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Panasonic HC-X20E Camcorder

Availability:In stock
Cat No.
50766
SKU
HC-X20E
Panasonic

Order Now - Usually available to despatch in 5-7 days

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

£2,100.00 £1,750.00
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Product Information

Panasonic HC-X20E Camcorder

The Panasonic HC-X20E is a professional all-in-one 4K 60p camcorder with enhanced streaming and linkage to other equipment. Delivering the advanced features and performance demanded by professionals alongside excellent weight balance and portability.

High Image Quality for Professional Needs
Effective 15-megapixel 1.0-type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec.

Remarkable Optical Performance for Precise Shootin
Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD), 4K High Precision AF, Face Detection AF/AE, 5-Axis HYBRID O.I.S

Functions and Designs Supporting Pro Camera Work
Versatile Streaming Protocols, XLR Input, Wired Remote, Triple Manual Ring, User Switch, Live Streaming

*As a camcorder with 4K 60p 10bit Recording.

Recording Format

  • 4k
  • AVCHD Progressive
  • MP4 MOV

Lens

  • 20 x Optical Zoom
  • 32 x iZoom (FHD)
  • 24.5mm Wide Angle

Monitor

  • 3.5 inch
  • 2760k dot

Optical 20x Zoom and Wide-Angle 24.5mm Lens
Wide-Angle 24.5mm*1
The integrated lens boasts the industry's widest angle of 24.5 mm at the wide-angle setting. It enables wide-angle shooting with little distortion, without the use of a wide conversion lens and also allows video recording/production in narrow spaces.
*1 35 mm film equivalent

Optical 20x Zoom
Covers the range of wide angle 24.5mm to ultra-telephoto 490mm at UHD/FHD. (35mm film camera equivalent)

i.ZOOM 32x (FHD) / 24x (UHD)
You can zoom to a maximum of approximately 32x FHD (24x UHD) while maintaining the beauty of high-definition image quality.

HYBRID O.I.S.
5-Axis Hybrid O.I.S. + (UHD/FHD)
In both UHD/FHD modes, in addition to Optical Image Stabilization (OIS), Electronic Image Stabilization operates to detect and correct handshake in the 5-axis direction, including rotational blurring. This provides powerful correction in unstable situations, such as low-angle and high-angle shooting.

There are three modes to choose from:

  • NORMAL (standard)
  • STABLE (effective for fixed-frame shooting)
  • PAN/TILT (effective in panning and tilting)

Ball O.I.S. System
Wear of the drive section is reduced, especially improving the correction of small-amplitude blurring

4K High-Precision AF - High-Speed, High-Precision AF Technology in 4K
High AF performance is achieved in spite of the difficulty of 4K shooting compared with Full-HD.

Speed
Even when a subject suddenly enters the frame, it is instantly focused.

Tracking Performance
The subject’s movement is also tracked.

Stability
The subject stays in focus even when there are some obstacles passing through.

Triple Manual Rings and ND Filter

Triple Manual Rings
The X2/X20 features triple manual rings on the lens barrel for Zoom, Focus and Iris control. These manual functions ensures professional operation and enable speedy and intuitive camera work.

Focus Ring Control
Used to set the coordination between the focus ring operation and the amount of focus movement.

Nonlinear
Accelerates the focus movement in accordance with the speed of the focus ring rotation.

Linear
Moves the focus at a constant speed in accordance with the rotating angle of the focus ring.

Set
Sets the focus ring rotating angle when [Linear] is selected

ND Filter

  • ND filters are built into the lens to suppress the amount of incident light.
  • The filters can be selected (1/4, 1/16, 1/64, or Clear) to match the shooting environment.
  • This is convenient, for example, when you want to shoot at a slow shutter speed in bright daylight. Also, when opening the aperture, you can attain high resolution and a shallow depth of field.

VFR (2-60fps) / Super Slow-motion Recording.
Recording is possible from 2 to 60 fps with 10-step VFR (Variable Frame Rate).
High-speed frame rate for a Slow-Motion Effect.
Low-speed frame rate for a Quick-Motion Effect.

