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Product Information
EOS R5C
The Canon R5c is an exceptional camera that is perfect for professional photographers and videographers who require the best image and video quality. With its advanced autofocus system, 45-megapixel full-frame sensor, and 8K RAW video capability, the Canon R5c offers unparalleled performance and image quality. This camera is also incredibly versatile, with a weather-sealed body and a wide range of customizable features that allow you to adapt to any shooting situation.
If you're looking for the previous model, please visit the Canon EOS R5.
8K cinematic full frame video
Capture cinematic 8K video up to 30fps (or 60fps with an external power supply), as well as oversampled 4K and Full HD. The EOS R5 C also produces captivating 4K slow-motion content up to 120fps.
Incredible 45 megapixel stills at up to 20fps
A 45 megapixel full-frame CMOS sensor captures incredible clarity, low noise and wide dynamic range with burst speeds up to 20fps, and ISO sensitivity as high as 51,200 ISO. Automatic Exposure Bracketing delivers consistent exposure options while an Interval Timer opens the door to creative timelapse.
Extensive lens choice
Featuring Canon’s revolutionary RF Mount Technology, the EOS R5 C is compatible with RF lenses offering cutting-edge AF and stabilisation, as well as EF Photo and Cinema Lenses via the EF-EOS R Mount Adapters. Anamorphic lens support is provided for 2x, 1.8x and 1.3x de-squeeze options. Advanced 5-axis Electronic IS seamlessly works alongside or independently to the optical IS found in lenses to achieve stable and smooth footage.
Fast, accurate, reliable focusing
The EOS R5 C features Canon’s ground-breaking Dual Pixel CMOS AF technology with Eye AF and EOS iTR AF X for precise and reliable face/head/eye tracking, even when the subject turns away from the camera. Canon’s innovative Dual Pixel Focus Guide provides an accurate visual aid to achieve pin-sharp footage when manual focusing.
Extensive professional recording formats and tools
Choose from a variety of internal recording formats including three Cinema RAW Light options (LT / ST / HQ), XF-AVC, MP4 and even RAW output via HDMI. Capture incredible dynamic range with Canon Log 3, PQ and HLG recording, while utilising professional tools such as Waveform Monitor and False Colour.
A compact, lightweight design with active cooling
The EOS R5 C is a superbly compact and lightweight Cinema EOS camera. It features a high-resolution OLED viewfinder, bright articulating 3.2-inch LCD monitor, and 13 user assignable buttons. A new active cooling system enables long duration recording, while its magnesium alloy body ensures professional durability.
A wealth of connectivity
With Wi-Fi4, Bluetooth® and the Multi-Function Accessory Shoe5, plus dedicated terminals for timecode, 3.5mm mic, headphones, micro-HDMI, flash sync and USB-C, the EOS R5 C is ready for anything. It also offers an extensive range of photo and video software application support such as image.canon, Content Transfer Mobile, Browser Remote and much more.
New Technology Explained
8K internal RAW recording
The EOS R5 C can capture stunning 8K DCI RAW video at 30P (up to 60P with external power supply) internally to a CFexpress card1, using the whole width of its full-frame sensor for a truly cinematic look. Focus tracking is also available, for footage that looks slick and professional. 8K RAW provides the highest level of image quality and flexibility: capture four times as much resolution as 4K and change parameters such as white balance after footage has been shot, using Canon Cinema RAW Development software or your favourite non-linear editing application.
4K 120p HFR recording
Alongside its 8K capabilities, the EOS R5 C captures 4K DCI (full frame) and 4K UHD at frame rates up to 120fps with audio and auto focus, with 4:2:2/10-bit quality, enabling smooth slow-motion with stunning high resolution. The EOS R5 C also oversamples the full-frame sensor for exceptional 4K and Full HD clarity with increased sharpness and colour fidelity, and low noise.
Internal Cooling supporting long-form recording
The EOS R5 C features internal cooling thanks to a brand-new design which allows heat build-up to be dissipated and expelled via a built-in fan and exhaust at the rear. This clever engineering enables long duration 8K recording in Canon’s smallest and nimblest Cinema EOS camera.
