Canon EOS C80 Cinema Camera
Available to Pre Order
Cat No.
71021
SKU
6389C006AA
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
£5,399.99
£4,499.99
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Product Information
CINEMA EOS SYSTEM
CANON EOS C80
A professional powerhouse to give your video and live productions the full frame edge.
ELEVATE YOUR CREATIVITY
Stay nimble with the compact and ergonomic EOS C80, with its mighty 6K full frame BSI sensor, plus RF mount and Dual Pixel CMOS AF II technology to deliver outstanding imaging and flexibility in your cinema, live and virtual productions.
Specifications
-
Full frame 6K BSI sensor
Next-generation backside illuminated design maximises light sensitivity with 16 stops of dynamic range
-
Triple base ISO
For optimal signal-to-noise ratio at 800 / 3200 / 12800 ISO
-
RF mount system
Enhanced imaging system platform also adaptable to PL and EF mounts
-
Dual Pixel CMOS AF II
Including EOS iTR AF X for tack-sharp auto focus across the full sensor
-
Cinema RAW Light
Record 12-bit internally for maximum flexibility in post-production
-
XF-HEVC S, XF-AVC S, and XF-AVC
Oversampled 4K 4:2:2 10-bit MP4 / MXF formats with detailed metadata
-
HDR
Produce high dynamic range content with Canon Log 2 / 3, PQ, and HLG
-
5-axis image stabilisation
Combine Electronic IS with Optical IS for the most stable cinematic footage
-
Two card slots
Record to SD UHS-II
-
Professional I/O
Extensive professional connectivity including 12G-SDI
-
Robust and compact
Versatile design adaptable to your shooting style
-
Active cooling
Quiet, efficient cooling for long recording times
Full frame 6K BSI sensor
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) stacked CMOS sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.
Dual Pixel CMOS AF II with EOS iTR AF X
Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.
Compact, ergonomic and familiar design
A familiar and updated design delivers improved ergonomics, connectivity, plus updated joystick and multi-function shoe. Use the top handle or build your own rig, with flexibility to shoot your way in challenging conditions.
Professional recording formats and high frame rates
Including 12-bit Cinema RAW Light LT up to 6K 30P, and 4:2:2 10-bit up to 4K 120P. Oversampled 4K is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. Output HDMI RAW to compatible external recorders.
RF mount
Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF/IS systems. Easily use your PL and EF lenses with a Canon mount adapter.
Uncompromised connectivity
Professional on-body I/O includes 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode. Built-in Wi-Fi / Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and Multi-Camera Control app. Expandable with Canon’s Multi-Function Shoe.
Designed for the future
Real-time lens metadata output and capture for VP and VFX with support for Unreal Engine and After Effects, including distortion correction data. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.
Canon EOS C80 Cinema Camera
The EOS C80 is a compact powerhouse with a full frame 6K BSI sensor, triple base ISO, and 13 customisable buttons in a familiar, robust body. Building on Canon’s colour science to deliver warm skin tones and a naturally pleasing image. With professional connectivity, the EOS C80 is your partner for video and live productions.
The new cinema EOS is designed to excel in professional video and live productions, where cinematic high quality, compact, familiar design and flexible ergonomics are key to single operator or small team productions.
Full frame 6K BSI Stacked sensor
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800)*, organic colour reproduction, and 16 stops of dynamic range.
Compact, ergonomic and familiar design
A familiar and updated design delivers improved ergonomics, connectivity, plus updated joystick and multi-function shoe. Use the top handle or build your own rig, with flexibility to shoot your way in challenging conditions.
Dual Pixel CMOS AF II with EOS iTR AF X
Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with Detect-only /Detect Priority and customisable settings to help ensure your focus never slips.
Professional recording formats and high frame rates
Including 12-bit Cinema RAW Light LT up to 6K 30P, and 4:2:2 10-bit up to 4K 120P. Oversampled 4K is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. Output HDMI RAW to compatible external recorders.
