2 in stock - Order by 3pm for next day delivery.
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
On all orders
Request here
HYBRID RF
A professional 24-105mm zoom lens for filmmaking and stills, combining uncompromised engineering, a fast and bright f/2.8 aperture plus exceptional sharpness, ideal for hybrid workflows.
The RF 24-105mm F2.8L IS USM Z unites the worlds of broadcast, cinema and photography. A pioneering lens for the hybrid age, it offers filmmakers and photographers the very best image quality and lens performance. With a constant f/2.8 aperture for breathtaking bokeh, as well as reduced focus breathing and electronic parfocal performance, it sets the new standard for all content creators.
Whether it’s stills or video, this lens will perform brilliantly in any situation thanks to a fast f/2.8 aperture for great depth of field control, a versatile zoom range to cover all situations and filmmaking features for cinema quality movies.
Short film and documentary
Fast and quiet, ideal for single operator filming where there is no time to change lenses. Optional power zoom enhances smooth zoom technique.
Wedding and events
Produce high quality stills and video with one lens and respond to all the events of the day even in low light.
Portraits
11-blade aperture for stunning out-of-focus highlights, plus incredible sharpness and colour accuracy.
Never again choose between range and aperture. With a constant f/2.8 from 24mm up to 105mm in one lens, this zoom has got you covered.
Achieve incredible results with superb depth-of-field control, even when light levels drop. A 24-105mm focal length and 5.5-stop Optical Image Stabilizer (8-stops co-ordinated IBIS and OIS) sets new standards for video and stills capture.
Four UD elements correct chromatic aberration while three Aspherical lenses negate spherical aberrations. Rely on ASC and Super Spectra Coating to reduce ghosting and flare while Fluorine protection on the front element helps reduce dirt on the lens surface.
Use the Iris Ring when shooting video for manual aperture control and enjoy a smooth and quiet operation. A lock release switch enables the Iris ring to be locked into the Auto position for photography, and unlocked for smooth aperture adjustments, perfect for filmmaking.
Dual Nano USM motors perform equally brilliantly for both stills and video, enabling a professional electronic parfocal focus capability while zooming, and focus breathing suppression to maintain a consistent field-of-view when shooting movies.
Get in tight to your subject and focus down to 0.45m for that frame-filling close-up. Two customisable lens function buttons and a useful Control Ring give further control options such as pausing AF when in AF Servo mode.
Operate the optional Power Zoom Adapters PZ-E2 or PZ-E2B by hand or remotely, via Canon's Camera Connect / EOS Utility applications, Browser Remote function or over IP using Canon’s XC Protocol with compatible cameras. The 20-pin interface (PZ-E2B only) offers additional support for Canon's Zoom / Focus demands and Zoom Servo Grip.
The RF 24-105mm F2.8L IS USM Z unites the worlds of broadcast, cinema and photography. A pioneering lens for the hybrid age, it offers filmmakers and photographers the very best image quality and lens performance. With a constant f/2.8 aperture for breathtaking bokeh, as well as reduced focus breathing and electronic parfocal performance, it sets the new standard for all content creators.
A Professional Zoom Ready for Anything
Whether it’s stills or video, this lens will perform brilliantly in any situation thanks to a fast f/2.8 aperture for great depth of field control, a versatile zoom range to cover all situations and filmmaking features for cinema quality movies.
Flexible. Agile. Brilliant
Never again choose between range and aperture. With a constant f/2.8 from 24mm up to 105mm in one lens, this zoom has got you covered.
Be more creative with a constant f/2.8 aperture
Achieve incredible results with superb depth-of-field control, even when light levels drop. A 24-105mm focal length and 5.5-stop Optical Image Stabilizer (8-stops co-ordinated IBIS and OIS) sets new standards for video and stills capture.
Capture sharp, high contrast images
Four UD elements correct chromatic aberration while three Aspherical lenses negate spherical aberrations. Rely on ASC and Super Spectra Coating to reduce ghosting and flare while Fluorine protection on the front element helps reduce dirt on the lens surface.
Adjust aperture faster and more intuitively
Use the Iris Ring when shooting video for manual aperture control and enjoy a smooth and quiet operation. A lock release switch enables the Iris ring to be locked into the Auto position for photography, and unlocked for smooth aperture adjustments, perfect for filmmaking.
Powerful Optical Image Stabilization
5.5-stop Optical Image Stabilizer (8-stops co-ordinated IBIS and OIS) sets new standards for versatile stills and video.
Fast auto focus for video and stills
Dual Nano USM motors perform equally brilliantly for both stills and video, enabling a professional electronic parfocal focus capability while zooming2, and focus breathing suppression to maintain a consistent field-of-view when shooting movies.
Shoot with confidence and flexibility
Get in tight to your subject and focus down to 0.45m for that frame-filling close-up. Two customisable lens function buttons and a useful Control Ring give further control options such as pausing AF when in AF Servo mode.
Zoom smoother and remotely
Operate the optional Power Zoom Adapters PZ-E2 or PZ-E2B by hand or remotely, via Canon's Camera Connect / EOS Utility applications, Browser Remote function or over IP using Canon’s XC Protocol with compatible cameras. The 20-pin interface (PZ-E2B only) offers additional support for Canon's Zoom / Focus demands and Zoom Servo Grip.
Image Size
|
Full Frame |
---|---|
Angle of View (Horizontal, vertical, diagonal) | 74° - 19° 20', 53° - 13°, 84° - 23° 20' |
Lens Construction (Elements/Groups) | 23 / 18 |
Special Optics | 4 x UD, 2 x GMo aspherical, 1 x replica aspherical |
Special Features | Iris Ring (Video) |
Number of Diaphragm Blades | 11 |
Minimum Aperture | 22 |
Closest Focusing Distance (m) | 0.45m (at 24mm) 0.45m (at 105mm) |
Maximum Magnification (x) | 0.08x (at 24mm) 0.29x (at 105mm) |
Control Ring
|
Yes |
Image Stabilizer OIS
|
5.5 |
Image Stabilizer IBIS x OIS
|
8.0 |
AF Actuator
|
Dual Nano USM |
Coatings
|
ASC, Super Spectra |
Fluorine
|
Front |