Key Features:
- Full Frame Sensor with 8K/30p 12-bit RAW recording (8K/60p via external power source)
- 45 megapixel photos up to 20fps
- Dual Pixel CMOS AF with precise Eye AF and intelligent face/head tracking via EOS iTR AF X
- Extensive professional recording formats including Cinema RAW Light and XF-AVC
- Active cooling for long duration recording
- Timecode IN/OUT Terminal
- RF Mount
- Advanced connectivity and Multi-Function Accessory Shoe
- Full Frame Sensor with 8K/30p 12-bit RAW recording (8K/60p via external power source)
- 45 megapixel photos up to 20fps
- Dual Pixel CMOS AF with precise Eye AF and intelligent face/head tracking via EOS iTR AF X
- Extensive professional recording formats including Cinema RAW Light and XF-AVC
- Canon EOS R5 C
- Battery Pack LP-E6NH
- Battery Charger LC-E6
- Shoulder Strap
- USB-C Cable
- Cable Protector
- AC Cable
| IMAGE SENSOR | |
|---|---|
| Image Sensor Type | 3:2 Full Frame CMOS sensor (36 x 24mm) |
| System | RGB primary colour filter (Bayer array) |
| Sensor Modes | Full Frame (8K) / Super 35mm (Crop) / Super 16mm (Crop) |
| Total Pixels | Approx. 47.10 megapixels |
| Effective Pixels | Video Mode:
Photo Mode:
|
| Effective Sensor Screen Size | 36.0 x 19.0 mm (40.7 mm on the diagonal): When resolution is 8192 x 4320, 4096 x 2160 or 2048 x 1080 33.8 x 19.0 mm (38.8 mm on the diagonal): When resolution is 7680 x 4320, 3840 x 2160, or 1920 x 1080 |
| Dynamic Range | Canon Log 3: 1600% / 14 stops (at ISO 800) Wide DR: 800% (at ISO 400) |
| IMAGE PROCESSOR | |
| Image Processor Type | DIGIC X |
| LENS | |
| Lens Mount | Canon RF mount Compatible lenses: All RF lenses and EF lenses (includes EF-S lenses/EF cinema lenses) |
| Lens Magnification Factor | Full Frame:
Super 35mm (Crop):
Super 16mm (Crop):
|
| Peripheral Illumination Correction | Yes |
| Chromatic Aberration Correction | Yes |
| Distortion Correction | Yes, RF Mount lenses only |
| Diffraction Correction | Yes |
| ND Filter | No |
| Focus Control | Via lens, Browser Remote, Camera Connect or EOS Utility |
| Iris Control | 1/2-stop, 1/3-stop or FINE control |
| Cooke/I technology Support | No |
| Anamorphic Lens Support | Yes, x2.0 / x1.8 / x1.3 |
| Image Stabilization System | Yes, 5-axis Electronic IS. Coordinates with supported lenses featuring optical-IS for optimal performance |
| RECORDING | |
| Internal Recording Media | 1x CFexpress card (CFexpress 2.0 Type B) 1x SD card (SD/SDHC/SDXC) (SD Card recording available at bitrates up to 650 Mbps) |
| Recording Time[1] | Cinema RAW Light LT: 8192 x 4320 1070 Mbps: 63 Mins Cinema RAW Light ST: 8192 x 4320: 1650 Mbps 41 Mins Cinema RAW Light HQ: 5952 x 3140: 1770 Mbps 38 Mins XF-AVC / MXF: 4096x2160: 410 Mbps 156 Mins MP4 (HEVC): 4096x2160: 225 Mbps 285 Mins MP4 (H.264): 4096x2160: 150 Mbps 428 Mins |
| Recording Formats | Video Mode:
|
| Relay Recording | Yes |
| Double Slot Recording | Yes |
| Simultaneous Recording | Yes, in Dual Recording Mode Options Available: [CRL / XF-AVC / MP4] [All-I / Long GOP] [4:2:2 10-bit / 4:2:0 10-bit / 4:2:0 8-bit] [8K / 4K / 2K / FHD] |
| System Frequency Frame Rates | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00 Hz mode (24.00P) |
| Cinema RAW Light | 12-bit Cinema RAW Light LT:
12-bit Cinema RAW Light ST:
12-bit Cinema RAW Light HQ:
|
| XF-AVC Recording Bit Rate/Sampling (PAL) | 4:2:2 10-bit (Intra-frame):[5]
|
| MP4 Recording Bit Rate/ Sampling (PAL) | HEVC 4:2:2 10-bit (Long GOP):[4]
|
| Proxy Recording Bit Rate/Sampling (PAL) | XF-AVC 4:2:0 8-bit (Long GOP)
H.264 MP4 4:2:0 8-bit (Long GOP)
|
| Slow Fast Motion | 8K recording up to 30FPS (60FPS with external power) 4K / FHD recording: up to 120FPS Audio recording and auto-focus options available. |
| Interval Record | Yes |
