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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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The GFX100S II features the newly-developed 102MP high-speed image sensor the “GFX 102MP CMOS II” and the latest high-speed image processing engine, the “X-Processor 5” all housed within a compact body weighing approximately 883g*2, making it the lightest among the 102MP large-format GFX series cameras. The camera is also equipped with a powerful image stabilizer and a high-speed, high-precision autofocus function, enhancing the user experience and immersing them in a whole new level of unparalleled image quality.
The GFX100S II delivers the rich tonal gradations and shallow depth of field of large-format digital cameras, and features AI-based subject detection AF, high-speed, highly precise AF that is a significant improvement over the previous model*3, and improved continuous shooting speed of up to 7.0 frames per second*4, it can accurately capture moving subjects like never before. The in-body image stabilization function has been improved from the previous model to 5-axis with a maximum of 8.0 stops*5, achieving the highest performance in the GFX series. Despite these powerful features, the camera remains lightweight and compact only at approximately 883 g, allowing users to enjoy a new level of high image quality in a wide range of situations. It also excels at producing smooth, colorful 4K/30P video for high-quality image production.
The GFX100S II is a mirrorless digital camera with overwhelming descriptive power and mobility that has evolved from its predecessors, making it ideal for professional photographers as well as hobbyists who want to use large-format cameras.
Newly developed 102MP large-format sensor achieving extraordinary level of image quality
The GFX 102MP CMOS II is equipped with a newly developed 102MP large-format sensor. In addition, the combination of the latest high-speed image processing engine "X-Processor 5", the "FUJINON GF Lens" that brings out overwhelming resolution, and the color reproduction technology cultivated for many years in photographic film, accurately reproduces the captured scene down to the smallest detail.
The improved pixel structure has increased the number of saturated electrons in the new sensor, allowing ISO 80 to be used as the normal sensitivity; when set to ISO 80, the camera can shoot with an even wider dynamic range and lower noise than previous models *6.
Improved microlens of the new sensor improves the efficiency of light utilization at the edge of the sensor. Image quality and AF accuracy at the periphery of the lens have been improved compared to previous models.
A total of 20 types of Film Simulations are available, including "REALA ACE," which offers faithful color reproduction and high-contrast tonality. Users can choose from 20 Film Simulation modes to give images a diverse range of distinctive tones, as if they are changing a suitable photographic films.
The camera features the Pixel Shift Multi-Shot function, which enables 4x resolution and faithful color reproduction. The function controls the In-Body Image Stabilization (IBIS) mechanism at the advanced level to shift the image sensor by 0.5 pixel at a time and shoot 16 RAW images in a quick succession. The dedicated software “Pixel Shift Combiner” is then used to combine the 16 RAW files to generate a 400MP image (in the case of "High Resolution + Real Color" method). The camera can produce an image of approximately 400 million pixels (in the case of the "High Resolution + Real Color" method). In addition, by changing the control method within the camera body and combining four RAW files shot by shifting one pixel at a time, an image of approximately 100 million pixels can be generated (in the case of the "Real Color" method).
Powerful IBIS mechanism in a compact body enables greater accessibility to exceptional image quality
The camera is equipped with a meticulously designed IBIS. The combination of a gyro sensor and an acceleration sensor accurately captures even the slightest movement, and uses image information to detect blurring, thereby improving the accuracy of its correction. These features enable the camera to achieve 5-axis and up to 8.0-stop anti-shake performance, which is an evolution from previous models. This enables comfortable hand-held shooting even in low-light conditions.
While incorporating new features, the body maintains the same compact dimensions as its predecessor, measuring approximately 150 mm in width, 104 mm in height, and 87 mm in depth. The new model is lighter than its predecessor, weighing approximately 883g, making it the lightest model in the GFX series with a 102MP large-format sensor.
As with the flagship” FUJIFILM GFX100 II” model, the new model also features the BISHAMON-TEXTM*7 texture that enhances grip at various angles when holding the camera. These characteristics, in combination with the ergonomically designed grip shape, provides powerful support for hand-held photography.
Advanced high-speed, high-precision AF and continuous shooting performance to capture the decisive moment
In addition to face and eye AF that has evolved through improved algorithms, the camera is equipped with subject detection AF by AI developed using deep learning technology. It detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones*8. The camera automatically tracks the targeted subject while keeping it in focus, allowing the photographer to concentrate on the shutter release opportunity and composition. The camera also incorporates an AF prediction algorithm, surpassing previous models’ motion tracking abilities and enabling superior performance in fast-moving scenes.