RF mount
Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF/IS systems. Easily use your PL and EF lenses with a Canon mount adapter.
Uncompromised connectivity
Professional on-body I/O includes 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode. Built-in Wi-Fi / Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and Multi-Camera Control app. Expandable with Canon’s Multi-Function Shoe.
Designed for the future
Real-time lens metadata output and capture for VP and VFX with support for Unreal Engine and After Effects, including distortion correction data. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.
What is triple base ISO?
Triple base ISO delivers the best signal-to-noise ratio at multiple amplifications. Canon's cutting-edge 6K BSI sensor measures at three base ISOs – 800, 3200, and 12800 ISO* – choose between them, or use auto-switching and the EOS C80 will pick the optimal setting.
The basics: BSI sensors
The backside illuminated (BSI) sensor's improved architecture places circuity underneath the sensor plane. Benefits include increased dynamic range, auto-focus and rolling shutter performance.
Why is metadata so important?
In Virtual Production and VFX workflows, camera metadata is essential to producing professional results. The EOS C80 and Canon RF mount lenses let you extract every drop of metadata – from ISO to f-stop and even distortion correction – so your post process becomes smoother than ever.
*Triple base ISO settings vary depending on selected gamma mode.
- Full Frame 6K BSI Stacked sensor: Next-generation backside illuminated design maximises light sensitivity with 16 stops of dynamic range
- Triple base ISO: For optimal signal-to-noise ratio at 800 / 3200 / 12800 ISO
- RF mount system: Enhanced imaging system platform also adaptable to PL and EF mounts
- Dual Pixel CMOS AF II: Including EOS iTR AF X for sharp auto focus across the full sensor
- Cinema RAW Light: Record 12-bit internally for maximum flexibility in post-production
- XF-HEVC S, XF-AVC S, and XF-AVC: Oversampled 4K 4:2:2 10-bit MP4 / MXF formats with detailed metadata
- HDR: Produce high dynamic range content with Canon Log 2/3, PQ, and HLG
- 5-axis image stabilization: Combine Electronic IS with Optical IS for the most stable cinematic footage
- Two card slots: Record to SD UHS-II
- Professional I/O: Extensive professional connectivity including 12G-SDI.
- Robust and compact: Versatile design adaptable to your shooting style
| IMAGE SENSOR | |
|---|---|
| Sensor | Full Frame Back-Side Illuminated |
| (BSI) CMOS sensor | |
| System | RGB primary color filter (Bayer array) |
| Sensor Modes | Full Frame / Super 35mm (crop) |
| Total Pixels | Approx. 26.67 megapixels (6202 x 4300) |
| Effective Pixels | Approx. 19.05 megapixels (6008x3170)：When 6000x3164 / 4096x2160 / 2048x1080 is selected as the resolution |
| Approx. 17.86 megapixels (5634x3170)： When 3840x2160 / 1920x1080 is selected as the resolution | |
| Effective Sensor | Full Frame: |
| Screen Size | 36.0 x 19.0 mm (40.7 mm on the diagonal)： When 6000x3164 / 4096x2160 / 2048x1080 is selected as the resolution |
| 33.8 x 19.0 mm (38.7 mm on the diagonal)： When 3840x2160 / 1920x1080 is selected as the resolution | |