| Frame Record | Yes |
| Pre Record | Yes, 3 seconds (XF-AVC or MP4 recording only) |
| Photo Recording Size | 3:2 ratio:
|
| SYSTEM | |
| Display Type | 3.2 inch 3:2 LCD Touch Pane |
| Display Resolution | 2.1 million dots |
| Display Touch Screen Functions | Focus point selection, Shooting setting adjust, Start/Stop recording (activated via Menu) |
| OSD Vertical Shooting | Yes, 90-degree rotation |
| Wave Form Monitor | Yes. LCD, EVF or HDMI |
| False Colour Display | Yes. LCD, EVF or HDMI (Use of viewing LUT will affect false colour display) |
| Colour Bars | SMPTE, EBU and ARIB |
| Peaking | Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) |
| Zebra | Level 1; Level 2; Both Output via HDMI: Yes |
| Markers | On/Off selectable: centre, horizontal, grid, aspect, safety zone, rectangular and user marker. Colour selectable, yellow, blue, green, red, black, grey or white. |
| EVF | |
| Built In EVF | 0.5-inch OLED colour EVF, 5.76 million dots |
| Optional EVF Accessory | N/A |
| INPUTS / OUTPUTS | |
| Audio In | 1x 3.5mm mic input 1x Built-in mono microphone (XLR input available via TASCAM CA-XLR2d-C accessory) |
| Headphone Output | 1x 3.5 mm stereo output |
| Video Monitor Output | No |
| HDMI | 1x micro-HDMI (8K RAW output available)[5] |
| USB | 1x USB-C (3.2 Gen1) for power, charging and communication (UVC Video output / Content Transfer Mobile App) |
| SDI Output | No |
| Time Code | 1x DIN 1.0/2.3 (Input/Output) |
| Genlock | No |
| Sync | 1x Flash Sync |
| DC Output | No |
| DC Input | Yes, via DR-E6C DC Coupler |
| Remote Control Terminal | 1x N3-type terminal |
| Wireless Control Terminal | Available via WFT-R10 Accessory |
| Lens Terminal | No |
| Ethernet Terminal | Available via WFT-R10 Accessory |
| IP Streaming FTP | Yes, available via WFT-R10 Accessory Protocol: UDP, RTP and RTP+FEC |
| Use LUT Input | Yes, in-built LUTs/View Assist available for LCD/EVF/HDMI Monitoring. Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files). |
| Video Connector | No |
| Default Function Button Settings | 1. One-Shot AF 2. Magnification 3. DISP 4. Menu 5. Push Auto Iris 6. AF lock 7. Assignable Button Menu 8. Display Panel Info 9. Key Lock 10. (Unassigned) 11. FUNC 12. (Unassigned) 13. Set White Balance |
| User Assignable Buttons | 13 Assignable buttons (numbered) on camera body. In excess of 80 options via the menu |
| MISCELLANEOUS | |
| Tally Lamp | Yes |
| Custom Dial | 3x Electronic Dials + Multi-controller |
| EXPOSURE | |
| Exposure Metering | Video Mode:
|
| Exposure Compensation | Yes |
| Auto Exposure Mode | Yes (Video mode: Auto Iris / ISO) |
| Push Auto Iris | Yes |
| Exposure Lock | Yes |
| Auto Gain Control Setting | Yes |
| ISO Sensitivity | Video Mode:
Photo Mode:
|
| Auto Focus System | Video Mode:
Photo Mode:
|
| AF Frame Sizes | Large;
|
| Auto Focus Modes | One-Shot AF, Continuous AF, Continuous AF: Only Near Focus |
| Face Detection AF | Face Priority, Face Only, Eye AF |
| Focus Guide | For manual focus assist with compatible Canon RF mount, EF mount, Cine Servo Lenses |
| Gain Setting | -6 dB to 42 dB / 54 dB* (Normal or Fine increments) * When the sensitivity is expanded |
| SHUTTER | |
| Control Modes | Video Mode:
|
| Shutter Speed | Video Mode:
|
| Shutter Angle | 11.25º to 360º depending on frame rate |
| Slow Shutter SLS | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
| Clear Scan | 24.00 Hz[8] to 250.40 Hz |
| CUSTOM PICTURE | |
| Stored Configurations | Video Mode:
|
| Colour Matrix | CUSTOM PICTURE: Colour Matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection |
| Master Pedestal | -50 to +50 |
| Master Black | Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50 |
| Black Gamma | Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50 |
