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Fast & Reliable Availability
We distribute our stock across multiple warehouses to ensure quick processing and delivery.
Need something urgently for Click & Collect?
If an item shows as in stock, please call us on 01442 292929 or email sales@proav.co.uk to confirm availability before visiting.

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The EOS R6 Mark III is a powerful stills camera with advanced filmmaking features, offering exceptional quality and control for photographers covering a range of subjects from sports and wildlife to weddings and portraits. Positioned above the EOS R6 Mark II, the EOS R6 Mark III offers significant upgrades in resolution, tracking, and connectivity offering additional choice alongside the existing EOS R5 and EOS R6 models.
The EOS R6 Mark III delivers the optimal balance of quality and performance: exceptional detail to achieve your vision, and superb speed to capture every moment. With a 32.5 Megapixel sensor, 40fps continuous shooting1, intelligent auto focus tracking and custom controls, this powerful camera is built to match your pace, workflow and creative ambitions
Quality meets performance
With a 32.5MP full-frame sensor, the EOS R6 Mark III hits the resolution sweet spot with exceptional detail and optimised file sizes for lighter storage. In-camera crop modes extend your reach for wildlife and sports, and up to 8.5 stops3 of stabilisation ensures steady handheld stills and video. Plus, it offers excellent low light performance thanks to an ISO range up to 64,000.
Ready when you are
Whether you’re on the pitch or in the wild, with the EOS R6 Mark III you can catch the fastest action thanks to 40fps1 continuous shooting. Plus, an expanded buffer handles up to 150 RAW images in a single burst when using CFexpress cards - twice the power of the R6 Mark II and with higher resolution.
Never miss a moment
Some events only happen once, and thanks to pre-continuous shooting you’ll never miss a beat. Record 20 frames before you press the shutter in full RAW, JPEG, or HEIF.
Discover your inner filmmaker
The EOS R6 Mark III is built with powerful features to support a confident step into filmmaking, recording high-quality 7K RAW up to 60p, and oversampled 4K 60p with smooth slow motion for cinematic effect. Easily repurpose your content across platforms with Open Gate recording and make the most of pro-level tools like waveform monitor, proxies, metadata tagging, full-size HDMI, and 4-channel audio.
Built to power your workflow
Work smarter and faster with a range of improved and optimised features. Dual aspect markers let you frame for multiple platforms in one shot, and a redesigned control tab means you can personalise key settings to suit your shooting style. Plus, a tough weather-resistant4 body and long-lasting battery for ultimate reliability.
Flexible storage. Seamless sharing.
For better organisation and extra security, make the most of the EOS R6 Mark III’ dual card slots – one for the fast and high-capacity CFexpress Type B and another for the widely-used UHS-II SD. Access features like relay recording and proxy movie recording, or keep stills and videos on different cards. You can also count on built-in wireless connectivity, with support for 5 GHz Wi-Fi2 and Bluetooth 5.1, when you need to share your files quickly and securely.
Open Gate recording
Open Gate is a method that captures video using the entire area of a camera’s image sensor, rather than cropping full frame lenses to standard aspect ratios like 16:9 or 17:9. By utilising the full sensor height and width – often in formats like 3:2 or 4:3 – Open Gate maximizes resolution and image data. For example, a full-frame sensor might deliver a full 7K image at 6960x4640 using Open Gate, whereas A traditional 17:9 DCI aspect ratio would reduce the height of the image to 6960x3672.
The key avantage of Open Gate is flexibility. It provides more room in post-production for reframing, stabilisation, and high-resolution delivery across multiple formats. This is especially valuable for creators delivering to both cinematic and social platforms, allowing for simultaneous 16:9, 9:16, or even square aspect ratios from a single source. In addition, utilising the full height of the sensor also benefits anamorphic shooting by capturing a larger cinematic field of view.
