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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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CINEMA EOS SYSTEM
Redefining versatility, the Canon EOS C400 is a workhorse across cinema, live broadcast, and virtual production.
The Canon C400 delivers uncompromising performance in cinema, live broadcast, and virtual production.
Unleash your creativity with a mighty 6K full frame BSI sensor and 16 stops of dynamic range.
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.
The Canon C400 allows you to enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.
Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures.
Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.
On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi / Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe.
Return Input and advanced features enable live programming monitoring and compatibility with Industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App.
Real-time metadata for VP and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the Canon C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.
The Canon C400 camera was designed to excel in cinematic shooting, live broadcast, and virtual production. With the C400 Canon you can unleash your creativity with a 6K full frame BSI sensor and 16 stops of dynamic range.
Packing a 6K Full Frame BSI sensor, triple base ISO, and 18 customisable buttons into a compact, robust body. Building on Canon’s colour science to deliver warm skin tones and a naturally pleasing image. With professional connectivity, the CINEMA EOS C400 is your ally in cinema, live broadcast, and virtual production.
Full frame 6K BSI sensor
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.
Dual Pixel CMOS AF II with EOS iTR AF X
Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.
Professional recording formats and high frame rates
Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures.
RF mount
Panasonic GH7 relies on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.
Uncompromised connectivity
On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi/Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe.
Built for live multi-camera productions
Return Input and advanced features enable live programming monitoring and compatibility with industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App.
Designed for the future
Real-time metadata for virtual production and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the CINEMA EOS C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.
What is triple base ISO?
Triple base ISO delivers the best signal-to-noise ratio at multiple amplifications. Canon's cutting-edge 6K BSI sensor measures at three base ISOs – 800, 3200, and 12800 ISO – choose between them, or use auto-switching and the CINEMA EOS C400 will pick the optimal setting.
The basics: BSI sensors
The backside illuminated (BSI) sensor's improved architecture places circuity underneath the sensor plane. Benefits include increased dynamic range, auto-focus and rolling shutter performance.
Why is metadata so important?
In Virtual Production and VFX workflows, camera metadata is essential to producing professional results. The CINEMA EOS C400 and Canon RF mount lenses let you extract every drop of metadata – from ISO to f stop and even distortion correction – so your post process becomes smoother than ever.
IMAGE SENSOR | |
---|---|
Sensor | Full Frame Back-Side Illuminated |
(BSI) CMOS sensor | |
System | RGB primary color filter (Bayer array) |
Sensor Modes | Full Frame / Super 35mm (Crop) / |
Super 16mm (Crop) | |
Total Pixels | Approx. 26.67 megapixels (6202 x 4300) |
