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Fujifilm GFX100 II Body Only

Availability:In stock
Cat No.
55382
SKU
16805452
Fujifilm

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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

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Product Information

Fujifilm GFX100 II Body Only

The Fujifilm GFX100 II camera comes packed with unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras. New beginnings don't start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration.

If it's time to find some direction, discover one to new opportunities with GFX100 II.

HIGH SPEED 102MP SENSOR
GFX100 II brings a new 102-megapixel sensor 「GFX 102MP CMOS II HS」with a readout speed that is about two times faster than GFX100S.

Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.

A NEW ERA IN AUTOFOCUS
Subject Detection AF
X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains.* With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.

Updated AF algorithm
Fujifil GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.

HIGH PERFORMANCE AT HIGH SPEED
8fps High-Speed Burst
GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
*When mechanical shutter is selected

Shortened Intervals and Decreased Viewfinder Blackout
Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.

120fps Display Frame Rate in Boost Mode
Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second - more than enough to keep up with fast-moving subjects.

5.3fps Blackout-Free Burst Operation
GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.
*When setting to electronic shutter

OTHER FUNCTIONS FOR HIGH SPEED

  • Zone Custom Setting
  • AF-C Custom Setting
  • Number of Focus Points

THE ULTIMATE IN IMAGE QUALITY
GFX100 II camera continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you've never witnessed before.

ISO 80 Standard Sensitivity
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

Improved Quality in Every Corner
Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens

HEIF Image Format Support
GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG. 

Pixel Shift Multi-Shot
For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release.

Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.

New Film Simulation Mode REALA ACE
Enjoy the latest iteration of Fujifilm's renowned color science - REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.

OTHER FUNCTIONS FOR STILL

  • IPTC metadata
  • Auto White Balace
  • White Balance shift
  • Grain Effect
  • Color Chrome Effect
  • Color Chrome FX Blue
  • Smmoth Skin Effect
  • Clarity

POWER AND PRECISION FOR VIDEO
4K/60p, 8K/30p, FHD/120p 4:2:2 10-bit Internal Recording
Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.

Support for Multiple Cine Recording Formats
In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.

Improved Subject Tracking
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.

High speed rolling shutter
Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.

F-Log2 Support
GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.
*When setting to F-Log2 D Range Priority

Compatible with Frame.io Camera to Cloud
Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.

New MF assist Focus MAP
For added precision while using manual focus, a new Focus MAP has been added as a MF assist function. 

RAW output via HDMI
Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

FAN-001 Cooling Fan
Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.

Recording to External SSD via USB
Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p. *
*Depending on the type of SSD, there are some modes and formats that cannot be recorded. Please check the compatibility list for SSD.

OTHER FUNCTIONS FOR VIDEO

  • Waveform
  • Vectorscope
  • F-log2 D Range Priority Mode
  • ATOMOS AirGlu™ BT Wireless Timecode*
  • Pixel Mapping for Video
  • Rec Frame Indicator
  • IS Mode Boost
  • Zebra Setting

*AirGlu™ is a trademark and a registered trademark of Atomos.

FRAME WITH CONFIDENCE
8.0-Stop IBIS / Up to 8.0 Stops of In-Body Image Stabilization
Low light? No worries! GFX100 II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops of image stabilization* – more than any other Fujifilm camera. Confidently work hand-held in almost any lighting conditions, unlocking new levels of creativity for stills and video.
*Based on CIPA standards, when coupled with the FUJINON GF63mmF2.8 R WR

9.44 Million Dot 1.0x EVF
GFX100 II's EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view. 

DETAIL IN DESIGN

A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.

New Leather Pattern BISHAMON-TEX™
Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a  traditional Japanese-inspired imprint that improves grip in all directions.

Enhanced Top-Plate
A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.

Three Fn Buttons
Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.

