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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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The environment that surrounds shooting and art creation is undergoing radical changes.
In this day and age when one user may have both a high-performance interchangeable lens camera and a smartphone camera, using them flexibly according to specific purposes and settings, SIGMA stopped and questioned the inherent value of a digital camera.
As a result, SIGMA set itself to develop a user-oriented digital camera that reflected the idea of “how a camera can be” in a more flexible and true-to-life manner, without conforming to manufacturers’ ideas of camera-centric categories and hierarchy.
Scalable; Versatile scalability
An “open system” that allows one to pair the camera with not only SIGMA lenses but also other lenses and accessories, whether from SIGMA or other brands, using a variety of attachments, complete with “ultimate versatility and scalability” that makes the camera adaptable to any scenes.
Pocketable Full-frame; Impressive portability and power
The “smallest and lightest body possible” with which one can express their creative ideas whenever they want, combined with a “full-frame sensor” that is suitable for serious occasions without compromising on image quality, and “superb build quality” that makes the camera the perfect linchpin of a high-performance lens system.
Seamless; Full-fledged, liberating shooting functions
A “highly intuitive UI” that allows one to move between full-fledged still and video shooting modes with just one finger, making for a “seamless and truly creative tool” that goes beyond style and genre differences.
7 shooting style suggestions with the SIGMA fp
Making it a top priority to realize these three concepts all at once and without requiring any trade-offs, SIGMA selected only the elements and mechanisms that were truly needed with no compromise to create the SIGMA fp as the embodiment of an “entirely new digital camera that SIGMA can offer to the world right now.”
It’s a camera body that changes its shapes with great flexibility centered around the user. It’s a tool that gives the user the joy of a new camera life that they themselves are yet to discover.
It’s a new system camera that will overturn the paradigm of “digital cameras.”
The SIGMA fp is here to broaden the potential of “image shooting” ad infinitum.
"Pushing limits and boundaries for any image you want"
The act of “image shooting,” reconstructed to give the SIGMA fp its signature features.
Electronic shutter for a variety of settings
“Able to shoot whenever you want, wherever you want”―to realize this concept, the SIGMA fp incorporates a construction without a mechanical shutter for quiet shooting.
This allows shooting without worrying about noise in a situation where one would have hesitated with a conventional camera because of its shutter sound. It gives no shutter shock even when shooting in quick succession at a frame rate of 18 frames/sec., eliminating even the tiniest shakes.
In addition, the absence of a mechanical shutter, whose performance level can change through continuous operation, means that the SIGMA fp is a camera with improved reliability.
Superior options in artistic picture & video creations
The SIGMA fp is a frontrunner in incorporating functions that help exploring the photographic and cinematic creations.
For instance, in addition to a number of different color modes, the SIGMA fp has newly introduced the “Teal and Orange” mode, inspired by the color grading technique commonly used in Hollywood films.
Each mode has a slider that enables adjustment of the strength of the effects to apply, providing even greater control in one’s creations. The SIGMA fp is the first SIGMA camera to employ a tone curve adjustment function in addition to “Fill Light”, a special adjustment function of SIGMA Photo Pro, and they are both available in-camera. It has also newly introduced “TONE” and “COLOR” buttons for a quick access to each of the tone control and color mode menus.
With these enhanced functions and a variety of operation elements, the SIGMA fp makes it simple and easy to create an image, in-camera with great details, be it still or video.
Advanced picture & video generating technologies
The SIGMA fp employs a number of advanced technologies for image and video generation.
The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a great dynamic range that could not have been achieved in normal shooting.
The Cinemagraph function, meanwhile, achieves a hybrid between still photography and video in the form of animated GIFs in which parts of a still image keep moving. With this function, the SIGMA fp is capable of creating Cinemagraphs in-camera.
Note: The HDR shooting in the Cine mode and the Cinemagraph function are to become available via firmware update scheduled at a later date.
Type | Interchangeable-lens Mirrorless Type Digital Camera |
---|---|
Storage Media | SD / SDHC / SDXC memory card(UHS-Ⅱ supported) / Portable SSD (USB 3.0 connection, USB bus power supported) |
Lens Mount | L-Mount |
Image Sensor | |
Type | 35mm full-frame (35.9mm x 23.10mm) Back-illuminated Bayer CMOS sensor |
Camera effective pixels / Total pixels | Approx. 24. 6MP / Approx. 25.3MP |
Aspect Ratio | 3:2 |
Colour, filter System | RGB Primary colour filter |
Still Image File Format | Lossless compression RAW(DNG) data12/14 bit, JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible |
Image aspect ratio | [21:9] / [16:9] / [3:2] / [A Size (√2:1)] / [4:3] / [7:6] / [1:1] |
File size | |
Raw | HIGH:6000×4000 (3840×2560) LOW:3008×2000 (1920×1280) |
