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CINEMA EOS SYSTEM
Discover new dimensions in filmmaking with the Canon RF-mount Cinema EOS System
The EOS C70 introduces RF Mount Technology to the Cinema EOS System and features Canon’s cutting-edge 4K Super 35mm DGO sensor. With 12-bit RAW Recording, 4K 120P Slow Motion, High Dynamic Range and Eye AF in a compact body, it takes the RF System into a brand-new era.
The EOS C70 features the renowned Dual Pixel CMOS AF (DPAF). Filmmakers can now benefit from accurate and reliable autofocus with subject tracking, face and eye detection. Thanks to Canon's Dual Pixel CMOS AF technology, every pixel in the sensor can be used for both imaging and AF, which means the AF can acquire and track subjects – such as the subject’s eyes – providing sharp critical focus, even with a shallow depth of field.
The EOS C70 features 12-bit RAW recording with Cinema RAW Light up to 645Mbps, truly unleashing the exceptional capabilities of its Super 35mm DGO sensor. Three Cinema RAW Light options are available including LT (Light), ST (Standard) and HQ (High Quality), as well as options for Super 35mm and Super 16mm formats. In addition to the existing 4:2:2 10-bit XF-AVC and HEVC recording formats, the EOS C70 provides even greater workflow flexibility for your production needs.
The large diameter RF mount with its short back focus and 12-pin communication delivers a balance of optical and electronic innovation plus scintillating AF speed from Canon’s range of RF lenses.
The EOS C70 uses design cues from other RF mount cameras from Canon, with additional controls, environmental protection and a convenient size to fit your production rig.
Equipped with a newly developed 4K Super 35mm sensor and DIGIC DV7 image processor, the EOS C70 delivers a high-resolution image with 16+ stops of Dynamic Range.
Dual UHS-II SD card slots enable simultaneous or relay recording, in different formats. XF-AVC supports ALL-I and Long-GOP, while MP4 recording offers further flexibility.
The exciting Canon C70 features a new newly developed 4K Super 35mm sensor and DIGIC DV7 image processor. Fully packed with incredible features, the Canon C70 delivers a high-resolution image with 16+ stops of Dynamic Range. Multiple recording formats. Dual UHS-II SD card slots enable simultaneous or relay recording.
The RF Mount. The future of imaging
The large diameter RF mount with its short back focus and 12-pin communication delivers a balance of optical and electronic innovation plus scintillating AF speed from Canon’s range of RF lenses.
Versatile. Flexible. Reliable. Your new workhorse
The C70 uses design cues from other RF mount cameras from Canon, with additional controls, environmental protection and a convenient size to fit your production rig.
Dynamically different: the 4K Super 35mm sensor
Equipped with a newly developed 4K Super 35mm sensor and DIGIC DV7 image processor, the EOS C70 delivers a high-resolution image with 16+ stops of Dynamic Range.
Multiple recording formats
Dual UHS-II SD card slots enable simultaneous or relay recording. XF-AVC supports ALL-I and Long-GOP, while MP4 recording offers further flexibility.
Pioneering autofocus technology
The Canon C70 features the renowned Dual Pixel CMOS AF (DPAF). Filmmakers can now benefit from accurate and reliable autofocus with subject tracking and face detection.
Professional and practical support functions
Keep your workflow smooth when shooting with the EOS C70 camera thanks to useful features such as Direct Touch Control, Auto ISO, Vertical shooting, as well as electronic Image Stabilizer.
Professional I/O Interface
Stay in control with customisable buttons, pro terminals, plus sophisticated audio controls and recording.