Super Slow 120/100fps (FHD, MOV)
HD mode achieves a super-slow motion effect with a maximum 120 fps (59.94 Hz) or 100 fps (50 Hz). It supports high-quality 10-bit recording in FHD mode. The image area is not cropped even at high frame rates.

  • IR (Infrared) Shooting in Dark Places
  • The IR Cut Filter can be turned ON/OFF (allocated on the User button).
  • When the filter is turned OFF, commercially available IR lights* can be used for shooting in dark places.
    *Recommended: 850-nm wavelength light *With IR cut filter ON, shutter OFF, iris AUTO fixed.

Change IR Rec Colour
Two Colour (White and Green)
Use Case: Unlighted nightscapes, animals in nature, and event sites before the lights are turned on.

Simultaneous Display on a 3.5-inch High Brightness LCD Monitor and EVF
The Monitor Can Be Constantly Displayed Even When Viewing the EVF

3.5-inch LCD with Touch Operation

  • Approx. 2,760K-dot monitor with nearly twice the resolution of conventional models.
  • RGB pixel structure is used to achieve high legibility even in bright sunlight.
  • Electrostatic touch panel improves operation when selecting menu items. Focusing is also quickly done by simply touching the subject on the screen
  • Because simultaneous output of the LCD and EVF is possible, the image is constantly displayed on the LCD monitor regardless of whether the EVF is being viewed.
  • Selfie-shooting Mode - Operational icons are displayed on the touch panel even when the LCD monitor is rotated 180 degrees, so you can shoot while confirming facial expressions and the angle of view.

Tiltable Viewfinder with Eyecup
The 1,769K-dot-equivalent colour viewfinder can be tilted for added convenience.

Double SD Memory Card Slot
Double SD Memory Card Slot Boosts Recording Reliability
Double SD card slots are provided. This enables unlimited relay recording by simply changing SD cards, and also allows the use of various recording systems to ensure high recording reliability.

Dual Codec Recording

  • Slot 1 - Main Recording (UHD/FHD
  • Slot 2 - Sub Recording (FHD)

Images can be recorded simultaneously in 4K/UHD + FHD (50 M) or FHD (100 M or higher) + FHD (8 M). This achieves an efficient workflow.

Unlimited* Relay Recording
Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours.

Simultaneous Recording
Identical data is recorded onto cards in both slots in this highly redundant recording mode.

Background Recording
Records ordinary Rec Start/Stop-controlled data in Slot 1, and records all data, even when the camcorder is stopped, in Slot 2.

Usability
Cable Holding Clamp

  • Equipped with a cable clamp on the hand belt.
  • Prevents the cable from catching on something when shooting and pulling out a terminal to interrupt live streaming.

New Mic Holder

  • One-touch opening and closing of microphone holder for improved ease of use.

Save/Restore Camera Setting

  • Allows you to save your camera’s setup information to a file on the SD card.
  • This is helpful when you need the same settings for later use, or among multiple cameras and users.

Fast Zoom

  • You can use fast zoom with the zoom lever on the grip by assigning [FAST ZOOM] to a USER button.
  • The zoom speed changes with the amount that the zoom lever on the grip is pushed or the speed that the zoom ring is turned at.

48kHz/24-bit High Resolution PCM Audio Recording
Others

  • OSD level meter
  • Headphone output (3.5-mm-diameter stereo mini-jack)

2 x XLR Audio Input

  • 2 x XLR input
  • Switchable 48-V phantom power supply/MIC/LINE
  • In MOV mode, 24-bit linear PCM recording delivers high resolution sound quality
  • Volume control dial enables 2 channels control

Professional Assist Functions
Waveform Monitor Display/Vector Scope
WAVE (Waveform) and VECTOR (Vector scope) can be easily displayed on a sub screen of the LCD monitor. Indication can be switched to WFM, Vector, or Off.

  • Waveform Monitor (WFM) displays the signals being recorded as visual wave data for determining correct exposure when needing to comply with a precise broadcast specification.
  • Vector Scope allows you to check the colour phase and saturation, and adjust the white balance accordingly.

Zebra Pattern

  • Supports new, simultaneous Zebra 1 and Zebra 2 indications with varying threshold levels.
  • For example, parts with blown out highlights, and parts at risk of blown out highlights can be checked on the same screen.
  • Effective for measuring skin tones by setting upper and lower limits of brightness and displaying zebra patterns in that range.