The camera achieves the continuous shooting at a maximum speed of 7.0 frames per second thanks to the improved readout speed of the newly developed high speed sensor GFX 102MP CMOS II and a newly developed shutter drive that ensures users never miss a moment worth capturing.
The camera is equipped with a 5.76-million dot high-resolution EVF with a high magnification ratio of 0.84x. The EVF suppresses image drift and distortion caused by misalignment of the pupil to achieve high visibility when using the viewfinder.
4K/30P video recording function for high-quality video production
ISO 100 can be used as the standard sensitivity thanks to the improved number of saturated electrons by the newly developed GFX 102MP CMOS II. This enables wide dynamic range and low noise shooting.
The camera features a tracking AF function during video recording; when using AF-C+Wide/Tracking AF, users can easily specify the subject to be tracked by touching the screen, even in situations involving multiple subjects.
Smooth 4K video recording at 30 frames per second. The camera can record 4K/30P 4:2:2 10bit to an SD card inside the camera. Additionally, Apple ProRes*9 recording is possible by connecting an external SSD via USB Type-C. *10
It is equipped with 13+stop*11 "F-log2" that allows recording of richly graded video and greatly improves flexibility in post-production. In addition, different video formats can be recorded and output on recording media and HDMI output. For example, you can record in "Flog-2" on recording media while checking video using "film simulation" on an external monitor.
Compatible with the Frame.io Camera to Cloud service. Video and still image files can be uploaded directly to Frame.io, dramatically speeding up the workflow from shooting to editing.
Optional accessories
Hand grip "MHG-GFX S”
The metal hand grip improves the hold when shooting with a large size telephoto lens attached and also contributes to convenience when using a tripod.
Membership of C2PA*12 and CAI*13 and development of a system*14 to provide context and history for digital media
In recent years, it has become an important global issue to rebuild trust online by proving the authenticity of photographs and videos. To further enable creative and business activities to flourish, we have joined two organizations, the Coalition for Content Provenance and Authenticity (C2PA) and the Content Authenticity Initiative (CAI). We are collaborating with these organizations to help consumers verify content online through Content Credentials*15 and will continue to develop a system to provide context and history of digital content by providing valuable information, such as the origin and record of content, to the image file. We will gradually expand this solution to our GFX and X series line-up*16, including the GFX100S II.
*1 With a diagonal length of 55mm (43.8mm W x 32.9mm H), the image sensor has an area approximately 1.7 times that of the 35mm format
*2 Including attached battery and memory card
*3 "FUJIFILM GFX100S"
*4 When mechanical shutter is used
*5 Based on CIPA standard, pitch/yaw direction, with "FUJINON Lens GF63mmF2.8 R WR" attached
*6 When recording in 16-bit RAW
*7 BISHAMON-TEX is a trademark or registered trademark of FUJIFILM Corporation.
*8 "Bird" is used to detect insects, and "Airplane" is used to detect drones.
*9 Apple ProRes is a trademark of Apple Inc. registered in the U.S. and other countries.
*10 Some modes cannot be recorded depending on the type of SSD. Please check our web page for SSDs that have been tested for operation.
*11 Fujifilm's internal measurement
*12 An open, technical standards body addressing the prevalence of misleading information online through the development of technical standards for certifying the source and history (or provenance) of digital content. C2PA is a Joint Development Foundation project that publishes Content Credentials, the content provenance standard.
*13 A global community of media and tech companies, NGOs, academics, and others working to promote adoption of an open industry standard for content authenticity and provenance – called Content Credentials.
*14 Launch schedule by countries or regions will be announced as soon as they are finalized.
*15 Content Credentials are essentially a “nutrition label” for digital content that attach secure tamper-evident metadata to digital content, which can include important information such as the creator’s name, the date an image was created, what tools were used to create an image and any edits that were made along the way.
*16 Scheduled to be deployed as needed through firmware updates. (Deployment schedule to be determined).