Register People Priority AF
Tell your camera who matters most in a scene, and register up to 100 faces, with 10 set as top priority. The camera will then automatically detect and track those faces in order, ensuring your chosen subjects remain sharp. You can register faces from images already taken or from files stored on the card and adjust priorities directly in-camera. This is ideal for busy environments like weddings, news events, or red carpets.
NOTES:
The ideal everyday lens for full frame mirrorless enthusiasts. Easy to use, the RF 24-105mm F4-7.1 IS STM is light, compact and ready to take your photography to the next level.
Capture the best of every day
Enjoy all the benefits of the full frame EOS R range with a versatile, all-purpose 24-105mm lens with in-built optical Image Stabilizer that keeps your images and movies steady.
Next-generation imaging
Full frame quality, superb 5-stop optical Image Stabilizer, fast, smooth AF and a combined focus and Lens Control Ring for intuitive, customised control over camera settings.
Versatile full frame image quality
See the whole story; epic vistas, tiny detail, striking portraits and candid moments. Shoot at 13cm with 0.5x Centre Focus Macro, stay handheld with 5-stop optical IS.
Great for stills and movies
Track subjects and achieve smooth, natural focus when shooting movies thanks to the quiet STM motor that makes this lens ideal for stunning photos and video.
An ideal everyday lens
One lens, but many possibilities. Thanks to a lightweight and compact design at just 395g, it’s a practical zoom from which to start your full frame mirrorless journey.
EOS R6 Mark III
Canon 24-105mm f/4L IS USM Standard Zoom Lens - RF Mount
| IMAGE SENSOR | |
|---|---|
| Type | 35.9 x 23.9 mm CMOS |
| Effective Pixels | Approx. 32.5 megapixels |
| Total Pixels | Approx. 34.2 megapixels |
| Aspect Ratio | 03:02 |
| Low-Pass Filter | Built-in/FIxed |
| Sensor Cleaning | EOS Integrated cleaning system |
| Colour Filter Type | RGB primary colour filter |
| Sensor Shift-IS | Up to 8.5 stops advantage at the centre and 7.5 stops peripheral depending on the lens used |
| IMAGE PROCESSOR | |
| Type | DIGIC X |
| LENS | |
| Lens Mount | RF / RF-S |
| EF and EF-S lenses can be attached using: Mount Adapter EF-EOS R, Control Ring Mount Adapter EF-EOS R, | |
| Drop-In Filter Mount Adapter EF-EOS R EF-M lenses are not compatible | |
| Focal Length | Equivalent to approx. 1x the focal length of the lens with RF and EF lenses, 1.6x with EF-S and RF-S lenses |
| FOCUSING | |
| Type | Dual Pixel CMOS AF II |
| AF System/Points | 100% horizontal and 100% vertical with Whole Area AF for subject detection (coverage depends on lens) |
| AF Working Range | EV -5–21 (at ISO100)* |
| AF Methods | Auto selection: 6513 available AF areas |
| Manual selection: Spot AF | |
| AF Point Selection | Manual selection: 1-point AF (AF frame size can be manually set) (651/4461 positions available) |
| Manual selection: Point Expansion (4 or 9 points) | |
| Manual selection: Flexible Zone AF (9–99 areas) | |
| Manual selection: Whole Area AF | |
| AF Tracking | Humans (eyes, face, head, body), Animals (dogs, cats, birds, horses), Vehicles (racing cars, motorbikes, trains, planes) |
| AF Lock | Locked when shutter pressed halfway or AF-ON pressed |