Camera | |
---|---|
Image Sensor: Sensor |
Super 35mm Dual Gain Output (DGO) sensor |
System | RGB primary colour filter (Bayer array) |
Sensor Modes | Super 35 mm / Super 16 mm (Crop) |
Total Pixels | Approx. 9.6 megapixels (4206 x 2280) |
Effective Pixels | Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution |
Effective Sensor Screen Size | Super 35 mm; 26.2 x 13.8 mm (29.6 mm on the diagonal): When 4096 x 2160 or 2048 x 1080 is selected as the resolution 24.6 x 13.8 mm (28.2 mm on the diagonal): When 3840 x 2160 or 1920 x 1080 is selected as the resolution |
Dynamic Range | Canon Log 2: 1600% / 16+ stops** Canon Log 3: 1600% / 14 stops** Wide DR: 800% (at ISO 400) **At ISO800 / Dual Gain Output: On |
Image Processor | |
Type | DIGIC DV7 |
Lens Mount | Canon RF mount Compatible lenses: All RF lenses and all EF lenses (includes EF-S lenses/EF cinema lenses) (*EF lenses are compatible with EF-EOS R Mount Adapter accessories) |
Lens Magnification Factor (for EF Mount Lenses, including Cinema Primes) | Super 35 mm; 4096 x 2160, or 2048 x 1080 resolution: Actual focal length x approx. 1.460 3840 x 2160, or 1920 x 1080 resolution: Actual focal length x approx. 1.534 Super 16 mm (Cropped); 2048 x 1080 resolution: Actual focal length x approx. 2.920 1920 x 1080 resolution: Actual focal length x approx. 3.069 If using Canon Mount Adapter EF-EOS R 0.71 X Adapter there is no change to effective focal length |
Peripheral Illumination Correction | Yes |
Chromatic Aberration Correction | Yes |
Distortion Correction | Yes, RF Mount lenses only |
Diffraction Correction | Yes |
ND Filter | 2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode) |
Iris Control (EF Mount Lenses) | 1/2-stop, 1/3-stop or FINE contro |
Anamorphic Lens Support | Yes, x2.0 / x1.3 |
Image Stabilization System | Yes. Function depending on lens used, Digital 5-Axis IS for non IS lenses. Combination of Optical IS and Digital IS to give combined 5 - Axis IS. IS performance depends on lens used |
Recording | |
Internal Recording Media | SD card for XF-AVC or MP4 recording. Dual Slot recording. SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update High speed SD UHS-II cards recommended. V90 standard recommended for all recording functions |
Recording Time SD Card, 512GB Approx. | XF-AVC / MXF: 4096 x 2160: 410 Mbps 156 Mins MP4 (HEVC): 4096 x 2160: 225 Mbps 285 Mins MP4: 4096 x 2160: 150Mbps 428 Mins |
Recording Formats | XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit MP4 H.265/HEVC, 4:2:2 10-bit MP4 H.264, 4:2:0 8-bit |
Relay Recording | Yes |
Double Slot (simultaneous) Recording | Yes |
Simultaneous Recording in Multiple Formats | Yes, in Dual Recording Mode Options Available: [XF-AVC / MP4] [All-I / Long GOP] [4:2:2 10-bit / 4:2:0 10-bit / 4:2:0 8-bit] [UHD / 2K / FHD] |
System Frequency / Frame Rates | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00 Hz mode (24.00P) |
XF-AVC Proxy Recording Bit Rate / Sampling (PAL) to SD Card | 2048 X 1080: 50.00P, 4:2:0 8-bit 35 Mbps/ 1920 x 1080 24 Mbps Long GO |
Slow / Fast Motion | 4K recording: up to 120FPS 2K (Crop) recording: up to 180 FPS Audio recording at normal frame rate possible |
Interval Record | No |
Frame Record | No |
Pre Record (cache record) | Yes, 3 seconds (XF-AVC recording only) |
Scan Reverse | Yes |
HD->SD Conversion | No |
Photo Storage Media | SD/SDHC memory card |
Photo Recording Size | 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080 |
System | |
LCD Display: Display Type |
3.5 inch LCD Touch Panel |
Display Resolution | 3.5 inch LCD 2.76 million dots (1280 x 720 x RGB) |
Display Touch Screen Functions | Focus point selection, Shooting setting adjust, Start/Stop recording (activated via Menu) |