| Dynamic Range1 | Canon Log 2: 1600% / 16 stops (at ISO 800) |
| Canon Log 3: 1600% / 14 stops (at ISO 800) | |
| Base ISO: 800 / 3200 / 128001 | |
| IMAGE PROCESSOR | |
| Type | DIGIC DV7 |
| LENS | |
| Lens Mount | Canon RF mount |
| PL mount support via PL-RF Mount Adapter | |
| EF mount support via EF-EOS R Mount Adapter | |
| Lens Magnification Factor | Full frame; |
| 6000x3164, 4096x2160 or 2048x1080: Actual focal length x Approx. 1.06 | |
| 3840x2160 or 1920x1080: Actual focal length x Approx. 1.12 | |
| Super 35mm (Crop); | |
| 4368x2304, 4096x2160 or 2048x1080: Actual focal length x Approx.1.46 | |
| Digital Lens Correction | Peripheral Illumination Correction |
| Chromatic Aberration Correction | |
| Diffraction Correction | |
| Distortion Correction (RF lenses only) | |
| ND Filter | 2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode) |
| Iris Control | 1/2-stop, 1/3-stop or FINE control |
| Auto Iris | |
| Cooke /I Technology Support | Only when equipped with PL-RF Mount Adapter |
| Anamorphic Lens Support | x2.0 / x1.8 / x1.3 |
| Image Stabilization System | 5-Axis Combination IS (Optical and Digital) |
| with supported lenses | |
| Digital 5-Axis IS for non IS lenses. | |
| RECORDING | |
| Internal Recording Media | 2x SD Card (SD / SDHC / SDXC) |
| Recording Time2 | Cinema RAW Light LT: 6000 x 3164 576 Mbps: approx. 118 Mins |
| Cinema RAW Light ST: 4368 x 2304 470 Mbps: approx. 145 Mins | |
| XF-AVC: 4096x2160 500 Mbps: approx. 136 Mins | |
| XF-AVC S: 4096x2160 500 Mbps: approx. 136 Mins | |
| XF-HEVC S: 4096x2160 135 Mbps: approx. 505 Mins | |
| Recording Formats | Cinema RAW Light (CRM), XF-AVC (MXF), XF-AVC S (MP4), XF-HEVC S (MP4) |
| Relay Recording3 | Yes |
| Double Slot (Simultaneous) Recording4 | Yes |
| Simultaneous Recording in Multiple Formats | Yes |
| System Frequency / | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) |
| Frame Rates | 50.00Hz mode (50.00P / 50.00i / 25.00P) |
| 24.00 Hz mode (24.00P) | |
| Cinema RAW Light Bit Rate/Bit Depth (PAL) | 12-bit Cinema RAW Light LT: |
| FF / 6000 x 3164 / 25P [576 Mbps] | |
| S35 / 4368 x 2304 / 50P [611 Mbps] | |
| S35 / 4368 x 2304 / 25P [306 Mbps] | |
| 12-bit Cinema RAW Light ST: | |
| S35 / 4368 x 2304 / 25P [470 Mbps] | |
| XF-AVC Recording Bit Rate/ Sampling (PAL / MXF) | 4:2:2 10-bit (Intra-frame): |
| 4096x2160 or 3840x2160 / 50P [500 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [500 / 375 / 250 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [250 Mbps] | |
| 2048x1080 or 1920x1080 / 50i [125 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [125 Mbps] | |
| 4:2:2 10-bit (Long GOP): | |
| 4096x2160 or 3840x2160 / 50P [250 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [150 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [50 Mbps] | |
| 2048x1080 or 1920x1080 / 50i [50 / 25 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [50 Mbps] | |
| XF-AVC S Recording Bit Rate / Sampling | 4:2:2 10-bit (Intra-frame) : |
| (PAL / MP4) | 4096 x 2160 or 3840 x 2160 / 50P |
| [1000 / 750 / 500 Mbps] | |
| 4096 x 2160 or 3840 x 2160 / 25P | |
| [500 / 375 / 250 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 50P [250 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 25P [125 Mbps] | |
