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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. For urgent click and collect where products are showing in stock, please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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Comparable in size to the original X-T1 and 50g lighter than its predecessor, X-T5 features the latest high-resolution, 40-megapixel X-Trans 5 HR sensor for simply stunning results. Quick and easy to use thanks to its classic, dial-based layout, the camera features cutting-edge technology to produce stunning results. This includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160-megapixel files, three-way tilting LCD with 1.84 million pixels and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit colour internally – or 12-bit Apple ProRes RAW and Blackmagic RAW via HDMI.
Big resolution, compact dimensions
Offering the ultimate image quality, X-T5 features the class-leading, 40.2-megapixel X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is unmatched despite the camera’s diminutive proportions from its predecessor. Additionally, X-T5’s improved image processing algorithm delivers outstanding results, packed with detail right across the native ISO range, which now extends to ISO 125.
The classic X Series design has been retained. Dials predominate, making key functions – including ISO, shutter speed and exposure compensation – quick and easy to set, even with the camera switched off. X-T5 is also comparable in size to the original X-T1, and 50g lighter than X-T4. Despite this notable weight reduction, X-T5 offers a new, 1.84 million dot, three-way tilting LCD and powerful in-body image stabilization.
Long-lasting image making power
X-T5 provides powerful image making performance to ensure it’s ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives almost instantaneous response when the shutter release is pressed. Keep a finger down, and X-T5 will record images at up to 15fps with the mechanical shutter, or 20fps with the electronic shutter. Either way, no important moment will be missed. Of course, when the decisive moment hits, you'll have our legendary color science and hugely popular selection of Film Simulations which digitize some of the industry’s most iconic films and puts them right at your fingertips. X-T5 adds the Nostalgic Negative Film Simulation, making it easier than ever to create images straight out of camera. For those who like to stay out in the field longer, X-T5 offers extended performance from the NP-W235 battery. Up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.
Create with confidence
Thanks to X-T5’s in-body image stabilization (IBIS) system, quality-sapping camera shake will be a thing of the past – even in low-light conditions. The system works in five axes, combatting all types of camera movement, and provides up to seven stops of compensation to unlock limitless opportunities. IBIS works in harmony with the camera’s subject detection autofocus, which uses deep-learning AI to expertly track animals, birds, cars, motorcycles, planes and trains.
Tracking moving subjects is made easier by the detailed electronic viewfinder (EVF), which uses 3.69 million dots to provide a bright, vibrant display. The EVF offers 0.8x magnification for an easy-to-view image that’s further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100fps refresh rate also allows virtually blackout-free image making.
Incredible detail when you need it
Following in the footsteps of X-H2, find the stunning Pixel Shift Multi-Shot mode in X-T5, delivering detailed files like never before. This feature utilizes the camera’s IBIS system to precisely shift the sensor, automatically recording 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera’s resolution and produce a detail-rich, 160-megapixel file. Perfect for commercial applications or digital archiving, it’s also ideal for any static subject where image quality is of primary importance.
Not just a stills camera
X-T5’s capabilities are enhanced by its powerful video functions, which complement the camera’s impressive stills performance. Movies can be recorded internally at up to 6.2K/30p in 4:2:2 10-bit color, plus there’s a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
Both F-Log and F-Log2 recording are possible, the latter providing expanded dynamic range of 13+ stops, plus 12-bit Apple ProRes RAW and Blackmagic RAW can be output via HDMI, to Atomos and Blackmagic devices accordingly.
Key Features:
XF 18-55MM F/2.8-4 R LM OIS LENS
Bundled with the camera body is a versatile zoom that covers many different scenarios. The XF 18-55mm f/2.8-4 R LM OIS lens features a 27-84mm equivalent focal length that covers wide angle to telephoto perspectives with ease. The f/2.8-4 maximum aperture range ensures both speed and compactness in terms of design and it features three aspherical and one extra low dispersion element for combating aberrations. Also, a linear autofocus motor ensures fast performance while an optical image stabilizer will limit the effects of camera shake.