Model name | FUJIFILM GFX100S II | |
---|---|---|
Lens Mount | FUJIFILM G mount | |
Image sensor | 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter | |
Number of effective pixels | 102 million pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) | |
SDHC Card (-32GB) | ||
SDXC Card (-2TB) | ||
UHS-I | ||
UHS-II | ||
Video Speed Class V90 | ||
SSD (-2TB) | ||
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | ||
File format of still image | DCF - Compliant with Design rule for Camera File system (DCF2.0) | |
JPEG - Exif Ver.2.32 | ||
HEIF - 4:2:2 10bit | ||
RAW - 14bit / 16bit RAW (RAF original format) | ||
TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only) | ||
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | ||
Number of recorded pixels | [L] 4:3 - 11648 x 8736 | |
3:2 - 11648 x 7768 | ||
16:9 - 11648 x 6552 | ||
1:1 - 8736 x 8736 | ||
65:24 - 11648 x 4304 | ||
5:4 - 10928 x 8736 | ||
7:6 - 10192 x 8736 | ||
[M] 4:3 - 8256 x 6192 | ||
3:2 - 8256 x 5504 | ||
16:9 - 8256 x 4640 | ||
1:1 - 6192 x 6192 | ||
65:24 - 8256 x 3048 | ||
5:4 - 7744 x 6192 | ||
7:6 - 7232 x 6192 | ||
[S] 4:3 - 4000 x 3000 | ||
3:2 - 4000 x 2664 | ||
16:9 - 4000 x 2248 | ||
1:1 - 2992 x 2992 | ||
65:24 - 4000 x 1480 | ||
5:4 - 3744 x 3000 | ||
7:6 - 3504 x 3000 | ||
Panorama [L] | vertical | |
Horizontal | ||
[M] - Vertical | ||
Horizontal | ||
Sensitivity | Still Image - Standard Output - AUTO1 | |
AUTO2 | ||
AUTO3 | ||
ISO80~12800 (1/3 step) | ||
Extended Output | ISO40 | |
ISO25600 | ||
ISO51200 | ||
ISO102400 | ||
Movie | Standard Output - AUTO | |
ISO100~12800 (1/3 step) | ||
Extended Output - ISO25600 | ||
Exposure control | TTL 256-zone metering | |
Multi | ||
Spot | ||
Average | ||
Center Weighted | ||
Exposure mode | P (Program AE) | |
A (Aperture Priority AE) | ||
S (Shutter Speed Priority AE) | ||
M (Manual Exposure) | ||
Exposure compensation | Still -5.0EV~+5.0EV 1/3EV step | |
Movie -2.0EV~+2.0EV 1/3EV step | ||
Image stabilizer | Mechanism - Image sensor shift mechanism with 5-axis compensation | |
Compensation Effect | 8.0 stops | |
*based on CIPA standard | ||
*Pitch/yaw shake only | ||
*With GF63mmF2.8 R WR lens mounted | ||
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter - P mode 30sec. to 1/4000sec. | |
A mode - 30sec. to 1/4000sec. | ||
S/M mode - 60min. to 1/4000sec. | ||
Bulb - up to 60min. | ||
Electronic shutter | P mode - 30sec. to 1/16000sec. | |
A mode - 30sec. to 1/16000sec. | ||
S/M mode - 60min. to 1/16000sec. | ||
Bulb - up to 60min. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
Electronic front curtain shutter | P mode | |
A mode | ||
S/M mode | ||
Bulb | ||
Mechanical + Electronic shutter | P mode - 30sec. to 1/16000sec. | |
A mode - 30sec. to 1/16000sec. | ||
S/M mode - 60min. to 1/16000sec. | ||
Bulb - up to 60min. | ||
*Mechanical shutter works until 1/4000sec. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
E-front + Mechanical shutter | P mode - 30sec. to 1/4000sec. | |
(GFX: Electronic Front Curtain Shutter)- A mode - 30sec. to 1/4000sec. | ||
S/M mode - 60min. to 1/4000sec. | ||
Bulb -up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec. | ||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | ||
E-front + Mechanical + Electronic shutter - P mode 30sec. to 1/16000sec. | ||
(GFX: E-Front + Electronic Shutter) -A mode 30sec. to 1/16000sec. | ||
S/M mode - 60min. to 1/16000sec. | ||
Bulb - up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | ||
Movie 8K/DCI8K | ||
6.2K | ||
5.8K | ||
5.4K | ||
4.8K | ||
4.6K(ANAMOR) | ||
4K/DCI4K - 1/4000sec. to 1/8 sec. | ||