| 4:2:2 10-bit (Long GOP) : | |
| 4096 x 2160 or 3840 x 2160 / 50P [250 Mbps] | |
| 4096 x 2160 or 3840 x 2160 / 25P [150 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] | |
| 4:2:0 8-bit (Long GOP) : | |
| 4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] | |
| 4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] | |
| XF-HEVC S Recording Bit Rate / Sampling | 4:2:2 10-bit (Long GOP) : |
| (PAL / MP4) | 4096 x 2160 or 3840 x 2160 / 50P [225 Mbps] |
| 4096 x 2160 or 3840 x 2160 / 25P [135 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] | |
| 4:2:0 10-bit (Long GOP) : | |
| 4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] | |
| 4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] | |
| 2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] | |
| Proxy Recording Bit Rate / Sampling (PAL) 5 | 4:2:0 8-bit (Long GOP): |
| 2048x1080 or 1920x1080 [35 / 16 / 9 Mbps] | |
| 1280 x 720 [6 Mbps] | |
| 4:2:0 10-bit (Long GOP): | |
| 2048x1080 or 1920x1080 [16 / 9 Mbps] | |
| Slow / Fast Motion | 6K RAW: up to 30FPS |
| 4K recording: up to 120FPS (Long GOP) / 60FPS (Intra-frame) | |
| 2K recording: up to 180FPS (Long GOP) / 120FPS (Intra-frame) | |
| Interval Record | Yes |
| Frame Record | Yes |
| Pre Record | 3 Seconds |
| (Cache Record) 6 | |
| Digital Tele-converter | 1.5x, 2x, 2.5x, 3x, Off |
| Photo Storage Media | SD Card |
| Photo Recording Size 7 | 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080 |
| SYSTEM | |
| Display Type | 3.5 inch LCD Touch Panel |
| Display Resolution | approx. 2.76 million dots (1280 x RGB x 720) |
| Display Touch Screen Functions | Focus Point Selection |
| Touch Screen UI for Shooting Settings | |
| OSD for Vertical Shooting | Yes |
| Wave Form Monitor | Yes (Line / Line + Spot / RGB Parade / |
| YPrPb Parade) | |
| False Colour Display (Exposure Indication) | Yes (6 Colour Index) |
| Colour Bars | SMPTE / EBU / ARIB |
| Peaking | Peaking 1, Peaking 2 (Colour, Gain, |
| Frequency customisable) | |
| Zebra | Level 1; Level 2; Both |
| Markers | On / Off selectable: centre, horizontal / vertical, grid, aspect, safe area and user marker. Colour selectable |
| EVF | |
| Built-In EVF | No |
| INPUTS / OUTPUTS | |
| Audio In | 2x Mini XLR 3-pin connector |
| 1x 3.5 mm stereo mini jack | |
| Built in Stereo microphones on camera body | |
| Headphone Output | 1x 3.5mm stereo mini jack |
| Video Monitor Output | No |
| HDMI | 1x HDMI (Type-A) |
| HDMI | 1x USB-C Data Terminal (USB3.2 Gen1) |
| SDI Output | 1x 12G-SDI Output (BNC) |
| Time Code | 1x BNC Terminal (Input / Output) |
| Genlock | No |
| Sync | No |
| Multi-Function Shoe | Yes (via camera body) |
| DC Input | 1x 24V DC jack |
| Remote Control Terminal | 1x 2.5 mm stereo mini jack |
| Lens Terminal | No |
| Ethernet Terminal | 1x RJ45 Connector (1000BASE-T compatible) |
| Grip | No |
| IP Streaming | IP Streaming via Ethernet / Wi-Fi connection |
| 9 Mbps / 4 Mbps: 1920 x 1080 | |
| (59.94p / 59.94i / 50.00p / 50.00i) | |
| UDP / RTP / SRT / RTP+FEC / RTSP+RTP | |
| User LUT Input | Yes, in-built LUTs available for monitoring. |
| Custom LUTs can be applied directly to internal recordings via Look File function | |