Model name | FUJIFILM X-T5 | ||
Lens Mount | FUJIFILM X mount | ||
Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with primary color filter | ||
Number of effective pixels | 40.2 millions pixels | ||
Sensor Cleaning System | Ultra Sonic Vibration | ||
Image Processing Engine | X-Processor 5 | ||
Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
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File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) | |
JPEG | Exif Ver.2.32 | ||
HEIF | 4:2:2 10bit | ||
RAW | 14bit RAW (RAF original format) | ||
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
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Number of recorded pixels | [L] | 4:3 | 6864 x 5152 |
3:2 | 7728 x 5152 | ||
16:9 | 7728 x 4344 | ||
1:1 | 5152 x 5152 | ||
65:24 | |||
5:4 | 6432x5152 | ||
7:6 | |||
[M] | 4:3 | 4864 x 3648 | |
3:2 | 5472 x 3648 | ||
16:9 | 5472 x 3080 | ||
1:1 | 3648 x 3648 | ||
65:24 | |||
5:4 | 4560x3648 | ||
7:6 | |||
[S] | 4:3 | 3456 x 2592 | |
3:2 | 3888 x 2592 | ||
16:9 | 3888 x 2184 | ||
1:1 | 2592 x 2592 | ||
65:24 | |||
5:4 | 3264x2592 | ||
7:6 | |||
Panorama | [L] | Vertical | 9600 x 2160 |
Horizontal | 9600 x 1440 | ||
[M] | Vertical | 6400 x 2160 | |
Horizontal | 6400 x 1440 | ||
Digital Tele-Converter | 2.0x 1.4x OFF |
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Sensitivity | Still Image | Standard Output | AUTO1 AUTO2 AUTO3 ISO125~12800 (1/3 step) |
Extended Output | ISO64 ISO80 ISO100 ISO25600 ISO51200 |
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Movie | Standard Output | AUTO ISO125~12800 (1/3 step) |
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Extended Output | ISO25600 | ||
Exposure control | TTL 256-zone metering Multi Spot Average Center Weighted |
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Exposure mode | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) |
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Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step | |
Movie | -2.0EV~+2.0EV 1/3EV step | ||
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation | |
Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
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Digital Image Stabilization | Yes (movie mode only) | ||
IS MODE BOOST | Yes (movie mode only) | ||
Shutter type | Focal Plane Shutter | ||
Shutter speed | Mechanical shutter | P mode | 30sec. to 1/8000sec. |
A mode | 30sec. to 1/8000sec. | ||
S/M mode | 15min. to 1/8000sec. | ||
Bulb | up to 60min. | ||
Electronic shutter | P mode | 30sec. to 1/180000sec. | |
A mode | 30sec. to 1/180000sec. | ||
S/M mode | 15min. to 1/180000sec. | ||
Bulb | 1sec. Fixed | ||
Electronic front curtain shutter | P mode | 30sec. to 1/8000sec. | |
A mode | 30sec. to 1/8000sec. | ||
S/M mode | 15min. to 1/8000sec. | ||
Bulb | up to 60min. | ||
Mechanical + Electronic shutter | P mode | 30sec. to 1/180000sec. | |
A mode | 30sec. to 1/180000sec. | ||
S/M mode | 15min. to 1/180000sec. | ||
Bulb | up to 60min. *Mechanical shutter works until 1/8000sec. |
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E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) |
P mode | 30sec. to 1/8000sec. | |
A mode | 30sec. to 1/8000sec. | ||
S/M mode | 15min. to 1/8000sec. | ||
Bulb | up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
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(GFX: E-Front + Electronic Shutter) | P mode | 30sec. to 1/180000sec. | |
A mode | 30sec. to 1/180000sec. | ||
S/M mode | 15min. to 1/180000sec. | ||
Bulb | up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
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Movie | 8K | ||
6.2K | 1/8000sec. to 1/24 sec. | ||
DCI4K/4K | 1/8000sec. to 1/4 sec. | ||
FHD | 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
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Synchronized shutter speed for flash | Mechanical shutter | 1/250sec. or slower | |
Electronic shutter | 1/125sec. or slower | ||
Continuous shooting | CH No. of recordable frames |
Electronic shutter | Approx. 20fps (1.29x Crop) |
JPEG | 168 frames | ||
Compressed RAW | 72 frames | ||
Lossless compressed RAW | 41 frames | ||
Uncompressed RAW | 23 frames | ||
Compressed RAW + JPEG | 37 frames | ||
Lossless compressed RAW + JPEG | 31 frames | ||
Uncompressed RAW + JPEG | 23 frames | ||
CH No. of recordable frames |
Electronic shutter | Approx. 13fps (1.29x Crop) | |
JPEG | 1000+ frames | ||
Compressed RAW | 104 frames | ||
Lossless compressed RAW | 53 frames | ||
Uncompressed RAW | 23 frames | ||
Compressed RAW + JPEG | 56 frames | ||
Lossless compressed RAW + JPEG | 44 frames | ||
Uncompressed RAW + JPEG | 23 frames | ||
CH No. of recordable frames |
Electronic shutter | Approx. 10fps (1.29x Crop) | |
JPEG | 1000+ frames | ||
Compressed RAW | 1000+ frames | ||
Lossless compressed RAW | 70 frames | ||
Uncompressed RAW | 25 frames | ||
Compressed RAW + JPEG | 72 frames | ||
Lossless compressed RAW + JPEG | 53 frames | ||
Uncompressed RAW + JPEG | 23 frames | ||
CH No. of recordable frames |
Electronic shutter | ||
