Fujifilm GFX ETERNA 55

At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.

Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise.Skin tones are recorded with delicate precision, preserving their natural feel.

GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.

The Fujifilm Look
Building on over 90 years of Fujifilm’s pioneering film colour science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.

GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.

Unleashing the Film Stocks
GFX ETERNA 55 features 20 Film Simulation modes.

Plus, by utilizing Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.

From Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool – rekindling the distinct Memory Colour that has long been admired in photography.

This goes beyond simple colour grading. It’s digital storytelling infused with the rich heritage and expressive depth of analog film.

*PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA/Cinma, ETERNA BLEACH BYPASS, and ACROS

Various Formats
GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.

In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.

Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.

Anamorphic Ready
GFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.

The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.

By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.

Codec
Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.

It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.

Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects,GFX ETERNA 55’s versatility makes it an ideal tool across genres.

Ready for Filmmaking
A design that elevates the creative drive of every filmmaker.

Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness.

The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.

In the Box

1x GFX ETERNA Camera
1x Li-ion battery NP-W235
1x AC power adapter AC-15VS
1x AC cable
1x Body cap
1x Handle
1x LCD Monitor
1x LCD Monitor hood
1x LCD attachment
1x PL-Mount Adapter

Recommended Accessories

Specifications

Lens Mount	FUJIFILM G mount
Image Sensor	43.8mm×32.9mm GFX 102MP CMOS II HS with primary colour filter
Number Of Pixels	102 million pixels
ND Filter	Electronic Variable ND Filter, 0.6(ND4)～2.1(ND128)
Sensor Cleaning System	Ultra Sonic Vibration
Image Processing Engine	X-Processor 5
Storage Media	SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 CFexpress Type B Card (-2TB) SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
Sensitivity
Movie
Standard Output	AUTO ISO400～12800 (1/3 step)
Extended Output	ISO100~ISO320 (1/3 step) ISO25600
Exposure Control	TTL 256-zone metering Multi Spot Average Center Weighted
Exposure Compensation
Movie	-2.0EV~+2.0EV (1/4EV step)
Dynamic Range	14+Stop (F-Log2 / F-Log2 C)
Shutter speed / Shutter angle	1/8 sec~1/8000 sec, 5.6°~ 360°
Focus
Mode	Continuous AF MF
Type	Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance
Contrast	1EV GF32-90mmT3.5 attached
Phase Detection	-2EV GF32-90mmT3.5 attached
AF Frame Selection
Single Point AF	13×9 / 25×17 (Changeable size of AF frame)
Wide/Tracking AF	AF MULTI / TRACKING / AREA
Face/eye Detection	Yes
Subject Detection	Yes (FACE/Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Side monitor	3.0 inch Touch Screen Colour LCD Monitor
Aspect Ratio	3:2
Dots	Approx. 1.04 million dots
Movie Recording
File Format
MOV	Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie Compression	All Intra Long GOP
8K(17:9)
File Size	8192 x 4320
Frame Rate	24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
8K(16:9)
File Size	7680 x 4320
Frame Rate	29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
8K(2.76:1)
File Size	8192 x 2968
Frame Rate	24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
6.3K(16:9)
File Size	6382×3590
Frame Rate	29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra:Only available at 720 Mbps and 360 Mbps
5.8K(2.39:1)
File Size	5824×2436
Frame Rate	29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200 Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
5.4K(17:9)
File Size	5440 x 2868
Frame Rate	29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4.8K(3:2)
File Size	4776 x 3184
Frame Rate	24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4.8K(16:9)
File Size	4776 x 2688
Frame Rate	29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4.6K(1.38:1)
File Size	4664 x 3380
Frame Rate	24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4.6K(1.195:1)
File Size	4040×3380
Frame Rate	24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra:Only available at 720 Mbps and 360 Mbps
DCI4K(17:9)
File Size	4096 x 2160
Frame Rate	59.94p 50p 48p 47.95 29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4K(16:9)
File Size	3840 x 2160
Frame Rate	59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
4K(4:3)
File Size	3840×2880
Frame Rate	48p 47.95p 29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
Full HD(17:9)
File Size	2048 x 1080
Frame Rate	59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
Full HD(16:9)
File Size	1920 x 1080
Frame Rate	59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p
Bitrate	720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps
Notes	Selectable mode will be changed depending on the “Image Format” setting. For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. Selectable bitrate will be changed depends on the setting. Apple ProRes codec can be only recorded to CFexpress Type B card Bitrate for Apple ProRes codec is not selectable. Recording time can become short depending on the temperature and/or shooting conditions
Film Simulation Mode	20 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia
White Balance
Auto	White Priority Auto Ambience Priority
Custom	Custom
Colour Temperature Selection	2000K~11000K,CC(-16.00~+16.00)
Wireless Transmitter
Standard	IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption	WPA2, WPA3
Access Mode	Infrastructure mode
Bluetooth®
Standard	Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency)	2402〜2480MHz
Terminal
Digital Interface	USB Type-C®
HDMI Output	HDMI OUT connector (Type A)
LAN Terminal	LAN connector 1000BASE-T、100BASE-TX、10BASE-T
Others	ø3.5mm,stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm,connector (Remote Release ) TC IN/TC OUT connector GenLock connector 12G SDI OUT connector:max 4K59.94p 12G/6G/3G LENS connector(12-pin) Power supply 14V-0.5A V-mount battery attachment terminal Handle connection terminal DC OUT 12V connector :2-pin LEMO :12V 3A LCD monitor cable connector DC IN connector:4-pin for AC-15VS
Power Supply
Power Supply	NP-W235 Li-ion battery (included) DC IN:AC-15VS AC power adapter (included) V-mount battery
Dimensions
Width	110.8mm
Height	138.2mm
Depth	176.8mm
Weight
Excluding Battery And Memory Card	Approx. 2.0kg
Operation Environment
Operating Temperature	-10℃～+40℃
Operating Humidity	10% – 80% (no condensation)
Power Consumption	Standard power consumption：21W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1, excluding accessories other than the LCD monitor and handle. Maximum power consumption：49W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High, including accessories, DC OUT 12V not connected.
Accessories Included	Li-ion battery NP-W235 AC power adapter AC-15VS AC cable Body cap Handle LCD Monitor LCD Monitor hood LCD attachment PL-Mount Adapter

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