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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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RedNet X2P is a compact, robust 2x2 Dante™ audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P quickly adds I/O to your Focusrite Red interface or any Dante™ audio-over-IP system, and power, audio and remote control are supplied using a single Ethernet cable — simply use a power-over-Ethernet switch or PoE injector. A local input mixer allows 'more me' monitoring control, while a control lockout ensures settings remain unchanged when used remotely.
The two digitally-controlled Red Evolution mic pres provide large amounts of ultra-clean gain along with stereo linking, individual phantom power, a high-pass filter and phase reverse. Plus they include Air mode, emulating the sound of Focusrite's classic transformer-based mic preamps. RedNet X2P provides high-performance audio conversion with over 118dB dynamic range. These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency.
Sometimes it helps to have direct foldback within the interface, so RedNet X2P features a crossfader to enable you to control the level of local inputs versus network inputs that feed either the line outputs or the headphone outputs. The unit can be mounted directly to a mic stand, keeping it out of the way and within reach.
Flexible control locks enable you to lock out local control of mic pre settings, output settings or both. Leave RedNet X2P with your artists and allow them to adjust their headphone mix and level, safe in the knowledge that they cannot accidentally adjust the mic pre gain.
Microphone / line inputs |
|
---|---|
Gain Range |
0dB to 68dB in 1dB steps |
Type |
Electronically Balanced, Zin = 6.2kO |
Max. Input Level |
>+24dBu, min gain |
Frequency Response |
20Hz - 35kHz ±0.1dB |
THD + N |
-103dB (0.0007%) @ -1dBFS (@ 24dB Gain) |
EIN |
<-130dBu 'A'-Weighted (typical) |
Signal-To-Noise Ratio |
-120dB 'A'-Weighted (typical), min gain |
Common-Mode Rejection Ratio |
50/60Hz CMRR: -80dB |
Phantom Power |
+48V, independently switchable per channel. |
HPF |
High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel |
Air Mode |
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO |
Instrument inputs |
|
Instrument Inputs Gain Range |
0dB to 68dB in 1dB steps |
Instrument Inputs Type |
Electronically Balanced, Zin = 2MO |
Instrument Inputs Max. Input Level |
>+15dBu, min gain |
Instrument Inputs Frequency Response |
20Hz - 35kHz ±0.1dB |
Instrument Inputs THD + N |
<-100dB (0.001%) @ -1dBFS (@ 16dB Gain) |
Instrument Inputs Signal-To-Noise Ratio |
-118dB 'A'-Weighted (typical), min gain |
Instrument Inputs HPF |
High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel |
Line level outputs |
|
Line Level Outputs 0 DBFS Reference Levels |
+18 or +24dBu (switchable) |
Line Level Outputs Frequency Response |
20Hz - 35kHz ±0.1dB |
Line Level Outputs THD + N |
<-104dB (0.0006%) @ -1dBFS |
Line Level Outputs Dynamic Range |
-120dB 'A'-Weighted (typical), 20Hz - 20kHz |