OSD for Vertical Shooting | Yes, via menu or user assignable button |
Wave Form Monitor | Yes. LCD or external output via HDMI. |
False Colour Display (Exposure Indication) | Yes. LCD or HDMI (Use of viewing LUT will affect false colour display) |
Colour Bars | SMPTE, EBU and ARIB |
Peaking | Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) |
Zebra | Level 1; Level 2; Both Output via HDMI: Yes |
Markers | On/Off selectable: centre, horizontal, grid, aspect, safety zone, rectangular and user marker. Colour selectable, yellow, blue, green, red, black, grey or white. |
EVF | |
Built-In EVF | No |
Inputs/Outputs: Audio In |
Mini XLR 3 - pin connector x2 , 3.5 mm stereo mini jack (input only) Built in Stereo microphones on camera body |
Headphone Output | 3.5 mm stereo mini jack (output only, Camera Body) |
HDMI | HDMI connector (type A) (output only) |
Time Code | BNC / HDMI |
DC Input | 24V DC IN |
Remote Control Terminal | REMOTE A connector 2.5 mm stereo mini - mini jack (input only) |
IP Steaming / FTP | Yes. IP streaming requires third - party optional USB-C to Ethernet converter and decoder transmission device. FTP via FT server. Transfer of clips on SD card (Media Mode) |
Use LUT Input | YES. Available for LCD Monitoring, or applied direct to recordings. Compatible with .CUBE LUT file. |
Default Function Button Settings | 1. White balance 2. Set White Balance 3. Peaking: All 4. WFM: All 5. DISP 6. Zebra: All 7. Push Auto Iris 8. INDEX / Magnification 9. FUNC 10. One - Shot AF 11. (Unassigned) 12. AF lock 13. Audio Status |
User Assignable Buttons | 13 Assignable buttons (numbered) on camera body. In excess of 80 options via the menu |
Misc. Tally Lamp |
Yes |
Custom Dial | Yes |
Shooting Functions | |
Exposure: Exposure Metering |
Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris |
Exposure Compensation | Yes |
Auto Exposure Mode | Auto Iris with Compatible Lenses |
Push Auto Iris | Yes |
Exposure Lock | No |
Auto Gain Control Setting | Yes |
ISO Sensitivity | 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF 1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800,16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] When ISO speed expansion is ON |
Auto Focus System | Dual Pixel CMOS AF, Contrast AF. Face Priority, Face Only and Tracking AF modes available |
AF Frame Sizes | Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range Selectable AF point over 80% (approx.) of sensor. Dual Pixel AF area approx. 60% when EF mount lens fitted using EF-RF adapter |
Auto Focus Modes | One - Shot AF, Continuous AF and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. |
Face Detection AF | Face Priority or Face Only. |
Focus Guide | All compatible Canon RF, Canon EF lenses, Canon Cine Servo Lenses (EF Mount with EF - RF Mount adapter) |
Gain Setting | [-6dB,-3dB],-2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. When ISO speed expansion is ON: between - 2 dB and 54 dB When ISO speed expansion is OFF: Any value from - 2 dB to 42 dB in 0.5 dB increments can be set |
Shutter: Control Modes |
Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS) |
Shutter Speed | 1 sec to 1/2000 depending on frame rate and Shutter Control Mode, 39 setting options |
Shutter Angle | 11.25º to 360º depending on frame rate |
Slow Shutter (SLS) | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
Clear Scan | 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting. |
Stored Configuration | C1: BT.709 (BT.709 Wide DR / BT.709 Gamut) C2: LOG2 (Canon Log 2 / Cinema Gamut) C3: LOG3 (Canon Log 3 / Cinema Gamut) C4: PQ (PQ / BT.2020 Gamut) C5: HLG (HLG / BT.2020 Gamut) USER06 to USER20 (BT.709 Wide DR / BT.709 Gamut) *HLG is protected From BT.709 |