| (compatible with 17 or 33 grid .cube files) | |
| Video Connector | No |
| Tally Signal | Yes, via Wi-Fi or Ethernet using XC Protocol |
| Return Signal Input | No |
| Default Function Button Settings | 1. WB |
| 2. SET WB | |
| 3. PEAKING | |
| 4. WFM | |
| 5. DISP | |
| 6. ZEBRA | |
| 7. AUTO IRIS | |
| 8. MAGN. | |
| 9. FUNC | |
| 10. (unassigned) | |
| 11. (unassigned) | |
| 12. AF LOCK | |
| 13. AUDIO STATUS | |
| User Assignable Buttons | 13x (Body) |
| MISCELLANEOUS | |
| Tally Lamp | Yes, 1x |
| Custom Dial | Yes, 3x |
| Software Application Support | Cinema RAW Development |
| XF Utility | |
| EOS VR Utility | |
| Remote Camera Control Application | |
| RAW Plugin for Avid Media Access | |
| RAW Plugin for Final Cut Pro | |
| XF Plugin for Avid Media Access | |
| EOS VR Plugin for Adobe Premiere Pro | |
| CV Metadata Plugin for Adobe After Effects | |
| Live Link Plugin for Unreal Engine | |
| CV Metadata Extraction Tool | |
| MP4 Join Tool | |
| HEVC Activator | |
| Smartphone Application Support | Canon Multi-Camera Control |
| Content Transfer Professional | |
| Browser Remote Control | |
| EXPOSURE | |
| Exposure Metering | Standard / Spotlight / Backlight |
| Exposure Compensation | AE shift function available. Target value |
| (±8 steps from center) | |
| Auto Exposure Mode | Auto Iris / Auto ISO |
| Push Auto Iris | Yes |
| Exposure Lock | No |
| Auto Gain Control Setting | Yes |
| ISO Sensitivity8 | 1-Stop Display: |
| 100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200* / 102400* | |
| 1/3-Stop Display: | |
| 100* / 125* / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 8000 / 10000 / 12800 / 16000 / 20000 / 25600 / 32000* / 40000* / 51200* / 64000* / 80000* / 102400* | |
| *when ISO Extended Range is set to ON | |
| **when ISO Extended Range is set to OFF | |
| Auto Focus System | Dual Pixel CMOS AF II + EOS iTR AF X |
| AF Frame Sizes | Full: approx. 100% (Vertical) x approx. 100% (Horizontal) |
| Large Zone (Vertical): Video display range approx. 97% (Vertical) x 25% (Horizontal) | |
| Large Zone (Horizontal): Video display range approx. 43% (Vertical) x 76% (Horizontal) | |
| Zone: Video display range approx. 43% (Vertical) x 25% (Horizontal) | |
| Small Zone: Video display range approx. 15.9% (Vertical) x 11.8% (Horizontal) | |
| Auto Focus Modes | Continuous AF / One-Shot AF |
| Face Detection AF | Yes (Eye / Face / Head / Body) |
| Animal Detection AF | Yes (Dogs / Cats) |
| Focus Guide | Yes, with compatible Canon lenses |
| Gain Setting 9 | '-6dB*, -3dB*, -2dB**～42dB, 45dB*, 48dB*, 51dB*, 54dB* |
| *when ISO Extended Range is set to ON | |
| **when ISO Extended Range is set to OFF | |
| SHUTTER | |
| Control Modes | Speed / Angle / Clear Scan / Slow Shutter |
| Shutter Speed | 1/1～1/2000 (total of 47 settings) |
| Shutter Angle | 11.25º to 360º depending on frame rate |
| Slow Shutter (SLS) | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
| Clear Scan | 23.97 Hz～1971 Hz depending on sensor mode / frame rate |
| CUSTOM PICTURE | |
| Stored Configurations | C1: Canon 709 |
| C2: Canon Log 2 | |
| C3: Canon Log 3 | |
| C4: BT.709 Wide DR | |
| C5: BT.709 Standard | |
| C6: PQ | |
| C7: HLG | |
| C8: EOS Standard | |
| C9: EOS Neutral | |