FHD - 1/4000sec. to 1/8 sec. | ||
*Cannot choose slower shutter speed than framerate for some settings. | ||
Synchronized shutter speed for flash | Mechanical shutter - 1/125sec. or slower | |
Electronic shutter | ||
Continuous shooting | CH Electronic shutter - Approx. 4.1fps (35mm Format Mode ON) | |
No. of recordable frames | JPEG - 1000+ frames | |
Compressed RAW | 1000+ frames | |
Lossless compressed RAW | 96 frames | |
Uncompressed RAW | 24 frames | |
Compressed RAW + JPEG | 95 frames | |
Lossless compressed RAW + JPEG | 51 frames | |
Uncompressed RAW + JPEG | 15 frames | |
CH No. of recordable frames | Electronic Shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Compressed RAW + JPEG | ||
Lossless compressed RAW + JPEG | ||
Uncompressed RAW + JPEG | ||
CH No. of recordable frames | Electronic shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Compressed RAW + JPEG | ||
Lossless compressed RAW + JPEG | ||
Uncompressed RAW + JPEG | ||
Continuous shooting CH | Electronic shutter - Approx. 3.0fps | |
No. of recordable frames | JPEG - 1000+ frames | |
Compressed RAW | 508 frames | |
Lossless compressed RAW | 45 frames | |
Uncompressed RAW | 20 frames | |
Compressed RAW+JPEG | 41 frames | |
Lossless compressed RAW+JPEG | 29 frames | |
Uncompressed RAW+JPEG | 16 frames | |
CH No. of recordable frames | Electronic shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Compressed RAW+JPEG | ||
Lossless compressed RAW+JPEG | ||
Uncompressed RAW+JPEG | ||
CH No. of recordable frames | Electronic shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Compressed RAW+JPEG | ||
Lossless compressed RAW+JPEG | ||
Uncompressed RAW+JPEG | ||
CH No. of recordable frames | Electronic shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Compressed RAW+JPEG | ||
Lossless compressed RAW+JPEG | ||
Uncompressed RAW+JPEG | ||
CH No. of recordable frames | Electronic Front Curtain Shutter | |
JPEG | ||
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
CH No. of recordable frames | Mechanical shutter -Approx. 7.0fps | |
JPEG - 184 frames | ||
Compressed RAW - 30 frames | ||
Lossless compressed RAW - 19 frames | ||
Uncompressed RAW - 16 frames | ||
Compressed RAW+JPEG - 16 frames | ||
Lossless compressed RAW+JPEG - 14 frames | ||
Uncompressed RAW+JPEG - 12 frames | ||
CH No. of recordable frames | Mechanical shutter - Approx. 5.0fps | |
JPEG - 526 frames | ||
Compressed RAW - 46 frames | ||
Lossless compressed RAW - 22 frames | ||
Uncompressed RAW - 17 frames | ||
Compressed RAW+JPEG - 20 frames | ||
Lossless compressed RAW+JPEG - 16 frames | ||
Uncompressed RAW+JPEG - 12 frames | ||
CL No. of recordable frames | Mechanical shutter - Approx. 2.0fps | |
JPEG - 1000+ frames | ||
Compressed RAW - 1000+ frames | ||
Lossless compressed RAW -337 frames | ||
Uncompressed RAW - 26 frames | ||
Compressed RAW+JPEG | - 312 frames | |
Lossless compressed RAW+JPEG - 42 frames | ||
Uncompressed RAW+JPEG -20 frames | ||
CL No. of recordable frames | JPEG | |
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
CL No. of recordable frames | JPEG | |
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
CL No. of recordable frames | JPEG | |
Compressed RAW | ||
Lossless compressed RAW | ||
Uncompressed RAW | ||
Pre-shot No. of recordable frames | Electronic shutter, 1.25 x Crop | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter, 1.25 x Crop | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter, 1.25 x Crop | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter | |
While half press | ||
After full press | ||
Total | ||