Colour Matrix | Neutral: Accurate colour reproduction Production Camera: Colour reproduction for use in movie production Video: Colour reproduction equivalent to C300/500 CP - OFF (for commercial cameras). |
Master Pedestal | -50 to +50 |
Master Black | Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50 |
Black Gamma | Adjustable Level-50 to +50, Range -20 to +50 and Point -20 to +50 |
Low Key Saturation | Adjustable: -50 to +50 |
Knee | Point -50 to +109, Slope -35 to +50, Saturation -10 to +10 |
Sharpness | Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness |
Noise Reduction | Off, On - Two Options: Spatial Filter (1-12) / Frame Correlation (1-3) |
Skin Detail | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps |
Selective Noise Reduction | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. |
Colour Matrix | Phase, Gain and RGB adjustment, in tandem with Gamma selection |
White Balance | AWB, USER setting 01(setting range: 2000K to 15000K/-20CC to+20CC), daylight, tungsten, settings (A/B) |
Colour Correction | Area selection / area revision of two areas |
Setup Level | -50 to +50 On/Off |
Wi-Fi (Optional Third Party Accessory) | (1) WPS [Wi-Fi Protected Setup] (push-button system,PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual |
GPS Information (Optional Accessory) | Latitude/Longitude/Elevation, Coordinated Universal Time (UTC |
White Balance: Auto |
Yes |
Preset | Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B |
White Balance Matching | Yes, for previous models |
White Balance Shift | Yes, -9 to +9 (Daylight and Tungsten only) |
Black Balance: Black Balance Adjustment |
Yes |
Time Code: Count Up System |
Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates) |
Start Value Setting | Start value setting “00:00:00:00”, Set/Reset selectable |
Audio: Recording Format |
XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)MP4: MPEG-2 AAC LC (16-bit, 48 kHz, 2-channel) / Linear PCM (16-bit, 48 kHz, 4-channel) |
Accessories | |
Supplied | Mic holder unit Handle unit Compact power adapter CA-CP200L Battery Charger CG-A20 OTH AC cable Battery pack (BP-A30) Other items: Includes camera cover, shoe adapter knob, and microphone holder screws |
Optional | Canon Battery Pack BP-A30 (provided with camera)/BP-A60 Canon Battery Charger CG-A10/CG-A20 (provided with camera) Canon Remote Controller RC-V100 Canon Compact Power Adapter CA-CP200L (provided with camera) Canon Shoulder Strap SS-1200 (provided with camera) Canon Shoulder Support Unit SU-15 Canon Tripod base TB-1 Canon GPS Receiver GP-E2 Canon RF lenses, EF lenses, EF cinema lenses, and accessories designed for these lenses Canon Mount Adapter EF-EOS R Canon Control Ring Mount Adapter EF-EOS R Canon Drop-In Filter Mount Adapter EF-EOS R (w/ drop-in variable ND filter A and circular polarizing filter A) (*) Canon Mount Adapter EF-EOS R 0.71x (*) Canon EXTENDER RF 1.4x (*) Canon EXTENDER RF 2x (*) New products |
Third Party Accessories | Wi-Fi Adapter, Ethernet Adapter |
Miscellaneous | |
Dimensions (Main Body Only) | 160 x 130 x 116 mm |
Weight (Body Only) | 1190g (with grip belt and measure hook) |
Weight (with accessories) | Approx. 1620 g (BP-A30, 2 SD cards, Handle Unit, Microphone Holder, Grip belt, and Measure hook) |
Operating Temperature Range | Approx. 0 to 40°C, (85% relative humidity) Approx.-5 to 45°C, (60% relative humidity) |
Power Supply (Battery) | BP-A30 (Supplied) BP-A60 (Optional) |
Power Supply (Mains) | Compact Power Adapter CA-CP200L: 24V DC |
Power Consumption (Approx.) | Max power consumption: 14.6W |
Recording Time (Approx.) | With supplied BP-A30 battery pack: Super 35mm, 4096x2160/50.00P 175 Mins Super 16mm, 2048x1080/50.00P 205 Mins |
Footnote: | * All specifications are subject to change without notice |