| AF Assist Beam | Emitted by built-in LED or external flash |
| Manual Focus | Yes |
| Focus Bracketing | Supported in JPEG, HEIF, RAW |
| EXPOSURE CONTROL | |
| Metering Modes | Real-time metering with image sensor, 384-zone metering (1) Evaluative metering (linked to all AF points) |
| (2) Partial metering (approx. 6.2% at centre) | |
| (3) Spot metering (approx. 2.9% at centre) | |
| (4) Centre-weighted average metering | |
| METERING BRIGHTNESS RANGE | EV -3 – 20 (at 23°C, ISO100, with evaluative metering) |
| AE LOCK Exposure Compensation | Auto AE lock takes effect when focus is achieved |
| Manual By AE lock button in P, Av, Tv and M modes | |
| AEB Anti-Flicker Shooting | +/-3 EV in 1/3 or 1/2 stop increments Yes. Flicker detected at a frequency of 100 Hz or |
| 120 Hz. Maximum continuous shooting speed may | |
| decrease available with both electronic and mechanical shutter | |
| High Frequency anti flicker shooting for M and TV modes | |
| Electronic shutter: 1/50.0 to 1/8192.0 sec. | |
| Movie recording: 1/50.0 to 1/8192.0 sec. (NTSC/PAL) | |
| Maximum continuous shooting speed may decrease | |
| ISO SENSITIVITY | Auto 100–6400 (in 1/3-stop or 1-stop increments), expandable to L:50, H:102400 |
| SHUTTER Type | Electronically-controlled focal-plane shutter and Electronic shutter function on sensor |
| Speed | Electronic shutter: 30-1/16000 sec (1/2 or 1/3 stop increments), Bulb |
| Mechanical / Electronic 1st Curtain shutter: 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb | |
| (Total shutter speed range. Available range varies by shooting mode) | |
| Shutter Release | Soft touch electromagnetic release |
| WHITE BALANCE Type | AWB (Ambience priority/White priority)- Shockless |
| WB in movie recording, Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, | |
| Custom, Colour Temperature Setting | |
| Settings | White balance compensation: |
| 1. Blue/Amber +/-9 | |
| 2. Magenta/Green +/-9 | |
| Custom White Balance | Yes, 4 setting can be registered for still and video |
| WB Bracketing | +/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release |
| Selectable Blue/Amber bias or Magenta/Green bias | |
| VIEWFINDER | |
| Type | 0.5-inch OLED colour EVF |
| EVF | Refresh Rate Up to 120fps |
| Dot Count | 3.69 Million dots |
| Coverage (Vertical/Horizontal) | Approx. 100% |
| Magnification | Approx. 0.76x6 |
| Eyepoint | Approx. 23mm (from eyepiece lens centre) |
| Dioptre Correction | -4 to +2 m-1 (dioptre) |
| Brightness | Auto: Automatic adjustment to suit brightness (metering results) |
| Manual: Adjustable in a range of 1–5 | |
| Exposure Simulation | Optical viewfinder simulation (View assist) can be turned On / Off7 |
| Display Settings | Viewfinder display format: Display 1 / Display 2 (withblack border) |
| Image review Viewfinder display: On / Off | |
| Viewfinder color tones: Warm tone / Standard / Cool tone 1 / Cool tone 2 | |
| Display Performance | Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps8 |
| (5 level of brightness) | |
| Sensor | Yes |
| Vertical Display | In still photo shooting |
| Viewfinder information | AF point information, Exposure level indicator, Shooting mode, ISO speed, Shutter speed, |