  • Supports CFexpress™ Type B card
  • Optional Grip VG-GFX100II
  • Suppports EVF tilt adapter EVF-TL1
  • Ethenet port
  • HDMI Type A terminal
  • USB-C terminal
  • Li-ion battery NP-W235
  • 9.44 Million Dot three-way tilting LCD
Lens Mount FUJIFILM G mount
Image sensor 43.8mm×32.9mm Bayer array with primary colour filter
Number of effective pixels 102 million pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage media SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
CFexpress Type B Card (-2TB)
SSD (-2TB)
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image DCF - Compliant with Design rule for Camera File system (DCF2.0)
JPEG - Exif Ver.2.32
HEIF - 4:2:2 10bit
RAW - 14bit / 16bit RAW (RAF original format)
TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only)
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels
[L] 4:3 - 11648 x 8736
3:2 - 11648 x 7768
16:9 - 11648 x 6552
1:1 - 8736 x 8736
65:24 - 11648 x 4304
5:4 - 10928 x 8736
7:6 - 10192 x 8736
[M] 4:3 - 8256 x 6192
3:2 - 8256 x 5504
16:9 - 8256 x 4640
1:1 - 6192 x 6192
65:24 - 8256 x 3048
5:4 - 7744 x 6192
7:6 - 7232 x 6192
[S] 4:3 - 4000 x 3000
3:2 - 4000 x 2664
16:9 - 4000 x 2248
1:1 - 2992 x 2992
65:24 - 4000 x 1480
5:4 - 3744 x 3000
7:6 - 3504 x 3000
Panorama
[L] Vertical
Horizontal
[M] Vertical
Horizontal
Sensitivity
Still Image Standard Output: AUTO1
AUTO2
AUTO3
ISO80~12800 (1/3 step)
Extended Output: ISO40
ISO25600
ISO51200
ISO102400
Movie Standard Output: AUTO
ISO100~12800 (1/3 step)
Extended Output: ISO25600
Exposure control TTL 256-zone metering
Multi
Spot
Average
Centre Weighted
Exposure mode P (Program AE)
A (Aperture Priority AE)
S (Shutter Speed Priority AE)
M (Manual Exposure)
Exposure compensation
Still -5.0EV~+5.0EV 1/3EV step
Movie -2.0EV~+2.0EV 1/3EV step
Image stabilizer
Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 8.0 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed
Mechanical shutter P mode: 30sec. to 1/4000sec.
A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec.
Bulb: up to 60min.
Electronic shutter P mode: 30sec. to 1/32000sec.
A mode: 30sec. to 1/32000sec.
S/M mode: 60min. to 1/32000sec.
Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutter P mode: 30sec. to 1/32000sec.
A mode: 30sec. to 1/32000sec.
S/M mode: 60min. to 1/32000sec.
Bulb: up to 60min.
*Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) P mode: 30sec. to 1/4000sec.
A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec.
Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) P mode: 30sec. to 1/32000sec.
A mode: 30sec. to 1/32000sec.
S/M mode: 60min. to 1/32000sec.
Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Movie 8K/DCI8K: 1/4000sec. to 1/24 sec.
5.8K: 1/4000sec. to 1/24 sec.
5.4K: 1/4000sec. to 1/24 sec.
4.8K: 1/4000sec. to 1/24 sec.
4.6K(ANAMOR): 1/4000sec. to 1/24 sec.
4K/DCI4K: 1/4000sec. to 1/8 sec.
FHD: 1/4000sec. to 1/8 sec.
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized shutter speed for flash Mechanical shutter: 1/125sec. or slower
CH No. of recordable frames Electronic shutter: Approx. 8.7fps (35mm Format Mode ON)
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 1000+ frames
Uncompressed RAW: 1000+ frames
Compressed RAW + JPEG: 156 frames
Lossless compressed RAW + JPEG: 148 frames
Uncompressed RAW + JPEG: 71 frames
CH No. of recordable frames Electronic shutter: Approx. 5.8fps (35mm Format Mode ON)
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 1000+ frames
Uncompressed RAW: 1000+ frames
Compressed RAW + JPEG: 1000+ frames
Lossless compressed RAW + JPEG: 1000+ frames
Uncompressed RAW + JPEG: 1000+ frames
CH No. of recordable frames Electronic shutter: Approx. 5.3fps
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 1000+ frames
Uncompressed RAW: 390 frames
Compressed RAW+JPEG: 119 frames
Lossless compressed RAW+JPEG: 119 frames
Uncompressed RAW+JPEG: 98 frames
CH No. of recordable frames Mechanical shutter: Approx. 8.0fps
JPEG: 1000+ frames
Compressed RAW: 325 frames
Lossless compressed RAW: 302 frames
Uncompressed RAW: 76 frames
Compressed RAW+JPEG: 75 frames
Lossless compressed RAW+JPEG: 75 frames
Uncompressed RAW+JPEG: 55 frames
CH No. of recordable frames Mechanical shutter: Approx. 5.0fps
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 1000+ frames
Uncompressed RAW: 497 frames
Compressed RAW+JPEG: 153 frames
Lossless compressed RAW+JPEG: 152 frames
Uncompressed RAW+JPEG: 116 frames
CL No. of recordable frames Mechanical shutter: Approx. 2.0fps
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 1000+ frames
Uncompressed RAW: 1000+ frames
Compressed RAW+JPEG: 1000+ frames
Lossless compressed RAW+JPEG: 1000+ frames
Uncompressed RAW+JPEG: 1000+ frames
*Electronic Front Curtain Shutter support CL only.
*No. of recordable frames are calculated based on CFexpress Type B card in a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing 2 frames
3 frames
5 frames
7 frames
9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100%
200%
400%
ISO sensitivity Bracketing ±1/3EV
±2/3EV
±1EV
White Balance Bracketing ±1
±2
±3
Focus Bracketing AUTO
MANUAL
Multiple Exposure Yes (Max. 9 frames)
Additive
Average
Bright
Dark
Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOUR: Yes
ACCURATE COLOUR: Yes
Focus
Mode Single AF
Continuous AF
MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance Contrast: -2.5EV
GF80mmF1.7 attached
Phase Detection: -5.5EV
GF80mmF1.7 attached
AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detection Yes
Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder
EVF 0.64 inch OLED Colour Viewfinder
Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5~+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° )
Built-In Eye Sensor
LCD monitor 3.2 inch Tilt-Type(Three Direction) Touch Screen Colour LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Touch Screen Mode
Shooting Mode AF
Focus Area
OFF
Double Tap Setting (ON/OFF)
Touch Function Setting (ON/OFF)
EVF Touch Screen Area Setting
Playback Mode Swipe
Pinch-in / Pinch-out
Double-tap
Drag
Sub LCD monitor 2.09 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 320x219-dot
Movie recording
File format MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4: MPEG-4 AVC/H.264, AAC
Movie compression All Intra
Long GOP
8K(17:9) File size: 8192 x 4320
Frame rate: 24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
8K(16:9) File size: 7680 x 4320
Frame rate: 29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
8K(2.76:1) File size: 8192 x 2968
Frame rate: 24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
5.8K(2.35:1) File size: 5824 x 2476
Frame rate: 29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
5.4K(17:9) File size: 5440 x 2868
Frame rate: 29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
4.8K(3:2) File size: 4776 x 3184
Frame rate: 24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
4.8K(16:9) File size: 4776 x 2688
Frame rate: 29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
4.6K(1.38:1) File size: 4664 x 3380
Frame rate: 24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
DCI4K(17:9) File size: 4096 x 2160
Frame rate: 59.94p
50p
29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
4K(16:9) File size: 3840 x 2160
Frame rate: 59.94p
50p
29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9) File size: 2048 x 1080
Frame rate: 59.94p
50p
29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(16:9) File size: 1920 x 1080
Frame rate: 59.94p
50p
29.97p
25p
24p
23.98p
Bitrate: 720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9) High speed rec. File size: 2048 x 1080
Frame rate: 120p
100p
Bitrate: 720Mbps (recording)
360Mbps (recording)
200Mbps (recording)
Full HD(16:9) High speed rec. File size: 1920 x 1080
Frame rate: 120p
100p
Bitrate: 720Mbps (recording)
360Mbps (recording)
200Mbps (recording)
*Selectable mode will be changed depending on the "Image Format" setting.
*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
*Selectable bitrate will be changed depends on the setting.
*Apple ProRes codec can be only recorded to CFexpress Type B card
*Bitrate for Apple ProRes codec is not selectable.
*Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode 20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic Colour Yes
Grain Effect Roughness: STRONG, WEAK, OFF
Size: LARGE, SMALL
Colour Chrome Effect STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting Still: AUTO / 100% / 200% / 400% 
ISO restriction: DR100%: No limit、 DR200%: ISO160 or more、DR400%: ISO320 or more
Movie: 100% / 200% / 400% 
ISO restriction: DR100%: No limit、 DR200%: ISO200 or more、DR400%: ISO400 or more
White balance Auto: White Priority
Auto
Ambience Priority
Custom: Custom1 - 3
Colour temperature selection: 2500K~ 10000K
Preset: Daylight
Shade
Fluorescent Light-1
Fluorescent Light-2
Fluorescent Light-3
Incandescent Light
Underwater
Clarity setting ±5 steps
Self-timer Still: 10sec.
2sec.
Movie: 10sec.
5sec.
3sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority
mode)
Wireless transmitter Standard: IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption: WPA/WPA2 mixed mode, WPA3
Access mode: Infrastructure
Bluetooth® Standard: Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Centre frequency): 2402〜2480MHz
Terminal Digital interface: USB Type-C (USB3.2 Gen2x1)
HDMI output: HDMI connector (Type A)
LAN Terminal: 1000BASE-T、100BASE-TX、 10BASE-T
Others: ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supply NP-W235 Li-ion battery (included)
Battery life for still images: Economy Mode -
Normal Mode Approx. 540 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual battery life of movie capture: 8K Approx. 60min. (29.97p)
4K Approx. 60min. (59.94p)
Full HD Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance battery life of movie capture: 8K Approx. 80min. (29.97p)
4K Approx. 90min. (59.94p)
Full HD Approx. 140min. (59.94p)
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions
Width 152.4mm
Height 117.4mm
Depth 98.6mm
(Minimum Depth) 46.5mm
Excluding EVF Width: 152.4mm
Height: 103.5mm
Depth: 73.5mm
(Minimum Depth): 46.5mm
Weight including battery and memory card: 948g (including EVF: 1,030g)
excluding battery and memory card: 867g (including EVF: 949g)
Operation Environment
Operating Temperature -10℃~+40℃
Operating Humidity 10% - 80% (no condensation)