Flash Band Correction

  • High-precision flash band detection and correction software is equipped to resolve the flash band phenomenon that is unique to MOS sensors in which the screen brightness is split top and bottom by flashes.
  • A frame with a full-screen flash is generated from the pair of frames in which the flash band occurred and the frames before them to resolve the unnatural effect.

Luminance Level Adjustment

  • In 10-bit recording modes, you can select 0-1023, 64-940, or 64-1023
  • When producing the 16-235/16-255 video standard gradation at the 8-bit brightness level, editing can be performed with matching brightness levels
  • When creating images that combine photos and videos, editing can be performed with matching brightness levels.

Level Gauge

  • Allows camera tilt to be checked by an on screen display on the LCD monitor.
  • This makes it easy to keep the camera level even during handheld, low-angle, and high-angle shooting.

Live Streaming
A Live Streaming Function That Connects Directly to Facebook or YouTube Live

  • Supports RTMP (Real Time Messaging Protocol), the protocol used when streaming with Adobe
  • Streaming Formats Flash. RTSP/RTP/RTMP/RTMPS-Compatible.
  • Supports streaming distribution of RTMP-compatible content, such as live video distribution services. * If RTMP is used, the bit rate is fixed.
  • Recording (with modes below FHD) onto SD cards in the camera is also possible while streaming.
  • Ideal for Sports Events, Music Concerts, Breaking News

*See the RTMP setting guide for the set-up method.
* See the "Connection Confirmed Live Video Services" for information on connection confirmed live video distribution services.
* If some factor causes services such as Facebook or YouTube to stop and continuous operation is not possible, streaming distribution with this unit may not be possible.