| Aperture, Number of remaining multiple exposures, Exposure compensation, HDR shooting, Highlight | |
| tone priority, Multiple-exposure shooting, Number of self-timer shooting, Digital Lens Optimizer, Maximum | |
| burst, AF method, Battery level, Electronic level size, AF operation, Exposure simulation, Drive mode, | |
| AEB, Metering mode, FEB, Anti-flicker shooting, Still photo cropping, 2 sets of Aspect markers during | |
| video recording, Auto Lighting Optimizer, AE lock,Picture Style, Flash-ready, White balance, Flash off, | |
| White balance correction, FE lock, Image Quality, High-speed sync, Bluetooth function, Wi-Fi function, | |
| Multi-function lock warning, Histogram, Waveform monitor, Electronic level, Lens information, focus | |
| distance scale, vertical exposure scale, Grid, | |
| Depth of Field Preview | Yes, via customised button |
| LCD MONITOR | |
| Type | 7.5cm (3") TFT Colour LCD, approx. 1.6million dots |
| Coverage | Approx. 100% |
| Viewing Angle | Horizontally/Vertically Approx. 170° vertically and horizontally |
| Coating | Anti-smudge coating provided. |
| Brightness Adjustment | Auto, Manual: Adjustable to one of seven levels / |
| Colour Tone Adjustment: 4 settings | |
| Touch-Screen Operations | Capacitive method with menu functions, Quick Control settings, playback operations, and magnified |
| display. AF point selection in still and Movies, touch shutter is possible in still photo shooting. | |
| Display Options | (1) Basic Camera settings |
| (2) Advance Camera settings | |
| (3) Camera settings plus histogram and dual level display | |
| (4) No info | |
| (5) Quick Control Screen | |
| FLASH | |
| Modes | E-TTL II Auto Flash, Metered Manual |
| X-Sync | When [Cropping/aspect ratio: Full-frame] is set: 1/200 sec mechanical shutter / 1/250 electronic 1st |
| curtain9, When [Cropping/aspect ratio: 1.6x (crop)] is set: | |
| 1/250 sec mechanical shutter / 1/320 electronic 1st curtain.9 | |
| Flash Exposure Compensation | '+/- 3EV in 1/3 increments with EX and EL series |
| Speedlite flashes | |
| Flash Exposure Bracketing | '+/- 3EV in 1/3 increments with EX and EL series |
| Speedlite flashes | |
| Flash Exposure Lock | Yes |
| Second Curtain Synchronisation | Yes via Speedlite |
| Hot Shoe/PC Terminal | Yes/No |
| External Flash Compatibility | EL series Speedlites, EX series Speedlites, Macrolites, Wireless multi-flash support |
| External Flash Control | via camera menu screen |
| SHOOTING | |
| Modes | Stills: Scene Intelligent Auto, Scene Mode, Flexible priority AE, Program AE, Shutter priority AE, |
| Aperture priority AE, Manual, Bulb and Custom (x3) Movie: Scene Intelligent Auto, Scene Mode, | |
| Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3) S&F | |
| Special Scene Modes | Portrait, Smooth skin, Group photo, Landscape, |
| Panoramic shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR | |
| Backlight Control, Silent shutter | |
| Picture Styles | Auto, Standard, Portrait, Landscape, Fine Detail, |
| Neutral, Faithful, Monochrome, User Defined (x3) | |
| Colour Space | SDR: sRGB and Adobe RGB HDR PQ: BT.2020 |
| Highlight Tone Priority (3 settings) | |
| Auto Lighting Optimizer (4 settings) | |
| Long exposure noise reduction (3 settings) (still only) Clarity | |