JPEG | 21:9] HIGH:6,000×2,576 (3,840×1,648) MED:4,240×1,824 (2,736×1,168) LOW:3,008×1,288 (1,920×824) [16:9] HIGH:6,000×3,376 (3,840×2,160) MED:4,240×2,392 (2,736×1,536) LOW:3,008×1,688 (1,920×1,080) [3:2] HIGH:6,000×4,000 (3,840×2,560) MED:4,240×2,832 (2,736×1,824) LOW:3,008×2,000 (1,920×1,280) [A Size (√2:1)] HIGH:5,664×4,000 (3,616×2,560) MED:4,000×2,832 (2,560×1,824) LOW:2,832×2,000 (1,808×1,280) [4:3] HIGH:5,344×4,000 (3,408×2,560) MED:3,776×2,832 (2,416×1,824) LOW:2,672×2,000 (1,712×1,280) [7:6] HIGH:4,672×4,000 (2,992×2,560) MED:3,312×2,832 (2,112×1,824) LOW:2,336×2,000 (1,488×1,280) [1:1] HIGH:4,000×4,000 (2,560×2,560) MED:2,832×2,832 (1,824×1,824) LOW:2,000×2,000 (1,280×1,280)
|
Crop | Equivalent to approx.1.5times the focal length of the lens (on 35mm cameras) |
Colour Space | sRGB / Adobe RGB |
Movie Recording Format [Camera Internal Record] | |
Movie Format | CinemaDNG(8bit / 10bit/ 12bit) / MOV:H.264 (ALL-I/ GOP) |
Audio Format | Linear PCM (2ch 48kHz/16bit) |
Recording Pixels/Frame Rate | 3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p, FHD(1,920×1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p |
Movie Recording Format [HDMI External Output] | |
Movie Format | HDMI Loop out “External recorder record: ATOMOS Ninja Inferno, Blackmagic Video Assist 4K supported |
Audio Format | Linear PCM (2ch 48kHz/16bit) |
Recording Pixels / Frame Rate | 3,840×2,160 (UHD 4K) /23.98p, 25p,29.97p, FHD(1,920×1,080) /23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p |
Focus | |
Auto Format/Focus Mode | Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus |
AF Measurement Distance Detection Range/ AF Mode | -5EV~18EV(F1.4:ISO100) / Auto, 49-points selection mode, Free Movement mode, Face/Eye Detection AF mode, Tracking AF mode |
AF Lock | Half-press the shutter button, or press the AEL button |
Other Focus Functions | AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification |
Exposure Control | |
Metering System | Evaluative, Spot, Center Weighted Average |
Metering Range | -5~18EV (50mm F1.4: ISO100) |
Still Image Shooting Mode | (P) Program AE (Program Shift is possible), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
Movie Shooting Mode | (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual |
ISO Sensitivity | ISO 100-25600, Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400 |
Exposure Compensation | ±5EV (in 1/3-stop increments) |
AE Lock | Half-press the shutter button, or press the AEL button (setting change required). |
Exposure Bracket | 3-frame/5-frame stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable) |
Image Stabilization System | Electronic system |
White Balance | |
Settings | 12 types ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature, Custom 1, Custom 2, Custom 3 ) |
Shutter | |
Shutter Type | Electronic Shutter |
Shutter Speed | 30 – 1/8,000sec., Bulb |
Self-Timer / Remote control | 2sec. / 10sec. (Self-Timer) |
Drive | |
Drive Modes | Single shooting, Continuous shooting, Self-timer, Interval shooting |
Continuous shooting speed | HI:18fps, MED:5fps, LO:3fps |
Maximum number of shots | HIGH: 12frame, MED: 12frame, LOW: 24frame |
Monitor | |
Type / Coverage | TFT color LCD monitor Aspect Ratio 3:2, 3.15, Approx. 2,100,000 dots / Electrostatic capacitance system touch panel / Approx. 100% |
Flash (when to use external flash) | |
Light Emission Mode | S-TTL automatic light control, Manual, Wireless flash, Multi-emission Flash (when to use external flash) |
Flash Mode | Red-eye effect reduction / Slow synchronization, 2nd Curtain synchronization |
Exposure correction | Max. ±3EV in 1/3EV-step increments |
Flash Tuning Speed | Max. 1/30sec. * 1/15 sec. or less at 14bit |
External Flash Support | Available when the Hot Shoe Unit HU-11(supplied with this product) is mounted. * S-TTL, Wireless support, Xcontact |
Interval shooting | |
Interval shooting | Available |
Colour Mode | |
Color Mode | 12types ( Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome ) |
Other Functions | |
Recoridng Mode | STILL Mode: FillLight / Shading Correcton / HDR shooting CINE Mode: Still image shooting during movie shooting / HDR shooting / Director’s view finder |
Playback Mode | STILL: Mode In-camera DNG Development CINE Mode: Cinemagraph / still image cut-out |
Built-in Microphone / Speaker | |
Type | Stereo microphone, Monaural speaker |
Language | |
Display Language | English / Japanese / German / French / Spanish / Italian / Simplified Chinese / Traditional Chinese / Korean / Russian / Dutch / Polish / Portuguese / Danish / Swedish / Norwegian / Finnish |
Interface | |
USB | USB3.1 GEN1 Type C |
HDMI | Type D (Ver.1.4) |
Release Terminal | Also used as an external microphone terminal |
External Microphone | Available(Plug-in power support) |
Headphone output | Unavailable |
Flash-synchro Terminal | Dedicated terminal (with hot shoe unit HU-11 (supplied with this prodct) mounted) |
Power Source | |
Power | Li-ion Battery BP-51 *USB power supply available (when the power is turned off) |
Dimensions and Weight | |
Dimensions | 112.6 x 69.9 x 45.3mm |
Weight | 422g(including battery and SDcard), 370g(Camera Body Only) |
Operating Environment | |
Operating Temperature | 0~+40℃ |
Operating Humidity | 86%or less * no condensing |
Sigma 45mm f/2.8 DG DN Contemporary Lens | |
Focal Length | 45mm |
Maximum Aperture | f/2.8 |
Minimum Aperture | f/22 |
Lens Mount | Leica L |
Format Compatibility | Full-Frame |
Angle of View | 51.3° |
Maximum Magnification | 0.25x |
Macro Reproduction Ratio | 1:4 |
Minimum Focus Distance | 9.45" / 24 cm |
Optical Design | 8 Elements in 7 Groups |
Diaphragm Blades | 7, Rounded |
Focus Type | Autofocus |
Image Stabilization | None |
Filter Size | 55 mm (Front) |
Dimensions | 2.52 x 1.82" / 64 x 46.2 mm |
Weight | 7.58 oz / 215 g |