Effective Pixels | Approx. 19.05 megapixels (6008 x 3170):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution |
Approx. 17.86 megapixels (5633 x 3170):When 3840 x 2160 / 1920 x 1080 is selected as the resolution | |
Effective Sensor | Full Frame: 38.4 x 20.2 mm (40.7 mm on the diagonal):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution |
Screen Size | 36.0 x 20.2 mm (38.7 mm on the diagonal):When 3840 x 2160 / 1920 x 1080 is selected as the resolution |
Dynamic Range | Canon Log 2:1600% / 16 stops (at ISO 800) |
Canon Log 3:1600% / 14 stops (at ISO 800) | |
Base ISO : 800 / 3200 / 12800 | |
IMAGE PROCESSOR | |
Type | DIGIC DV7 |
LENS | |
Lens Mount | Canon RF mount |
PL mount support via PL-RF Mount Adapter | |
EF mount support via EF-EOS R Mount Adapters | |
Lens Magnification Factor | Full Frame; |
4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.06 | |
3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.12 | |
Super 35mm (Crop); | |
4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.46 | |
3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.54 | |
Super 16mm (Crop); | |
2048 x 1080 : Actual focal length x Approx. 2.92 | |
1920 x 1080 : Actual focal length x Approx. 3.07 | |
Digital Lens Correction | Peripheral Illumination Correction |
Chromatic Aberration Correction | |
Diffraction Correction | |
Distortion Correction (RF lenses only) | |
ND Filter | 2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode) |
Iris Control | 1/2-stop, 1/3-stop or |
(EF Mount Lenses) | FINE control |
Auto Iris | |
Cooke /i Technology SupportTM | Only when equipped with Mount Adapter PL-RF |
Anamorphic Lens Support | x2.0 / x1.8 / x1.3 |
Image Stabilization System | 5-Axis Combination IS (Optical and Digital) |
with supported lenses | |
Digital 5-Axis IS for non IS lenses. | |
RECORDING | |
Internal Recording Media1 | 1x CFexpress 2.0 (Type-B) |
1x SD Card (SD / SDHC / SDXC) | |
Recording Time2 | Cinema RAW Light LT : 6000 x 3164 576 Mbps : approx. 118 Mins |
Cinema RAW Light ST : 6000 x 3164 886 Mbps : approx. 77 Mins | |
Cinema RAW Light HQ : 6000 x 3164 1800 Mbps : approx. 37 Mins | |
XF-AVC : 4096 x 2160 500 Mbps : approx. 136 Mins | |
XF-AVC S : 4096 x 2160 500 Mbps : | |
approx. 136 Mins | |
XF-HEVC S : 4096 x 2160 135 Mbps : | |
approx. 505 Mins | |
Recording Formats | Cinema RAW Light (CRM), XF-AVC (MXF), |
XF-AVC S (MP4), XF-HEVC S (MP4) | |
Relay Recording3 | Yes |
Double Slot (Simultaneous) Recording | Yes |
Simultaneous Recording in Multiple Formats | Yes |
System Frequency / | 59.94 Hz mode (59.94P / 59.94i / 29.97P / 23.98P) |
Frame Rates | 50.00 Hz mode (50.00P / 50.00i / 25.00P) |
24.00 Hz mode (24.00P) | |
Cinema RAW Light Bit Rate / Bit Depth (PAL) | 12-bit Cinema RAW Light LT : |
FF / 6000 x 3164 / 50P [1160 Mbps] | |
FF / 6000 x 3164 / 25P [576 Mbps] | |
S35 / 4368 x 2304 / 50P [611 Mbps] | |
S35 / 4368 x 2304 / 25P [306 Mbps] | |
S16 / 2184 x 1152 / 50P [154 Mbps] | |
S16 / 2184 x 1152 / 25P [77 Mbps] | |
12-bit Cinema RAW Light ST : | |
FF / 6000 x 3164 / 50P [1780 Mbps] | |
FF / 6000 x 3164 / 25P [886 Mbps] | |
S35 / 4368 x 2304 / 50P [939 Mbps] | |
S35 / 4368 x 2304 / 25P [470 Mbps] | |
S16 / 2184 x 1152 / 50P [236 Mbps] | |
S16 / 2184 x 1152 / 25P [118 Mbps] | |
12-bit Cinema RAW Light HQ : | |
FF / 6000 x 3164 / 25P [1800 Mbps] | |
S35 / 4368 x 2304 / 50P [1910 Mbps] | |
S35 / 4368 x 2304 / 25P [954 Mbps] | |
S16 / 2184 x 1152 / 50P [479 Mbps] | |
S16 / 2184 x 1152 / 25P [240 Mbps] | |
XF-AVC Recording Bit Rate / Sampling (PAL / MXF) | 4:2:2 10-bit (Intra-frame) : |
4096 x 2160 or 3840 x 2160 / 50P | |
[1000 / 750 / 500 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P | |