| High ISO speed noise reduction (4 settings) (still and video) | |
| Lens optical correction: | |
| - Peripheral illumination correction (Both Stills photo shooting/Movie Recording) | |
| - Chromatic aberration correction (Both Stills photo shooting/Movie Recording) | |
| - Distortion correction (Both Stills photo shooting/Movie Recording (with Rf/RF-S lenses)) | |
| - Focus breathing correction (during video only) | |
| - Diffraction correction (Both Stills photo shooting/Movie Recording) | |
| Digital Lens Optimizer (during/after still photo shooting | |
| Image Processing | Resize to M, S1, S2 |
| Cropping: JPEG images can be cropped (Aspect ratios 3:2, 16:9, 4:3, 1:1, 2:3, 9:16, 3:4) | |
| Cropping of images | |
| - Switch between vertical and horizontal cropping orientation | |
| - Cropping frame can be moved using touch screen operation | |
| RAW image processing | |
| Multiple exposure | |
| HDR | |
| HEIF to Jpeg conversion (inc Batch conversion | |
| Drive Modes | Single, Continuous High+, Continuous High, |
| Continuous Low, Customisable Continuous shootingspeeds, Self-timer (2s+remote, 10s+remote, continuous | |
| Continuous Shooting | Max. Approx. 12 fps. with Mechanical shutter/1st curtain electronic speed maintained for 1000+ JPEG |
| / RAW Files (CFexpress) and 400 RAW / 1000+ | |
| JPEG images (SD card) or at 40 FPS with electronic shutter speed maintained for 330 JPEG | |
| (CFexpress/SD Card ) and 150/140 RAW images | |
| (CFexpress/SD Card )10 | |
| Pre-Continuous shooting is possible from 20 shots before the shutter button is fully pressed | |
| Maximum Burst Interval Timer | Built in (Shooting interval: 1 sec.–99 hr. 59 min. 59 |
| sec. Number of shots: 01–9999 or [unlimited]) | |
| FILE TYPE - STILLS | RAW 14 bit: RAW and C-RAW (Canon original RAW 3rd edition) and Dual Pixel RAW |
| JPEG 8 bit: 10 compression options | |
| HEIF 10 bit: 10 compression options | |
| Complies with Exif 3.0011 and Design rule forCamera File system 2.0 | |
| Complies with Digital Print Order Format [DPOF] | |
| Version 1.1 | |
| RAW+JPEG/HEIF Simultaneous Recording Image Size | Yes, any combination of RAW + JPEG or RAW + |
| HEIF possible, RAW/ C-RAW: 3:2 ratio 6960x4640, 1.6x (crop) 4320x2880 | |
| JPEG/ HEIF: 3:2 ratio (L, RAW, C-RAW) 6960x4640, | |
| (M) 4800x3200, (S1)3472x2320, (S2) 2400x1600 | |
| 1.6x (crop) (L) 4320x2880, (S2) 2400x1600 | |
| 4:3 ratio (L) 6160x4640, (M) 4256x3200, (S1) | |
| 3072x2320, (S2) 2112x1600 | |
| 16:9 ratio (L) 6960x3904, (M)4800x2688, | |
| (S1)3472x1952, (S2) 2400x1344 | |
| 1:1 ratio (L) 4640x4640, (M) 3200x3200, (S1) | |
| 2320x2320, (S2) 1600x1600 | |
| Folders | New folders can be manually created, named, and selected. |
| Movie Folder Structure | Adopts the XF-HEVC S / XF-AVC S format. |
| File Numbering | (1) Consecutive numbering |
| (2) Auto-reset | |
| (3) Manual reset | |
| File Naming | Still: Preset code using 4-digit character string + 4-digit number |
| 2 User Presets | |
| Movie: Adopts XF-HEVC S / XF-AVC S format; includes Camera index, Reel number, Clip number, Codec type, | |
| Shooting start date, Shooting start time, Random ID, User-defined 8 characters, Stream number (Proxy). | |
| EOS Movie Type | RAW Video: 7K DCI (17:9) (Open Gate) 23.2 |
| MP4 Video: 4K DCI/UHD (17:9/16:9), 2K/Full HD (17:9/16:9) | |