JPEG | |||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW+JPEG | |||
Lossless compressed RAW+JPEG | |||
Uncompressed RAW+JPEG | |||
CH No. of recordable frames |
Electronic shutter | ||
JPEG | |||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW+JPEG | |||
Lossless compressed RAW+JPEG | |||
Uncompressed RAW+JPEG | |||
CH No. of recordable frames |
Electronic shutter | Approx. 13fps | |
JPEG | 163 frames | ||
Compressed RAW | 56 frames | ||
Lossless compressed RAW | 29 frames | ||
Uncompressed RAW | 22 frames | ||
Compressed RAW+JPEG | 32 frames | ||
Lossless compressed RAW+JPEG | 26 frames | ||
Uncompressed RAW+JPEG | 20 frames | ||
CH No. of recordable frames |
Electronic shutter | Approx. 8.9fps | |
JPEG | 1000+ frames | ||
Compressed RAW | 94 frames | ||
Lossless compressed RAW | 40 frames | ||
Uncompressed RAW | 23 frames | ||
Compressed RAW+JPEG | 45 frames | ||
Lossless compressed RAW+JPEG | 30 frames | ||
Uncompressed RAW+JPEG | 22 frames | ||
CH No. of recordable frames |
Mechanical shutter | Approx. 15fps | |
JPEG | 119 frames | ||
Compressed RAW | 39 frames | ||
Lossless compressed RAW | 22 frames | ||
Uncompressed RAW | 19 frames | ||
Compressed RAW+JPEG | 27 frames | ||
Lossless compressed RAW+JPEG | 21 frames | ||
Uncompressed RAW+JPEG | 19 frames | ||
CH No. of recordable frames |
Mechanical shutter | Approx. 10fps | |
JPEG | 1000+ frames | ||
Compressed RAW | 56 frames | ||
Lossless compressed RAW | 29 frames | ||
Uncompressed RAW | 19 frames | ||
Compressed RAW+JPEG | 34 frames | ||
Lossless compressed RAW+JPEG | 25 frames | ||
Uncompressed RAW+JPEG | 19 frames | ||
CL No. of recordable frames |
Mechanical shutter | Approx. 7.0fps | |
JPEG | 1000+ frames | ||
Compressed RAW | 1000+ frames | ||
Lossless compressed RAW | 33 frames | ||
Uncompressed RAW | 20 frames | ||
Compressed RAW+JPEG | 45 frames | ||
Lossless compressed RAW+JPEG | 22 frames | ||
Uncompressed RAW+JPEG | 20 frames | ||
Pre-shot No. of recordable frames |
Electronic shutter | Approx. 20fps (1.29x Crop) | |
While half press | 20 frames | ||
After full press | 140 frames | ||
Total | |||
Pre-shot No. of recordable frames |
Electronic shutter | Approx. 13fps (1.29x Crop) | |
While half press | 13 frames | ||
After full press | 300 frames | ||
Pre-shot No. of recordable frames |
Electronic shutter | Approx. 10fps (1.29x Crop) | |
While half press | 10 frames | ||
After full press | 370 frames | ||
Pre-shot No. of recordable frames |
Electronic shutter | Approx. 13fps | |
While half press | 13 frames | ||
After full press | 70 frames *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
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Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
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Filmsimulation bracketing | Any 3 types of film simulation selectable | ||
Dynamic Range Bracketing | 100% 200% 400% |
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ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
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White Balance Bracketing | ±1 ±2 ±3 |
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Focus Bracketing | AUTO MANUAL |
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Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
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HDR Mode | AUTO 200% 400% 800% 800% + |
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Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
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Pixel Shift Multi Shot | Yes | ||
Focus | Mode | Single AF Continuous AF MF |
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Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | ||
Low-light Performance | Contrast | -4.0EV XF50mmF1.0 attached |
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Phase Detection | -7.0EV XF50mmF1.0 attached |
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AF frame selection | Single point AF | 13x9 / 25x17 (Changeable size of AF frame) | |
Zone AF | 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid | ||
Wide/Tracking AF | Yes (AF-S: Wide / AF-C: Tracking) | ||
All | Yes | ||
Face/eye detection | Yes | ||
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | ||
Flash |
EF-X8 |
Guide Number | approx. 11 (ISO200・m) / approx. 8 (ISO100・m) |
Sync. Mode | 1st Curtain 2nd Curtain |
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Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) MANUAL COMMANDER OFF |
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Shoe mount flash |
Sync. Mode | 1st Curtain 2nd Curtain AUTO FP (HSS) |
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Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) MANUAL MULTI *When EF-X500 is set OFF |
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Synchronized terminal |
Sync. Mode | 1st Curtain 2nd Curtain |
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Flash Mode | MANUAL | ||
Hot shoe |
Yes (Dedicated TTL Flash compatible) | ||
Viewfinder |
EVF |
