FTP IP Streaming via Ethernet / Wi-Fi connection
9 Mbps / 4 Mbps: 1920 x 1080
(59.94p / 59.94i / 50.00p / 50.00i)
UDP / RTP / SRT / RTP+FEC / RTSP+RTP
User LUT Input Yes, in-built LUTs available for monitoring.
Custom LUTs can be applied directly to internal recordings via Look File function
(compatible with 17 or 33 grid .cube files)
Video Connector 1x USB-C Terminal (for supplied LCD Monitor only)
Tally Signal Yes, via Wi-Fi or Ethernet using XC Protocol
Return Signal Input 1x DIN1.0/2.3 (shared with Genlock & Sync)
Default Function Button Settings 1. MAGN.
2. PEAKING
3. WFM
4. S&F
5. ISO / GAIN
6. SHUTTER
7. S&F FPS
8. AUDIO STATUS
9. WB
10. SET WB
11. FUNC
12. (unassigned)
13. AF LOCK
User Assignable Buttons 13x (Body) / 3x (Hand Grip) / 2x (LCD Monitor)
MISCELLANEOUS
Tally Lamp Yes, 2x
Custom Dial Yes, 3x
Software Application Support Cinema RAW Development 
XF Utility
EOS VR Utility
Remote Camera Control Application
RAW Plugin for Avid Media Access
RAW Plugin for Final Cut Pro
XF Plugin for Avid Media Access
EOS VR Plugin for Adobe Premiere Pro
CV Metadata Plugin for Adobe After Effects
Live Link Plugin for Unreal Engine
CV Metadata Extraction Tool
MP4 Join Tool
HEVC Activator
Smartphone Application Support Canon Multi-Camera Control
Content Transfer Professional
Browser Remote Control
EXPOSURE
Exposure Metering Standard / Spotlight / Backlight
Exposure Compensation AE shift function available.
Target value
(±8 steps from center) 
Auto Exposure Mode Auto Iris / Auto ISO
Push Auto Iris Yes
Exposure Lock No
Auto Gain Control Setting Yes
ISO Sensitivity8 1-Stop Display : 
100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400*
1/3-Stop Display :
100* / 125* / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 8000 / 10000 / 12800 / 16000 / 20000 / 25600 / 32000 / 40000 / 51200 / 64000* / 80000* / 102400*
*when ISO Extended Range is set to ON
**when ISO Extended Range is set to OFF
Auto Focus System  Dual Pixel CMOS AF II + EOS iTR AF X
AF Frame Sizes Full: approx. 100% (Vertical) x approx. 100% (Horizontal)
Large Zone (Vertical) : Video display range approx. 97% (Vertical) x 25% (Horizontal)
Large Zone (Horizontal) : Video display range approx. 43% (Vertical) x 76% (Horizontal)
Zone: Video display range approx. 43% (Vertical) x 25% (Horizontal)
Small Zone : Video display range approx. 15.9% (Vertical) x 11.8% (Horizontal)
Auto Focus Modes Continuous AF / One-Shot AF
Face Detection AF Yes (Eye / Face / Head / Body)
Animal Detection AF Yes (Dogs / Cats)
Focus Guide Yes, with compatible Canon lenses
Gain Setting9 -6dB*, -3dB*, -2dB**~48dB, 51dB*, 54dB*
*when ISO Extended Range is set to ON
**when ISO Extended Range is set to OFF
SHUTTER
Control Modes Speed / Angle / Clear Scan / Slow Shutter
Shutter Speed 1/1~1/2000 (total of 45 settings)
Shutter Angle 11.25º to 360º depending on frame rate
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan 23.97 Hz~2000 Hz depending on sensor mode / frame rate
CUSTOM PICTURE
Stored Configurations C1 : Canon 709
C2 : Canon Log 2
C3 : Canon Log 3
C4 : BT.709 Wide DR
C5 : BT.709 Standard
C6 : PQ
C7 : HLG
C8 : EOS Standard
C9 : EOS Neutral
C10 : User10 ~User20
HDR-HLG Profile BT.2100 : Corresponds to ITU-R BT.2100
Vivid : Corresponds to Traditional Colour in ITU-R BT.2390
Colour Matrix Neutral : Accurate colour reproduction
Production Camera : Colour reproduction for use in movie production
Video : Colour reproduction with contrast for TV broadcasts.