| 4K/2K/Full HD: XF-HEVC SH.265, Audio: Linear PCM/AAC | |
| XF-AVC: MPEG-4 AVC/H.264, Audio: Linear PCM/AAC | |
| 7K RAW: 12-bit CRM Audio Linear PCM / AAC | |
| Other modes: 4K/Full-HD Time-lapse, MP4 (Set 3:2/7K RAW, TK MP4, Proxy fullHD MP4) | |
| Movie Size | 7K (RAW): (L) 8192×4320, (S2) 6960×3672 (29.97, 25, 24, 23.98fps) |
| 7K RAW (Light): (L) 6960×3672 (59.94, 50, 29.97, 25, 24, 23.98fps) | |
| Open Gate (RAW 3:2): 8162×4608 (29.97, 25, 24, 23.98fps) | |
| 4:3 ratio (RAW): (M) 6144×4608, (S2) 4256×3200, (S1) 3072×2320, (S2) 2112×1600 | |
| 16:9 ratio: (L) 6960×3904, (M) 4800×2688, (S1) 3472×1952, (S2) 2400×1344 | |
| 1:1 ratio: (L) 4640×4640, (M) 3200×3200, (S1) 2320×2320, (S2) 1600×1600 | |
| 4K DCI (17:9): 4096×2160 (119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98fps) | |
| 4K UHD (16:9): 3840×2160 (same frame rates) | |
| Full HD (16:9): 1920×1080 (179.9, 150, 119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98fps) | |
| HDR movie recording at up to 59.94p (4K DCI/UHD HDR). Normal movies available in multiple formats (XF-HEVC or XF-AVC). | |
| Colour Sampling (Internal Recording) | XF-HEVC S: 10-bit H.265/HEVC YCbCr 4:2:2 MP4 |
| XF-AVC S: 10-bit H.264/MPEG-4 AVC YCbCr 4:2:2 MP4 | |
| XF-AVC S (8-bit): H.264/MPEG-4 AVC YCbCr 4:2:0 MP4 | |
| Canon Log | Custom Picture: |
| C1: Canon Log | |
| C2: Canon Log 3 | |
| C3: PQ | |
| C4: HLG | |
| C5: BT.709 Standard | |
| C7–C20: User Defined | |
| Picture Styles: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3) | |
| Movie Length | Max duration: 6 hours (below 100.0p) or 3 hours (100.0p or higher). |
| Maximum per-clip duration: 2h05min. | |
| 4 GB file limit with exFAT formatted SD cards (unlimited duration via segmentation). | |
| High Frame Rate Movie | 4K: DCI 4096×2160 / UHD 3840×2160 at 119.9p & 100.0p (XF-HEVC 10-bit / XF-AVC 10-bit) |
| Full HD: 1920×1080 at 179.9 / 150 / 119.9 / 100 fps (XF-HEVC 10-bit / XF-AVC 10-bit) | |
| Slow & Fast Motion Movie Mode (S&F): 180fps–1fps playback speed | |
| Frame Grab | 8.8-megapixel JPEG still image frame grab from 4K DCI movie possible. |
| 8.3-megapixel JPEG still image frame grab from 4K UHD movie possible. | |
| (HEIF only possible when HDR PQ is set.) | |
| Note | Mainly PAL frame rates listed here, including some NTSC frame rates. |
| Bitrate / Mbps | 7K RAW Standard (29.97p): Approx. 2600 Mbps |
| 7K RAW Standard (25.00p): Approx. 2240 Mbps | |
| 7K RAW Standard (24.00p/23.98p): Approx. 2150 Mbps | |
| 7K RAW Light (59.94p): Approx. 2410 Mbps | |
| 7K RAW Light (50.00p): Approx. 2100 Mbps | |
| 7K RAW Light (29.97p): Approx. 1200 Mbps | |
| 7K RAW Light (25.00p): Approx. 1010 Mbps | |
| 7K RAW Light (24.00p/23.98p): Approx. 970 Mbps | |
| MP4 4K DCI/Intra/HEVC S 10-bit: XF-HEVC S YCbCr 4:2:2 10-bit — Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 225 Mbps | |
| Standard LGOP(59.94p/50.00p): Approx. 135 Mbps | |
| XF-HEVC S YCbCr 4:2:0 10-bit — Standard LGOP(59.94p/50.00p): Approx. 150 Mbps | |
| Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps | |
| XF-AVC S YCbCr 4:2:2 10-bit — High Quality Intra (59.94p/50.00p): Approx. 1200 / 1000 Mbps | |
| High Quality Intra (29.97p/25.00p/24.00p/23.98p): Approx. 600–480 Mbps | |