  • High Image Quality for Professional Needs
  • Remarkable Optical Performance for Precise Shooting
  • Functions and Designs Supporting Pro Camera Work
  • AC Adaptor
  • AC Cable
  • Rechargeable Battery Pack
  • Battery Charger
  • Microphone Holder
  • Microphone Holder Screws
  • Input Terminal Cap
  • Eye Cup
  • Lens Hood
SENSOR SECTION
Image Sensor   1.0-type MOS Sensor (For Europe)
1.0-inch MOS Sensor (For North America / Asia)
Effective Pixels   15.03 megapixels
Latitude   13 stops (V-log)
LENS SECTION
F Value   F2.8 ― 4.5
Optical Zoom   20x
Focal Length   8.8 ― 176 mm
35 mm Film Camera Equivalent   24.5 ― 490 mm  
Filter Diameter   67 mm
Lens Brand   Panasonic Lens
CAMERA SECTION
Minimum Illumination   0.6 lx (F2.8, Super Gain +, when shutter speed is 1/30 sec.)
Focus   Auto / Manual
Zoom i.Zoom OFF 20x
i.Zoom ON Max. 32x  (UHD 24x)
Digital Zoom 2x / 5x / 10x 
ND Filter   1/4, 1/16, 1/64, OFF
IR Filter   Incorporates the ON/OFF control function
White Balance   Auto / ATW LOCK / 3200K / 5600K / VAR (2000K—15000K) / Ach Fixed / Bch Fixed
Shutter Speed 59.94 Hz mode 59.94i/59.94p: 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000,
                        1/1500,1/2000, 1/3000, 1/4000, 1/8000 sec
29.97p: 1/30, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000,
             1/1500,1/2000, 1/3000, 1/4000, 1/8000 sec
23.98p: 1/24, 1/48, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750,
              1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 sec
50.00 Hz mode 50i/50p: 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000,
              1/3000, 1/4000, 1/8000 sec
25p: 1/25, 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000,
        1/3000, 1/4000, 1/8000 sec
Slow Shutter Speed 59.94 Hz mode 59.94i/59.94p: 1/8, 1/15, 1/30 sec
29.97p: 1/8, 1/15 sec
23.98p: 1/6, 1/12 sec
50.00 Hz mode 50i/50p: 1/6, 1/12, 1/25 sec
25p: 1/6, 1/12 sec
Synchro Scan 59.94 Hz mode 59.94i/59.94p: 1/60.0 ― 1/249.6 sec
29.97p: 1/30.0 ―  1/249.8 sec
23.98p: 1/24.0 ― 1/249.7 sec
50.00 Hz mode 50i/50p: 1/50.0 ― 1/250.0 sec
25p: 1/25.0― 1/250.0 sec
VFR Recording Frame Rate 59.94 Hz mode 2, 12, 15, 20, 22, 24, 26, 28, 30, 32, 34, 36, 45, 48 ,60 fps
50.00 Hz mode 2, 12, 21, 23, 25, 27, 30, 37, 50 fps
Super Slow Recording Frame Rate 59.94 Hz mode FHD 120 fps (1/2 speed at  60p, 1/4 speed at 30p, 1/5 speed at 24p)
  50.00 Hz mode FHD 100 fps (1/2 speed at  50p, 1/4 speed at 25p)
Iris   Auto / Manual
Image Stabilizer   Ball O.I.S., 5-Axis HYBRID O.I.S.+ (UHD/FHD)
RECORDING SECTION
Recording Media   SDHC/SDXC Memory Card, UHS-I compatible
Recording Format   MOV, MP4, AVCHD
Video Compression Method   MOV/MP4: H.264/MPEG-4 AVC High Profile, H.265/MPEG-H HEVC Main10 Profile
AVCHD: H.264/MPEG-4 AVC High Profile
Audio Compression Method   MOV: LPCM, 48kHz/24bit, 2ch
MP4: AAC, 48kHz/16bit, 2ch
AVCHD: Dolby Audio, 48kHz/16bit, 2ch
System Frequency    59.94Hz / 50.00Hz
Recording / Playback Mode MOV (HEVC) [4:2:0 10bit] UHD 3840x2160 59.94p/50.00p HEVC LongGOP 200M: Average 200Mbps (VBR)
                    UHD 3840x2160 59.94p/50.00p HEVC LongGOP 100M: Average 100Mbps (VBR)
                    UHD 3840x2160 29.97p/25.00p/23.98p HEVC LongGOP 150M: Average 150Mbps (VBR)
  MOV [4:2:0   8bit] UHD 3840x2160 59.94p/50.00p 420LongGOP 150M: Average 150Mbps (VBR)
                   UHD 3840x2160 29.97p/25.00p/23.98p  420 LongGOP 100M: Average 100Mbps (VBR)
[4:2:2 10bit]  UHD 3840x2160 29.97p/25.00p/23.98p  420 LongGOP 150M: Average 150Mbps (VBR)
                   FHD 1920x1080 59.94p/50.00p ALL-I 200M: Average 200Mbps (VBR)
                   FHD 1920x1080 59.94p/50.00p ALL-I 100M: Average 100Mbps (VBR)
                   FHD 1920x1080 29.97p/25.00p/23.98p ALL-I 100M: Average 100Mbps (VBR)
                   FHD 1920x1080 59.94p/50.00p 422 LongGOP100M: Average 100Mbps (VBR)
                   FHD 1920x1080 59.94i/50.00i/29.97p/25.00p/23.98p 422 LongGOP 50M: Average 50Mbps (VBR)
  MP4 (HEVC) [4:2:0 10bit] UHD 3840x2160 59.94p/50.00p HEVC LongGOP 100M: Average 100Mbps (VBR)
                   UHD 3840x2160 29.97p/25.00p/23.98p HEVC  LongGOP 72M: Average 72Mbps (VBR)
  MP4  [4:2:0   8bit] UHD 3840x2160 29.97p/25.00p/23.98p 420 LongGOP 72M: Average 72Mbps (VBR)
                   FHD 1920x1080 59.94p/50.00p/23.98p 420 LongGOP 50M: Average 50Mbps (VBR)
  AVCHD [4:2:0  8bit]  PS 1920x1080 59.94p/50.00p: Average 25Mbps (VBR)
                   PH 1920x1080 59.94i/50.00i/23.98p: Average 21Mbps (VBR)
                   HA 1920x1080 59.94i/50.00i: Average 17Mbps (VBR)
                   PM 1280x720 59.94p/50.00p: Average 8Mbps (VBR)
   
   
   