EVF | 0.5 inch OLED Color Viewfinder Approx. 3.69 million dots |
Coverage of Viewing Area vs. Capturing Area | Approx. 100% | ||
Eyepoint | Approx. 24mm (from the Rear End of the Camera's Eyepiece) | ||
Diopter Adjustment | -5~+3m-1 | ||
Magnification | 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | ||
Diagonal Angle of View | approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
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LCD monitor |
LCD monitor |
3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | |
Aspect Ratio |
3:2 | ||
Dots |
Approx. 1.84 million dots | ||
Touch Screen Mode |
Shooting Mode | Shooting AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) Touch Zoom (ON/OFF) EVF Touch Screen Area Setting |
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Playback Mode | Swipe Pinch-in / Pinch-out Double-tap Drag |
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Movie recording |
File format |
MOV | HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
MP4 | MPEG-4 AVC/H.264, AAC | ||
Movie compression | All Intra Long GOP |
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8K(16:9) |
File size | ||
Frame rate | |||
Bitrate | |||
6.2K(3:2) |
File size | ||
Frame rate | |||
Bitrate | |||
6.2K(16:9) |
File size | 6240 x 3150 | |
Frame rate | 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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DCI4K HQ(17:9) |
File size | 4096 x 2160 | |
Frame rate | 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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4K HQ(16:9) |
File size | 3840 x 2160 | |
Frame rate | 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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DCI4K(17:9) |
File size | 4096 x 2160 | |
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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Recording time | |||
4K(16:9) |
File size | 3840 x 2160 | |
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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Recording time | |||
Full HD(17:9) |
File size | 2048 x 1080 | |
Frame rate | 59.94p 50p 29.97p 25p 24p 23.98p |
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Bitrate | 360Mbps 200Mbps 100Mbps 50Mbps |
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DCI4K(17:9) High speed rec. |
File size | ||
Frame rate | |||
Bitrate | |||
4K(16:9) High speed rec. |
File size | ||
Frame rate | |||
Bitrate | |||
Full HD(17:9) High speed rec. |
File size | 2048 x 1080 | |
Frame rate | 240p 200p 120p 100p |
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Bitrate | 360Mbps (recording) 200Mbps (recording) |
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Full HD(16:9) High speed rec. |
File size | 1920 x 1080 | |
Frame rate | 240p 200p 120p 100p |
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Bitrate | 360Mbps (recording) 200Mbps (recording) |
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*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
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Film simulation mode |
19 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
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Monochromatic Color |
Yes | ||
Grain Effect |
Roughness |
STRONG, WEAK, OFF | |
Size |
LARGE, SMALL | ||
Color Chrome Effect | STRONG, WEAK, OFF | ||
Color Chrome Blue | STRONG, WEAK, OFF | ||
Smooth Skin Effect | STRONG, WEAK, OFF | ||
Dynamic range setting | Still | Still | AUTO / 100% / 200% / 400% |
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more | ||
Movie | Movie | 100% / 200% / 400% | |
ISO restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more | ||
White balance | Auto | White Priority Auto Ambience Priority |
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Custom | Custom1 - 3 | ||
Color temperature selection | 2500K~10000K | ||
Preset | Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater |
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Clarity setting | ±5 steps | ||
Self-timer | Still | 10sec. 2sec. |
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Movie | 10sec. 5sec. 3sec. |
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Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | ||
Wireless transmitter | Standard Encryption Access mode |
IEEE802.11a/b/g/n/ac (standard wireless protocol) WPA/WPA2 mixed mode, WPA3 Infrastructure |
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Bluetooth® | Standard | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
Operating frequency (Center frequency) | 2402〜2480MHz | ||
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) | |
HDMI output | HDMI Micro connector (Type D) | ||
Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
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Power supply | Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images | Economy Mode | Approx. 740 frames | |
Normal Mode | Approx. 580 frames *When XF35mmF1.4 R is set |
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Actual battery life of movie capture | 8K | ||
6.2K | Approx. 90min. (29.97p) |