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CASE STUDY

Discussing Sony CineAlta


A three part interview series, discussing how the CineAlta range is used across the production industry.

Will Newman

As the Cinema Business Development Manager for Sony Europe, Will Newman is at the forefront of the high end cinema industry. Supporting filmmakers across the industry with using Sony CineAlta Products like the Venice II and Burano on their productions.

Explore Sony Cinema Line

Enable Creative Freedom

The Venice Extension System Mini brings the powerful Venice II sensor into a super-compact extension block. A thin, supple cable then connects this small cube to the main Venice II camera, enabling filmmakers to place their camera in positions never before possible. Perfect for handheld, gimbal and POV work, as well as creative angles inside tight spaces.

"We have given them a tool which enables them to be as creative as they want, while still maintaining maximum quality and avoiding camera compromises"

Designed for versatility

The Burano has now been used on films including Mission Impossible: The Final Reckoning, and hit show Bridgerton. So now that high end productions have been putting this new system through its paces, Will discusses the reception to the Burano. Which features are getting filmmakers excited, and how the new Firmware 2.0 brings extra functionality to an already powerful imaging platform.

"The image matches our Venice so well, but we have a third lighter body"

A Cinematic Flagship

The Venice II is the camera of choice for a huge amount of productions across the world. Including Final Destination: Bloodlines, The White Lotus Season 3, Beetlejuice Beetlejiuce, Avatar: The Way of the Water and so many more.
Will discusses which features and characteristics attact filmmakers to the Venice platform, and comments on Sony's commitement to the Venice II ecosystem moving forwards.

"Inside that camera is an absolute beast, the sensor is fantastic and the processing is fantastic"