Image Adjustment Parameters Master Pedestal
Master Black
Black Gamma
Low Key Saturation
Knee
Sharpness
Noise Reduction
Skin Detail
Colour Matrix Tuning
White Balance
Colour Correction
WI-FI & GPS SPECIFICATIONS
Wi-Fi (Optional Third Party Accessory) In-built (2.4 / 5GHz bands)
Supporting 802.11a/b/g/n/ac
GPS Information Only when equipped with GP-E2 GPS Receiver)
(Optional Accessory)
WHITE BALANCE
Auto Yes
Preset Daylight (5600K), Tungsten (3200K), Kelvin
(2000K-15000K, 100K intervals), Set A, Set B
White Balance Shift -5 CC - +5 CC (Daylight / Tungsten)
-20 CC - +20 CC (Kelvin)
TIME CODE
Count Up System Regen / RecRun / Free Run / External / Frame Count
AUDIO
Recording Format RAW / XF-AVC : Linear PCM (24-bit / 48 kHz, 4 channels)
XF-AVC S / XF-HEVC S : Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16-bit 48kHz) 2 channels
ACCESSORIES
Supplied LCD Monitor
LCD Attachment Unit
MC-5U Monitor Cable
Handle Unit
Camera Grip
BP-A60N Battery Pack
CA-CP300 B Compact Power Adapter
CG-A20 Battery Charger
Microphone Holder
Optional BP-A60N / BP-A30N Battery Pack
BP-A30 / BP-A60 Battery Pack
CG-A20 / CG-A10 Battery Charger
CA-CP300 B Compact Power Adapter
MC-5U Monitor Cable
PL-RF Mount Adapter
EF-EOS R Mount Adapter 
EF-EOS R Control Ring Mount Adapter
EF-EOS R Drop-In Filter Mount Adapter
EF-EOS R 0.71x Mount Adapter
Remote Camera Controller RC-V100
Remote Camera Controller RC-IP100
Remote Camera Controller RC-IP1000
DM-E1D Multi-Function Shoe Directional Stereo Microphone OC-E4A Off-Camera Shoe Cord
IFC-100U / IFC-400U Interface Cable
Third Party Accessories Tascam CA-XLR2d XLR Microphone Adapter
POWER SOURCE
Power Supply (Battery)10 BP-A60N (Supplied)
BP-A30N / BP-A30* / BP-A60* (Optional)
Power supply (Mains) DC IN 12V terminal : DC 11.5V - 20V (4-pin XLR)
Power Consumption Cinema RAW Light: FF / 6K / 59.94P - 32.5W
Cinema RAW Light: S35 / 4.3K / 59.94P - 30.4W 
XF-AVC: FF / 4K / 59.94P - 31.6W
XF-AVC: FF / 2K / 59.94P - 29.7W
Recording Time With supplied BP-A60N battery pack:
Approx. 155 - 170mins (depending on recording mode)
PHYSICAL SPECIFICATIONS
Dimensions Approx. 142 x 135 x 135 mm
(Main Body Only)
Weight (Body Only) Approx. 1540 g
Weight (Accessories) LCD Monitor: Approx. 155g
LCD Attachment Unit: 260g
MC-5U Monitor Cable: Approx. 25g
Handle Unit: Approx. 300g
Camera Grip: Approx. 270 g
BP-A60N Battery Pack: Approx. 465g
CA-CP300 B Compact Power Adapter: Approx. 219g
Battery Charger CG-A20: Approx. 145g
Microphone Holder + 2 screws: Approx. 60g
Operating Temperature Range Approx. 0 to 40°C, (85% relative humidity)
Approx. -5 to 45°C, (60% relative humidity)
Footnotes:
[1] RAW Recording only available via CFexpress
[2] Based on 25P recording on a 512GB card at maximum bitrate
[3] Relay Recording not available during RAW or S&F Recording
[4] Proxy recording available in XF-AVC, XF-AVC S and XF-HEVC S (depending on the main format selected). Not available in S&F mode above 60FPS
[5] Dual Pixel CMOS AF unavailable when recording above 60FPS
[6] Pre Record not available during RAW Recording
[7] Depending on Sensor Mode and Format selected
[8] Available when Base ISO is set to Automatic
[9] Available when Base ISO is set to Automatic
[10] Multi-Accessory Shoe power supply and communication via LENS terminal are unavailable when using original BP-A30 / BP-A60 batteries