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Sony Alpha FX3 ILME-FX3 Cinema Line Camera

Availability:In stock
Cat No.
43644
SKU
ILMEFX3.CE
Sony

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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

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Product Information

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.

Acclaimed cinematic colour with S-Cinetone™

The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.[1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).

New S-Log shooting modes for optimized image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony’s s709 has been added to the available LUT presets.

Proxy recording for more efficient editing workflow

Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.[1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)

Flexible exposure mode

Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3’s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject's colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.

Fast, easy touch focus control

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology.

In-body optical image stabilisation for handheld shooting

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility.[1] Track of camera shake [2] Standard [3] Active

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.

Uninterrupted 4K 60p recording

For uninterrupted 4K 60p recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Customisable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It’s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers’ work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot large touch panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Reliable durability and weather resistance in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery.

Data communications to support on-site workflow

Wireless 5GHz/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst

Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation and Shot Marks. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or purchased Catalyst Prepare software.

Information on security updates

Where a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.

FX3 Full-frame Cinema Line Camera

Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life

The Sony FX3 is a compact cinema camera designed for solo filmmakers, videographers, and content creators. It boasts a full-frame sensor and can capture 4K footage at up to 120 frames per second. The camera is equipped with Sony's advanced autofocus system and features 15+ stops of dynamic range, allowing for stunning detail in both bright and dark scenes.

The FX3 also features built-in image stabilization, making it ideal for handheld shots, and includes professional audio features such as XLR inputs and a built-in microphone. Additionally, the camera can record in S-Cinetone, Sony's proprietary color profile, which produces rich and cinematic color straight out of the camera.

Overall, the Sony FX3 is a powerful and versatile tool for independent filmmakers and content creators who require high-quality video and audio in a compact and portable form factor. Its advanced features and user-friendly design make it a top choice for those looking to take their content creation to the next level.

Image sensor with fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.

Acclaimed cinematic colour with S-Cinetone™

The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.[1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Key Features 

  • 4K full-frame back-illuminated CMOS Exmor R™ sensor , 15+ stop dynamic range, ISO expandable to 409600 for low light conditions
  • Cinematic Expressions with 16bit RAW, S-Log3 and S-Cinetone™, a highly regarded look profile inspired by VENICE colorimetry
  • Designed for professional workflow: 715g compact and light weight body suitable for solo-shooting and handheld mobility
  • Reliable in every shooting situation: Ragid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recording
  • S-Cinetone™ highly regarded look profile inspired by VENICE colorimetry
  • Compact and approx. 715g (body with card and battery) lightweight body suitable for solo-shooting
  • Real-time Eye AF ensures precise focus on the face and eyes
  • Easily create rack-focus transition, and five settings for AF Subject Shift Sensitivity
  • 4K QFHD high-frame-rate 120fps recording
  • XAVC-S 4:2:2 10-bit internal recording, 4K 16-bit RAW output full HDMI terminal
  • Multiple thread holes to attach accessories without case. XLR handle supplied.
  • S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility
  • Rigid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recording
  • 16bit RAW, S-Log3 and S-Cinetone™, a highly regarded look profile inspired by VENICE colorimetry
  • Outstanding mobility for solo-shooting
  • Fast Hybrid AutoFocus , Real-time Eye AF, Touch tracking Autofocus, Customizable Autofocus sensitivity
  • Heat dissipation system for uninterrupted 4K 60p recording
  • Rechargeable Battery NP-FZ100
  • Battery Charger BC-QZ1
  • Power cord
  • XLR handle unit
  • Accessory shoe kit
  • Body cap
  • Accessory shoe cap
  • Handle shoe cap
  • USB-A to USB-C cable (USB 3.2)
General
Camera Type Interchangeable lens digital camera 
Lens Mount  E-Mount
Approximate Size and Weight
Weight (Main Unit Only)  715 g (1 lb 9.3 oz) (with battery and memory card included), 640 g (1 lb 6.6 oz) (body only)
Weight (Including Supplied Accessories)  1.015 kg (2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)
Dimensions  129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)
Power
Power Consumption  [Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)
[Still image] Approx. 3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Battery Operating Time

Approx. 95 min (Actual recording, CIPA standard) *1
Approx. 135 min(Continuous recording, CIPA standard)
Approx. 600 shots (LCD monitor) (Still image, CIPA standard)

Operation
Operating Temperature 0 to 40 degrees C 
32 to 104 degrees F
Storage Temperature -20 to +60 degrees C
-4 to +140 degrees F
Recording - Video
Recording Format (Video)