Pre-shotNo. of recordable frames | Electronic shutter | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter | |
While half press | ||
After full press | ||
Total | ||
Pre-shot No. of recordable frames | Electronic shutter | |
While half press | ||
After full press | ||
Total | ||
*Electronic Front Curtain Shutter support CL only. | ||
*No. of recordable frames are calculated based on a cold start | ||
*Recordable frames depends on recording media | ||
*Speed of continuous shooting depends on shooting environment and shooting frames | ||
Drive Mode | AE Bracketing- 2 frames | |
3 frames | ||
5 frames | ||
7 frames | ||
9 frames | ||
*by 1/3EV step, up to ±3EV steps | ||
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% | |
200% | ||
400% | ||
ISO sensitivity Bracketing | ±1/3EV | |
±2/3EV | ||
±1EV | ||
White Balance Bracketing | ±1 | |
±2 | ||
±3 | ||
Focus Bracketing | AUTO | |
MANUAL | ||
Multiple Exposure | Yes (Max. 9 frames) | |
Additive | ||
Average | ||
Bright | ||
Dark | ||
Focus | Mode - Single AF | |
Continuous AF | ||
MF | ||
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast - -2.5EV | |
GF80mmF1.7 attached | ||
Phase Detection - -5.5EV | ||
ZGF80mmF1.7 attached | ||
AF frame selection | Single point AF - 13x9 / 25x17 (Changeable size of AF frame) | |
Zone AF - 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid | ||
Wide/Tracking AF - Yes (AF-S: Wide / AF-C: Tracking) | ||
All - Yes | ||
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | Built-in flash | |
Guide Number | ||
Effective range(ISO1600) | ||
Sync. Mode | ||
Flash | EF-X8 | |
Shoe mount flash | Sync. Mode - 1st Curtain | |
2nd Curtain | ||
AUTO FP (HSS) | ||
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) | |
MANUAL | ||
MULTI *When EF-X500 is set | ||
OFF | ||
Synchronized terminal | Sync. Mode - 1st Curtain | |
2nd Curtain | ||
Flash Mode | MANUAL | |
Yes (Dedicated TTL Flash compatible) | ||
Hot Shoe | ||
Viewfinder (Hybrid viewfinder) | OVF - Coverage of Frame Area v.s. Capturing Area | |
Magnification | ||
Viewfinder | EVF - 0.5 inch OLED Color Viewfinder | |
Approx. 5.76 million dots | ||
Coverage of Viewing Area vs. Capturing Area | Approx. 100% | |
Eyepoint | Approx. 24mm (from the Rear End of the Camera's Eyepiece) | |
Diopter Adjustment | -5~+3m-1 | |
Magnification | 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | |
Diagonal Angle of View | approx. 40° (Horizontal angle of view: approx. 32° ) | |
LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | |
Aspect Ratio | 04:03 | |
Dots | Approx. 2.36 million dots | |
Touch Screen Mode | Shooting Mode - AF | |
Focus Area | ||
OFF | ||
Double Tap Setting (ON/OFF) | ||
Touch Function Setting (ON/OFF) | ||
EVF Touch Screen Area Setting | ||
Playback Mode | Swipe | |
Pinch-in / Pinch-out | ||
Double-tap | ||
Drag | ||
Sub LCD monitor | 1.80 inch Monochrome LCD Monitor | |
Aspect Ratio | 04:03 | |
Dots | 303x230-dot | |
Movie recording File format | MOV - Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
MP4 | MPEG-4 AVC/H.264, AAC | |
Movie compression | All Intra | |
Long GOP | ||
8K(17:9) | ||
8K(16:9) | ||
8K(2.76:1) | ||
6.2K(3:2) | ||
6.2K(16:9) | ||
5.8K(2.35:1) | ||
5.4K(17:9) | ||
4.8K(3:2 | ||
4.8K(16:9) | ||
4.6K(1.38:1) | ||
DCI4K HQ(17:9) | ||
4K HQ(16:9) | ||
DCI4K(17:9) | File size - 4096 x 2160 | |
Frame rate | 29.97p | |
25p | ||
24p | ||
23.98p | ||
Bitrate | 720Mbps | |
360Mbps | ||
200Mbps | ||
100Mbps | ||
50Mbps | ||
4K(16:9) | File size - 3840 x 2160 | |
Frame rate | 29.97p | |
25p | ||
24p | ||
23.98p | ||
Bitrate | 720Mbps | |
360Mbps | ||
200Mbps | ||
100Mbps | ||
50Mbps | ||