[500 / 375 / 250 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [250 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50i [125 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [125 Mbps] | |
4:2:2 10-bit (Long GOP) : | |
4096 x 2160 or 3840 x 2160 / 50P [250 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P [150 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50i [50 / 25 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] | |
XF-AVC S Recording Bit Rate / Sampling | 4:2:2 10-bit (Intra-frame) : |
(PAL / MP4) | 4096 x 2160 or 3840 x 2160 / 50P |
[1000 / 750 / 500 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P | |
[500 / 375 / 250 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [250 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [125 Mbps] | |
4:2:2 10-bit (Long GOP) : | |
4096 x 2160 or 3840 x 2160 / 50P [250 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P [150 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] | |
4:2:0 8-bit (Long GOP) : | |
4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] | |
XF-HEVC S Recording Bit Rate / Sampling | 4:2:2 10-bit (Long GOP) : |
(PAL / MP4) | 4096 x 2160 or 3840 x 2160 / 50P [225 Mbps] |
4096 x 2160 or 3840 x 2160 / 25P [135 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] | |
4:2:0 10-bit (Long GOP) : | |
4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] | |
4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] | |
2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] | |
2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] | |
Proxy Recording Bit Rate / Sampling (PAL)4 | 4:2:0 8-bit (Long GOP) : |
2048 x 1080 or 1920 x 1080 35 / 16 / 9 Mbps] | |
1280 x 720 [6 Mbps] | |
4:2:0 10-bit (Long GOP) : | |
2048 x 1080 or 1920 x 1080 [16 / 9 Mbps] | |
Slow / Fast Motion5 | 6K RAW : up to 60FPS |
4K : up to 120FPS | |
4.3K RAW (S35 Crop) : up to 100FPS | |
2K (S16 Crop) : up to 180 FPS | |
Interval Record | Yes |
Frame Record | Yes |
Pre Record | 3 Seconds |
(Cache Record)6 | |
Digital Tele-converter | 1.5x, 2x, 2.5x, 3x, Off |
Photo Storage Media | SD Card |
Photo Recording Size7 | 4096 x 2160 / 3840 x 2160 / 2048 x 1080 / |
1920 x 1080 | |
SYSTEM | |
Display Type | 3.5 inch LCD Touch Panel |
Display Resolution | approx. 2.76 million dots (1280 x RGB x 720) |
Display Touch Screen Functions | Focus Point Selection |
Touch Screen UI for Shooting Settings | |
OSD for Vertical Shooting | Yes |
Wave Form Monitor | Yes (Line / Line + Spot / RGB Parade / |
YPrPb Parade) | |
False Colour Display (Exposure Indication) | Yes (6 Colour Index) |
Colour Bars | SMPTE / EBU / ARIB |
Peaking | Peaking 1, Peaking 2 (Colour, Gain, |
Frequency customisable) | |
Zebra | Level 1; Level 2; Both |
Markers | On / Off selectable: centre, horizontal / vertical, grid, aspect, safe area and user marker. Colour selectable |
EVF | |
Built-In EVF | No |
INPUTS / OUTPUTS | |
Audio In | 2x Mini XLR 3-pin connector |
1x 3.5 mm stereo mini jack | |
Built in Stereo microphones on camera body | |
Headphone Output | 1x 3.5mm stereo mini jack |
Video Monitor Output | 1x 3G-SDI Output (BNC) |
HDMI | 1x HDMI (Type-A) |
USB | 1x USB-C Data Terminal (USB 3.2 Gen1) |
SDI Output | 1x 12G-SDI Output (BNC) |
Time Code | 1x DIN1.0 / 2.3 (Input / Output) |
Genlock | 1x DIN1.0 / 2.3 (shared with Sync & Return) |
Sync | 1x DIN1.0 / 2.3 (shared with Genlock & Return) |
DC Input | 12V (4-pin XLR / 11.5-20V) |
Multi-Accessory Shoe | Yes (via camera body or top handle) |
Remote Control Terminal | 1x 2.5 mm stereo mini jack |
Lens Terminal | 1x 12-pin jack |
Ethernet Terminal | 1x RJ45 Connector (1000BASE-T compatible) |
Grip | 1x USB-C Terminal (for supplied Hand Grip only) |
IP Streaming / FTP | IP Streaming via Ethernet / Wi-Fi connection |
9 Mbps / 4 Mbps: 1920 x 1080 | |