[XAVC S-I 4K]
XAVC S-I 4K 59.94p,
600Mbps 4:2:2 10bit,
MPEG-4 AVC / H.264
XAVC S-I 4K 50p,
500Mbps 4:2:2 10bit,
MPEG-4 AVC / H.264
XAVC S-I 4K 29.97p,
300Mbps 4:2:2 10bit,
MPEG-4 AVC / H.264
XAVC S-I 4K 25p,
250Mbps 4:2:2 10bit,
MPEG-4 AVC / H.264
XAVC S-I 4K 23.98p,
240Mbps 4:2:2 10bit,
MPEG-4 AVC / H.264
[XAVC S-I HD]
XAVC S-I HD 59.94p
222Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S-I HD 50p
185Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S-I HD 29.97p
111Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S-I HD 25p
93Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S-I HD 23.98p
89Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
[XAVC S 4K]
XAVC S 4K 59.94p
200Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S 4K 50p
150Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p
140Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S 4K 23.98p
100Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p
100Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p
60Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p
280Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p
200Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
[XAVC S HD]
XAVC S HD 59.94p/50p/29.97p/25p/23.98p
50Mbps 4:2:2 10bit
MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p/29.97p/25p/23.98p
50Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p
25Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC HD 29.97p/25p
16Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p
100Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p
60Mbps 4:2:0 8bit
MPEG-4 AVC / H.264
[XAVC HS 4K]
XAVC HS 4K 59.94p/50p
200Mbps 4:2:2 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p
150Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p/23.98p
100Mbps 4:2:2 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p
75Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p
45Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 23.98p
100Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 23.98p
50Mbps 4:2:2 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 23.98p
50Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 23.98p
30Mbps 4:2:0 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p
280Mbps 4:2:2 10bit
MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p
200Mbps 4:2:0 10bit
MPEG-H HEVC / H.265

Recording Format (Audio)  LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate  [XAVC S-I 4K]3840x2160/59.94P, 50P, 29.97P, 23.98P, 25P [XAVC S-I HD]1920x1080/59.94P, 50P, 29.97P, 23.98P, 25P [XAVC S 4K]3840x2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P [XAVC S HD]1920x1080/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P [XAVC HS 4K]3840x2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playack Time

[XAVC S-I 4K]
When using CEA-G160T (160 GB)
Approx. 25 minutes

When using CEA-G80T (80GB)
Approx. 10 minutes
[XAVC S-I HD]
XAVC S-I HD 59.94p/50p
When using CEA-G160T (160 GB)
Approx. 75 minutes
When using CEA-G80T (80GB)
Approx. 35 minutes
[XAVC S 4K]
XAVC S 4K 59.94p/50p 200M
When using CEA-G160T (160 GB)
Approx. 85 minutes
When using CEA-G80T (80GB)
Approx. 40 minutes
XAVC S 4K 59.94p/50p 150M
When using CEA-G160T (160 GB)
Approx. 110 minutes
When using CEA-G80T (80GB)
Approx. 55 minutes
[XAVC S HD]
XAVC S HD 59.94p/50p 50M
When using CEA-G160T (160 GB)
Approx. 310 minutes
When using CEA-G80T (80GB)
Approx. 150 minutes
XAVC S HD 59.94p/50p 25M
When using CEA-G160T (160 GB)
Approx. 550 minutes
When using CEA-G80T (80GB)
Approx. 210 minutes
[XAVC HS 4K]
XAVC HS 4K 59.94p/50p 200M
When using CEA-G160T (160 GB)
Approx. 85 minutes
When using CEA-G80T (80GB)
Approx. 40 minutes
XAVC HS 4K 59.94p/50p 150M
When using CEA-G160T (160 GB)
Approx. 110 minutes
When using CEA-G80T (80GB)
Approx. 55 minutes
XAVC HS 4K 59.94p/50p 100M
When using CEA-G160T (160 GB)
Approx. 170 minutes
When using CEA-G80T (80GB)
Approx. 80 minutes
XAVC HS 4K 59.94p/50p 75M
When using CEA-G160T (160 GB)
Approx. 220 minutes
When using CEA-G80T (80GB)
Approx. 100 minutes
XAVC HS 4K 59.94p/50p 45M
When using CEA-G160T (160 GB)
Approx. 340 minutes
When using CEA-G80T (80GB)
Approx. 160 minutes