4K(16:9) High speed rec | ||
Full HD(16:9) High speed rec. | ||
HD(16:9) | ||
*Selectable mode will be changed depending on the "Image Format" setting. | ||
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. | ||
*For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. | ||
*For recording movies in 720Mbps, use a SD memory card with Video Speed Class 90 or higher. | ||
*Selectable bitrate will be changed depends on the setting. | ||
*Apple ProRes codec can be only recorded to SSD | ||
*Bitrate for Apple ProRes codec is not selectable. | ||
*Recording time can become short depending on the temperature and/or shooting conditions | ||
Film simulation mode | PROVIA/Standard | |
Velvia/Vivid | ||
ASTIA/Soft | ||
Classic Chrome | ||
REALA ACE | ||
PRO Neg.Hi | ||
PRO Neg.Std | ||
Classic Neg. | ||
Nostalgic Neg. | ||
ETERNA/Cinema | ||
ETERNA BLEACH BYPASS | ||
ACROS | ||
ACROS + Ye Filter | ||
ACROS + R Filter | ||
ACROS + G Filter | ||
Black & White | ||
Black & White + Ye Filter | ||
Black & White + R Filter | ||
Black & White + G Filter | ||
Sepia | ||
Monochromatic Color | Yes | |
B & W ADJ. (Warm/Cool) | ||
Grain Effect | Roughness -STRONG, WEAK, OFF | |
Size- LARGE, SMALL | ||
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still - AUTO / 100% / 200% / 400% | |
ISO restriction- DR100%: No limit、 DR200%: ISO160 or more、DR400%: ISO320 or more | ||
Movie-100% / 200% / 400% | ||
ISO restriction-DR100%: No limit、 DR200%: ISO200 or more、DR400%: ISO400 or more | ||
White balance | Auto - White Priority | |
Auto | ||
Ambience Priority | ||
Custom - Custom1 - 3 | ||
Color temperature selection - 2500K~10000K | ||
Preset - Daylight | ||
Shade | ||
Fluorescent Light-1 | ||
Fluorescent Light-2 | ||
Fluorescent Light-3 | ||
Incandescent Light | ||
Underwater | ||
Clarity setting | ±5 steps | |
Self-timer | Still - 10sec. | |
2sec. | ||
Movie-10sec. | ||
5sec. | ||
3sec. | ||
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time | |
Interval timer shooting exposure smoothing, Interval priority mode) | ||
Wireless transmitter | Standard - IEEE802.11a/b/g/n/ac (standard wireless protocol) | |
Encryption- WPA/WPA2 mixed mode, WPA3 | ||
Access mode-Infrastructure | ||
Bluetooth® | Standartd - Bluetooth Ver. 4.2 (Bluetooth low energy) | |
Operating frequency (Center frequency)- 2402〜2480MHz | ||
Terminal | Digital interface - USB Type-C (USB3.2 Gen2x1) | |
HDMI output - HDMI Micro connector (Type D) | ||
Others | 3.5mm, stereo mini connector (Microphone) | |
3.5mm, stereo mini connector (Headphone) | ||
2.5mm, Remote Release Connector | ||
Hot shoe | ||
Synchronized terninal | ||
Power supply | NP-W235 Li-ion battery (included) | |
Battery life for still images- Economy Mode | ||
Normal Mode -Approx. 530 frames | ||
*Auto power save ON | ||
*When GF63mmF2.8 R WR is set | ||
Actual battery life of movie capture | 8K | |
6.2K | ||
4K - Approx. 80min. (29.97p) | ||
Full HD -Approx. 70min. (59.94p) | ||
*Face detection is set to OFF | ||
Continuance battery life of movie capture | 8K | |
6.2K | ||
4K -Approx. 120min. (29.97p) | ||
Full HD - Approx. 120min. (59.94p) | ||
*Face detection is set to OFF | ||
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | ||
Dimensions | Width - 150.0mm | |
Height - 104.2mm | ||
Depth- 87.2mm | ||
(Minimum Depth)- 44.0mm | ||
Excluding EVF | ||
Weight | including battery and memory card- Approx. 883g | |
excluding battery and memory card- Approx. 802g | ||
Operation Environment | ||
Operating Temperature | -10℃~+40℃ | |
Operating Humidity | 10%~80% (no condensation) | |
Starting up period | Approx. 0.5sec. |