(59.94p / 59.94i / 50.00p / 50.00i) | |
UDP / RTP / SRT / RTP+FEC / RTSP+RTP | |
User LUT Input | Yes, in-built LUTs available for monitoring. |
Custom LUTs can be applied directly to internal recordings via Look File function | |
(compatible with 17 or 33 grid .cube files) | |
Video Connector | 1x USB-C Terminal (for supplied LCD Monitor only) |
Tally Signal | Yes, via Wi-Fi or Ethernet using XC Protocol |
Return Signal Input | 1x DIN1.0/2.3 (shared with Genlock & Sync) |
Default Function Button Settings | 1. MAGN. |
2. PEAKING | |
3. WFM | |
4. S&F | |
5. ISO / GAIN | |
6. SHUTTER | |
7. S&F FPS | |
8. AUDIO STATUS | |
9. WB | |
10. SET WB | |
11. FUNC | |
12. (unassigned) | |
13. AF LOCK | |
User Assignable Buttons | 13x (Body) / 3x (Hand Grip) / 2x (LCD Monitor) |
MISCELLANEOUS | |
Tally Lamp | Yes, 2x |
Custom Dial | Yes, 3x |
Software Application Support | Cinema RAW Development |
XF Utility | |
EOS VR Utility | |
Remote Camera Control Application | |
RAW Plugin for Avid Media Access | |
RAW Plugin for Final Cut Pro | |
XF Plugin for Avid Media Access | |
EOS VR Plugin for Adobe Premiere Pro | |
CV Metadata Plugin for Adobe After Effects | |
Live Link Plugin for Unreal Engine | |
CV Metadata Extraction Tool | |
MP4 Join Tool | |
HEVC Activator | |
Smartphone Application Support | Canon Multi-Camera Control |
Content Transfer Professional | |
Browser Remote Control | |
EXPOSURE | |
Exposure Metering | Standard / Spotlight / Backlight |
Exposure Compensation | AE shift function available. |
Target value | |
(±8 steps from center) | |
Auto Exposure Mode | Auto Iris / Auto ISO |
Push Auto Iris | Yes |
Exposure Lock | No |
Auto Gain Control Setting | Yes |
ISO Sensitivity8 | 1-Stop Display : |
100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* | |
1/3-Stop Display : | |
100* / 125* / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 8000 / 10000 / 12800 / 16000 / 20000 / 25600 / 32000 / 40000 / 51200 / 64000* / 80000* / 102400* | |
*when ISO Extended Range is set to ON | |
**when ISO Extended Range is set to OFF | |
Auto Focus System | Dual Pixel CMOS AF II + EOS iTR AF X |
AF Frame Sizes | Full: approx. 100% (Vertical) x approx. 100% (Horizontal) |
Large Zone (Vertical) : Video display range approx. 97% (Vertical) x 25% (Horizontal) | |
Large Zone (Horizontal) : Video display range approx. 43% (Vertical) x 76% (Horizontal) | |
Zone: Video display range approx. 43% (Vertical) x 25% (Horizontal) | |
Small Zone : Video display range approx. 15.9% (Vertical) x 11.8% (Horizontal) | |
Auto Focus Modes | Continuous AF / One-Shot AF |
Face Detection AF | Yes (Eye / Face / Head / Body) |
Animal Detection AF | Yes (Dogs / Cats) |
Focus Guide | Yes, with compatible Canon lenses |
Gain Setting9 | -6dB*, -3dB*, -2dB**~48dB, 51dB*, 54dB* |
*when ISO Extended Range is set to ON | |
**when ISO Extended Range is set to OFF | |
SHUTTER | |
Control Modes | Speed / Angle / Clear Scan / Slow Shutter |
Shutter Speed | 1/1~1/2000 (total of 45 settings) |
Shutter Angle | 11.25º to 360º depending on frame rate |
Slow Shutter (SLS) | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
Clear Scan | 23.97 Hz~2000 Hz depending on sensor mode / frame rate |
CUSTOM PICTURE | |
Stored Configurations | C1 : Canon 709 |
C2 : Canon Log 2 | |
C3 : Canon Log 3 | |
C4 : BT.709 Wide DR | |
C5 : BT.709 Standard | |
C6 : PQ | |
C7 : HLG | |
C8 : EOS Standard | |
C9 : EOS Neutral | |
C10 : User10 ~User20 | |
HDR-HLG Profile | BT.2100 : Corresponds to ITU-R BT.2100 |
Vivid : Corresponds to Traditional Colour in ITU-R BT.2390 | |
Colour Matrix | Neutral : Accurate colour reproduction |
Production Camera : Colour reproduction for use in movie production | |