Recording Format (Proxy Audio)  XAVC Proxy: AAC-LC, 128kbps kbps, 2 channels
Recording Format (Proxy Video)  [XAVC HS HD]
MPEG-H HEVC/H.265
1920x1080 4:2:0 10bit 16Mbps
1920x1080 4:2:0 10bit 9Mbps
[XAVC S HD]
MPEG-4 AVC/H.264
1280x720 4:2:0 8bit 6Mbps
RAW Output  HDMI:4264 x 2408 (60p / 50p / 30p / 25p / 24p), 16bit
Other Video Functions Audio Level Display
Audio Rec Level
TC/UB
Creative Look
Gamma Display Assist
PAL/NTSC Selector
Recording (Still)
Recording Format  JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image size (pixels) [3:2]  35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M)APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
Image size (pixels) [4:3]  35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M)APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
Image size (pixels) [16:9]  35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M)APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
Image size (pixels) [1:1]  35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M)APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)
Camera Section
Imaging Device (Type)  35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Number of Pixels (Effective)  Movie: Approx. 10.2 megapixels, Still image: Approx. 12.1 megapixels
Number of Pixels (Total)   Approx. 12.9 megapixels
ISO Sensitivity  [Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit),
Shutter Speed  [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec, Bulb
Slow and Quick Motion Function  [XAVC S-I 4K / XAVC S 4K / XAVC HS 4K]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps*2 ,PAL mode:1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps*2
[XAVC S-I HD / XAVC S 4K]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps
240fps*2 PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps
200fps*2
White Balance  Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma Curve  Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude  15+ stop (S-Log3)
Focus System
Type  Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point  [Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)
Sensitivity Range  EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode  [Movie] AF-C, MF [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area  [Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Other Focus Features

 Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal,)

[Movie] AF Subj. Shift Sensitivity
[Movie] AF Transition Speed
Face detection (Face Priority in AF
Face Priority in Multi Metering
Regist. Faces Priority)
Focus Magnifier (35mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x)

Exposure Control
Metering Sensitivity  EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes  [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode
[Sill images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)
Playback
Playback Functions  Index view
Folder selection (Date / Still / Movie)
Photo capture
4Ch audio monitoring
Auto Review (stills)
Image orientation (stills)
Protect (stills)
Rating (stills)
Display as Group (stills)
Interface
Audio Input 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB Terminal  USB Type-C (x1, SuperSpeed USB 5Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Headphone Output  3.5 mm Stereo minijack
Speaker Output  Built-in, monaural
HDMI Output

 HDMI connector (Type-A)

YCbCr 4:2:2 10bit / RGB 8bit

Multi Interface Shoe  With Digital Audio Interface
Monitoring 
LCD  7.5cm (3.0-type), Approx. 1.44M dots, touch panel,
Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Built-in Microphone  Built-in, stereo
Media
 Type  CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

 

File System

 FAT12, 16, 32, exFAT
Zoom
Zoom Function Zoom ring rotate
Clear Image Zoom ([Movie] Approx. 1.5x (4K)
Approx. 2x (HD) [Still image] Approx. 2x )
Digital zoom ([Movie] 35mm full frame: approx. 4x APS-C: approx. 4x
[Still image] 35mm full frame: L: approx. 4x
M: approx. 6.1x
S: approx. 8xAPS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x),
Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2xAPS-C: M:approx. 1.3x, S: approx. 2x)
Still Image Function
Shutter Mechanical shutter / Electronic shutter
Drive Modes Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Continuous Shooting Speed Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Noise Reduction Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off
Flash Control Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/125 sec
Other Still Image Functions Electronic Front Shutter Curtain
Silent Shooting
Anti-flicker Shoot.*3
Image Stabilization
Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Mode [Movie] Active / Standard / Off, [Still image] On / Off
Compensation Effect 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom Function Custom key settings, My Menu, My Dial Settings
Lens Compensation Peripheral Shading, Chromatic Aberration, Distortion
Wi-Fi/NFC
Supported Format IEEE 802.11a/b/g/n/ac
Frequency Band 2.4GHz band/5GHz bandwidth*4
Security WEP/WPA-PSK/WPA2-PSK
NFC NFC forum Type 3 Tag compatible
Bluetooth Bluetooth Standard Ver. 5.0 (2.4GHz band))
FTP Transfer FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi)
Accessories
Supplied Accessories Rechargeable Battery NP-FZ100; Battery Charger BC-QZ1; Power cord; XLR handle unit; Accessory shoe kit; Body cap; Accessory shoe cap; Handle shoe cap; USB-A to USB-C cable (USB 3.2)