| C10: User10 ～User20 | |
| HDR-HLG Profile | BT.2100: Corresponds to ITU-R BT.2100 |
| Vivid: Corresponds to Traditional Colour in ITU-R BT.2390 | |
| Colour Matrix | Neutral: Accurate colour reproduction |
| Production Camera: Colour reproduction | |
| for use in movie production | |
| Video: Colour reproduction with contrast for TV broadcasts. | |
| Image Adjustment Parameters | Master Pedestal |
| Master Black | |
| Black Gamma | |
| Low Key Saturation | |
| Knee | |
| Sharpness | |
| Noise Reduction | |
| Skin Detail | |
| Colour Matrix Tuning | |
| White Balance | |
| Colour Correction | |
| WI-FI & GPS SPECIFICATIONS | |
| Wi-Fi | In-built (2.4 / 5GHz bands) |
| Supporting 802.11a/b/g/n/ac | |
| GPS Information | Only when equipped with GP-E2 GPS Receiver |
| (Optional Accessory) | |
| WHITE BALANCE | |
| Auto | Yes |
| Preset | Daylight (5600K), Tungsten (3200K), Kelvin |
| (2000K-15000K, 100K intervals), Set A, Set B | |
| White Balance Shift | -5 CC - +5 CC (Daylight / Tungsten) |
| -20 CC - +20 CC (Kelvin) | |
| TIME CODE | |
| Count Up System | Regen / RecRun / Free Run / External / Frame Count |
| AUDIO | |
| Recording Format | RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, |
| 4 channels) | |
| XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16 bit 48kHz) | |
| 2 channels | |
| ACCESSORIES | |
| Supplied | Handle Unit |
| BP-A30N Battery Pack | |
| CA-CP300 B Compact Power Adapter | |
| CG-A20 Battery Charger | |
| Microphone Holder | |
| SS-1200 Shoulder Strap | |
| Optional | BP-A60N/BP-A30N Battery Pack |
| BP-A30/BP-A60 Battery Pack | |
| CG-A20/CG-A10 Battery Charger | |
| PL-RF Mount Adapter | |
| EF-EOS R Mount Adapter | |
| EF-EOS R Control Ring Mount Adapter | |
| EF-EOS R Drop-In Filter Mount Adapter | |
| EF-EOS R 0.71x Mount Adapter | |
| Remote Camera Controller RC-V100 | |
| Remote Camera Controller RC-IP100 | |
| Remote Camera Controller RC-IP1000 | |
| DM-E1D Multi-Function Shoe Directional Stereo Microphone | |
| OC-E4A Off-Camera Shoe Cord | |
| IFC-100U / IFC-400U Interface Cable | |
| Third Party Accessories | Tascam CA-XLR2d XLR Microphone Adapter |
| POWER SOURCE | |
| Power Supply (Battery) | BP-A30N (Supplied) |
| BP-A60N / BP-A30 / BP-A60 (Optional) | |
| Power supply (Mains) | DC IN 24V Terminal |
| Power Consumption | RAW LT, 6000x3164, 29.97P (14.5W) |
| RAW LT, 4368x2304, 59.94P (18.2W) | |
| XF-AVC, 3840x2160, 59.94P (19.6W) | |
| XF-AVC, 2048x1080, 59.94P (17.9W) | |
| Recording Time | With supplied BP-A30N battery pack: |
| RAW LT, 6000x3164, 29.97P: 170 Mins (Full Frame) RAW LT, 4368x2304, 59.94P: 135 mins (Super35) | |
| XF-AVC, 3840x2160, 59.94P: 125 mins (Full Frame) XF-AVC, 2048x1080, 59.94P: 140 mins (Super35) | |
| PHYSICAL SPECIFICATIONS | |
| Dimensions | approx. 160 x 138 x 116 mm |
| (Main Body Only) | |
| Weight (Body Only) | approx. 1310g |
| Weight (Accessories) | Handle Unit: Approx. 155g |
| BP-A30N Battery Pack: Approx. 243g | |
| CA-CP300 B Compact Power Adapter: Approx. 219g | |
| Battery Charger CG-A20: Approx. 145g | |
| Microphone Holder + 2 screws: Approx. 60g | |
| Operating Temperature Range | Approx. 0 to 40°C, (85% relative humidity) |
| Approx. -5 to 45°C, (60% relative humidity) |