   
LIVE STREAMING
Video Compression Format   H.264/MPEG-4 AVC Main Profile, High Profile
Video Resolution   1920 x 1080 (FHD), 1280 x 720 (HD), 640 x 360, 320 x 180
Streaming Method   Unicast, Multicast
Frame Rate   System frequency = 59.94 Hz: 60 fps, 30 fps, 24 fps
System frequency = 50.00 Hz: 50 fps, 25 fps
Bit Rate   24 Mbps, 20 Mbps, 16 Mbps, 14 Mbps, 8 Mbps, 6 Mbps, 4 Mbps, 3 Mbps, 2 Mbps, 1.5 Mbps, 1 Mbps, 0.7 Mbps, 0.5 Mbps
Audio Compression Format   AAC-LC, 48 kHz/16 bit, 2ch
Network Protocol   RTSP/RTP/RTMP/RTMPS
STILL IMAGE SECTION    
Recording Format   JPEG (DCF/Exif2.2)
Recording Image Size* Video Playback Mode: 3840 x 2160 (16:9), 1920 x 1080 (16:9), 1280 x 720 (16:9)
GENERAL SECTION
Power Supply 7.28V (Battery) / 12V (AC Adaptor)
Power Consumption 18.5W (LCD Monitor) 
Dimensions (W x H x D) Approx. 171 x 195 x 343 mm  (6.74 x 7.68 x 13.51 inch)
Weight  Body: approx. 2000g (4.41 lb) (body and handle only, excluding lens hood, battery, and accessories)
Shooting: approx. 2430g (5.36 lb) (including lens hood, standard battery, two SD cards, microphone holder, XLR caps and eyecup)
LCD Monitor 8.88 cm (3.5-inch) Wide LCD monitor (About 2,760,000 dots) (For Europe)
3.5-inch Wide LCD monitor (About 2,760,000 dots) (For North America / Asia)
Viewfinder 1.0 cm (0.39-inch) Wide OLED EVF (About 1,770,000 dots) (For Europe)
0.39-inch Wide OLED EVF (About 1,770,000 dots) (For North America / Asia)
Manual Ring Focus / Zoom / Iris
Accessory Shoe Yes
INTERFACE SECTION
Video SDI OUT
  HDMI Type A x 1 (VIERA Link not supported), supports time code output and remote recording control
Output format: 4:2:2 10bit
2160/59.94p/50.00p/29.97p/25.00p/23.98p,
1080/59.94p/50.00p/29.97p/25.00p/23.98p/59.94i/50.00i,
720/59.94p/50.00p, 480/59.94p, 576/50.00p
Audio Input Built-in Microphone Stereo microphone
  Audio Input XLR (3 pins) x 2
Input high impedance, LINE/MIC/MIC+48 V (switchable SW)
LINE:+4dBu/0dBu (switchable menu)
MIC: –40dBu/–50dBu/–60dBu (switchable menu)
Audio Output SDI
  HDMI 2 ch (LPCM)
  Headphone 3.5 mm diameter stereo mini jack x 1
  Speaker 20 mm diameter, round x 1
Other Input/Output TC IN/OUT
  Camera Remote 2.5mm super mini jack x 1
  USB  Type-C x 1, USB3.1 Gen 1, HOST/DEVICE (switchable menu)
HOST: Bus power supported (5V, 0.9A),  USB ethernet adaptor supported
DEVICE: mass storage function (read only)
  LAN
  DC IN DC 12V (11.4V ― 12.6V) EIAJ Type4
Wi-Fi
Standard  IEEE 802.11b/g/n
Frequency  2412 MHz to 2462 MHz [1 to 11ch]
STANDARD ACCESSORY
AC Adaptor   Yes
AC Cable   Yes 
Rechargeable Battery Pack   Yes (5,900mAh)
Handle Unit  
Battery Charger   Yes 
IR Remote  
HDMI Cable  
AV Cable  
USB HOST Conversion Cable  
USB Ethernet Adaptor  
Microphone Holder   Yes
Microphone Holder Screws   Yes 
Input Terminal Cap   Yes 
Eye Cup   Yes
Lens Hood   Yes
Editing Software  
* Only images cut from video in video playback mode are supported.