| Low Key Saturation | Adjustable: -50 to +50 |
| Knee | Point -50 to +109, Slope -35 to +50, Saturation -10 to +10 |
| Sharpness | Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness |
| Noise Reduction | Off, On - Three Options: Automatic (ON/OFF) / Spatial Filter (1-12) / Frame Correlation (1-3) |
| Skin Detail | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps |
| Selective Noise Reduction | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. |
| Colour Matrix | Phase, Gain and RGB adjustment, in tandem with Gamma selection |
| White Balance | AWB, USER setting 01(setting range: 2000K to 15000K/-20CC to +20CC), daylight, tungsten, settings (A/B) |
| Colour Correction | Area selection / area revision of two areas |
| Setup Level | -50 to +50 On/Off |
| WI-FI & GPS SPECIFICATIONS | |
| WiFi | Video Mode:
|
| GPS | Requires GP-E2 Accessory Latitude/Longitude/Elevation, Coordinated Universal Time (UTC) |
| WHITE BALANCE | |
| White Balance Auto | Yes |
| White Balance Preset | Video Mode:
|
| White Balance Matching | |
| White Balance Shift | Video Mode:
|
| BLACK BALANCE | |
| Black Balance Adjustment | Yes |
| TIME CODE | |
| Count Up System | Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates) |
| Start Value Setting | 00:00:00:00”, Set/Reset selectable |
| AUDIO | |
| Audio Recording Format | Cinema RAW Light or XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels) MP4: MPEG-2 AAC LC (16-bit, 48 kHz, 2-channel) / Linear PCM (16-bit, 48 kHz, 4-channel) |
| ACCESSORIES | |
| Accessories Supplied | Battery Pack LP-E6NH Battery Charger LC-E6 Shoulder Strap USB-C Cable Cable Protector AC Cable |
| Accessories Optional | Canon Battery Pack LP-E6NH/LP-E6N//LP-E6 Canon Battery Charger LC-E6 Canon Battery Grip BG-R10 Canon DC Coupler DR-E6C Canon AC Adapter CA-946 Canon USB Power Adapter PD-E1 Canon Wireless File Transmitter WFT-R10 Canon Interface Cable IFC-100U/IFC-400U Canon Shoulder Strap SS-1200 Canon GPS Receiver GP-E2 Canon RF lenses, EF lenses, EF cinema lenses, and accessories designed for these lenses Canon Mount Adapter EF-EOS R Canon Control Ring Mount Adapter EF-EOS R Canon Drop-In Filter Mount Adapter EF-EOS R (w/ drop-in variable ND filter A and circular polarizing filter A) Canon Mount Adapter EF-EOS R 0.71x Canon Extender RF1.4x Canon Extender RF2x Canon Remote Controller RC-6 Canon Wireless Remote Controller BR-E1 Canon Remote Switch RS-80N3 Canon Timer Remote Controller TC-80N3 Canon Directional Stereo Microphone DM-E1 / DME1D Canon Stereo Microphone DM-E100 |
| Accessories Third Party | TASCAM CA-XLR2d-C XLR Adapter |
| POWER SOURCE | |
| Power Supply Battery | LP-E6NH Battery Pack (Supplied) / LP-E6N and LP-E6 (Compatible) |
| Power Supply Mains | USB-C Power Adapter PD-E1 DC Coupler DR-E6C AC Adapter CA-946 |
| Power Consumption | 8K RAW 25P (10.5W) 8K MP4 25P (11.2W) 4K HEVC 50P (12.9W) 4K XF-AVC 50P (13.3W) |
| Recording Time | With supplied LP-E6NH battery pack:
|
| PHYSICAL SPECIFICATIONS | |
| Dimensions Main Body Only | approx. 142 x 101 x 111 mm |
| Weight Body Only | approx. 680g |
| Weight Accessories | approx. 770g (LP-E6NH, CFexpress Card, SD Card) |
| Operating Temperature Range | approx. 0 to 40°C, (85% relative humidity) approx. -5 to 45°C, (60% relative humidity) |
| Footnote | |
[1] Based on 25P recording on a 512GB card [2] RAW / C-RAW / Dual Pixel RAW files are 14-bit with Mechanical shutter / Electronic 1st Curtain, 13-bit A/D conversion with H+ mode and 12-bit A/D conversion with Electronic shutter [3] 10-bit HEIF images in PQ HDR mode [4] Recording time based on 512GB card [5] ProRes RAW Recording with Atomos Ninja V+ external recorder [6]The frequency will differ depending on the frame rate setting. | |