Video : Colour reproduction with contrast for TV broadcasts. | |
Image Adjustment Parameters | Master Pedestal |
Master Black | |
Black Gamma | |
Low Key Saturation | |
Knee | |
Sharpness | |
Noise Reduction | |
Skin Detail | |
Colour Matrix Tuning | |
White Balance | |
Colour Correction | |
WI-FI & GPS SPECIFICATIONS | |
Wi-Fi (Optional Third Party Accessory) | In-built (2.4 / 5GHz bands) |
Supporting 802.11a/b/g/n/ac | |
GPS Information | Only when equipped with GP-E2 GPS Receiver) |
(Optional Accessory) | |
WHITE BALANCE | |
Auto | Yes |
Preset | Daylight (5600K), Tungsten (3200K), Kelvin |
(2000K-15000K, 100K intervals), Set A, Set B | |
White Balance Shift | -5 CC - +5 CC (Daylight / Tungsten) |
-20 CC - +20 CC (Kelvin) | |
TIME CODE | |
Count Up System | Regen / RecRun / Free Run / External / Frame Count |
AUDIO | |
Recording Format | RAW / XF-AVC : Linear PCM (24-bit / 48 kHz, 4 channels) |
XF-AVC S / XF-HEVC S : Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16-bit 48kHz) 2 channels | |
ACCESSORIES | |
Supplied | LCD Monitor |
LCD Attachment Unit | |
MC-5U Monitor Cable | |
Handle Unit | |
Camera Grip | |
BP-A60N Battery Pack | |
CA-CP300 B Compact Power Adapter | |
CG-A20 Battery Charger | |
Microphone Holder | |
Optional | BP-A60N / BP-A30N Battery Pack |
BP-A30 / BP-A60 Battery Pack | |
CG-A20 / CG-A10 Battery Charger | |
CA-CP300 B Compact Power Adapter | |
MC-5U Monitor Cable | |
PL-RF Mount Adapter | |
EF-EOS R Mount Adapter | |
EF-EOS R Control Ring Mount Adapter | |
EF-EOS R Drop-In Filter Mount Adapter | |
EF-EOS R 0.71x Mount Adapter | |
Remote Camera Controller RC-V100 | |
Remote Camera Controller RC-IP100 | |
Remote Camera Controller RC-IP1000 | |
DM-E1D Multi-Function Shoe Directional Stereo Microphone OC-E4A Off-Camera Shoe Cord | |
IFC-100U / IFC-400U Interface Cable | |
Third Party Accessories | Tascam CA-XLR2d XLR Microphone Adapter |
POWER SOURCE | |
Power Supply (Battery)10 | BP-A60N (Supplied) |
BP-A30N / BP-A30* / BP-A60* (Optional) | |
Power supply (Mains) | DC IN 12V terminal : DC 11.5V - 20V (4-pin XLR) |
Power Consumption | Cinema RAW Light: FF / 6K / 59.94P - 32.5W |
Cinema RAW Light: S35 / 4.3K / 59.94P - 30.4W | |
XF-AVC: FF / 4K / 59.94P - 31.6W | |
XF-AVC: FF / 2K / 59.94P - 29.7W | |
Recording Time | With supplied BP-A60N battery pack: |
Approx. 155 - 170mins (depending on recording mode) | |
PHYSICAL SPECIFICATIONS | |
Dimensions | Approx. 142 x 135 x 135 mm |
(Main Body Only) | |
Weight (Body Only) | Approx. 1540 g |
Weight (Accessories) | LCD Monitor: Approx. 155g |
LCD Attachment Unit: 260g | |
MC-5U Monitor Cable: Approx. 25g | |
Handle Unit: Approx. 300g | |
Camera Grip: Approx. 270 g | |
BP-A60N Battery Pack: Approx. 465g | |
CA-CP300 B Compact Power Adapter: Approx. 219g | |
Battery Charger CG-A20: Approx. 145g | |
Microphone Holder + 2 screws: Approx. 60g | |
Operating Temperature Range | Approx. 0 to 40°C, (85% relative humidity) |
Approx. -5 to 45°C, (60% relative humidity) | |
Footnotes: | |
[1] | RAW Recording only available via CFexpress |
[2] | Based on 25P recording on a 512GB card at maximum bitrate |
[3] | Relay Recording not available during RAW or S&F Recording |
[4] | Proxy recording available in XF-AVC, XF-AVC S and XF-HEVC S (depending on the main format selected). Not available in S&F mode above 60FPS |
[5] | Dual Pixel CMOS AF unavailable when recording above 60FPS |
[6] | Pre Record not available during RAW Recording |
[7] | Depending on Sensor Mode and Format selected |
[8] | Available when Base ISO is set to Automatic |
[9] | Available when Base ISO is set to Automatic |
[10] | Multi-Accessory Shoe power supply and communication via LENS terminal are unavailable when using original BP-A30 / BP-A60 batteries |