| Standard Intra (119.9p/100.00p): Approx. 1050 Mbps | |
| Standard Intra (59.94p/50.00p): Approx. 900 / 750 Mbps | |
| Standard Intra (29.97p/25.00p/24.00p/23.98p): Approx. 450–360 Mbps | |
| Light Intra (119.9p/100.00p): Approx. 600 / 500 Mbps | |
| Light Intra (59.94p/50.00p): Approx. 300–240 Mbps | |
| Standard LGOP (59.94p/50.00p): Approx. 225 Mbps | |
| Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 135 Mbps | |
| XF-HEVC S YCbCr 4:2:0 10-bit / XF-AVC S YCbCr 4:2:0 8-bit — Standard LGOP (119.9p/100.00p): Approx. 180 Mbps | |
| Standard LGOP (59.94p/50.00p): Approx. 150 Mbps | |
| Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps | |
| MP4 2K DCI / Full HD | |
| XF-HEVC S YCbCr 4:2:2 10-bit Standard LGOP | |
| 179.9p/150p: Approx. 150 Mbps | |
| 119.9p/100p: Approx. 105 Mbps | |
| 59.94p/50.00p/29.97p/25.00p/24.00p/23.98p: Approx. 50 Mbps | |
| XF-HEVC S / XF-AVC S YCbCr 4:2:0 10-bit / 8-bit Standard LGOP | |
| 119.9p/100p: Approx. 105 Mbps | |
| 59.94p/50.00p: Approx. 45 Mbps | |
| XF-AVC S YCbCr 4:2:2 10-bit — Standard Intra 179.9p/150p: Approx. 900 / 750 Mbps | |
| Standard Intra 59.94p/50.00p: Approx. 300 / 250 Mbps | |
| Standard Intra 25.00p/24.00p/23.98p: Approx. 180 Mbps | |
| Standard LGOP 179.9p/150p: Approx. 150 Mbps | |
| Standard LGOP 119.9p/100p: Approx. 100 Mbps | |
| Standard LGOP 59.94p/50.00p/25.00p/24.00p/23.98p: Approx. 50 Mbps | |
| Sub Recording & Proxy (Optional) | |
| XF-HEVC S YCbCr 4:2:2 10-bit | |
| Standard LGOP (59.94p/50.00p): Approx. 225 Mbps | |
| Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 135 Mbps | |
| XF-HEVC S YCbCr 4:2:0 10-bit | |
| Standard LGOP (59.94p/50.00p): Approx. 150 Mbps | |
| Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps | |
| XF-AVC S YCbCr 4:2:0 10-bit | |
| Light Intra (29.97p/25.00p/24.00p/23.98p): Approx. 300–240 Mbps | |
| Standard LGOP (59.94p/50.00p/24.00p/23.98p): Approx. 150 Mbps | |
| XF-AVC S YCbCr 4:2:0 8-bit | |
| Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps | |
| Dual Card Recording | Yes, record to both cards — relay, proxy, or sub movie. |
| Microphone | External microphone via 3.5mm stereo mini jack (3-pole terminal). |
| External digital microphone via Multi-Function shoe. | |
| 4ch audio support (Multi-Function shoe takes primary channel; combined with either the external mic or the built-in microphone). | |
| 3 different display during shooting: | |
| - All Channel Display (Audio levels of all 4 channels) | |
| - Ch1/Ch2 Display (Audio levels for channels 1 and 2) | |
| - Ch3/Ch4 Display (Audio levels for channels 3 and 4) | |
| HDMI Display | Digital simultaneous output via Multi-Function shoe. |
| (Simultaneous recording to camera and external recorder). | |
| Camera screen shows images with shooting information. | |
| External screen and HDMI output show clean feed when external recording is connected. | |
| When HDMI Display is used for external monitor recording, HDMI Display shows images with shooting information. | |
| HDMI Output | 7K RAW (Standard): ProRes recording via HDMI¹ |
| 4K (DCI): 59.94p/50p/29.97p/25p/24p/23.98p | |
| 4K (UHD): 59.94p/50p/29.97p/25p/24p/23.98p | |
| Full HD: 59.94p/50p/29.97p/25p/24p | |
| 8K DCI/UHD: 59.94p/50p | |
| Uncompressed YCbCr 4:2:2, 10-bit, sound output via HDMI. | |
| HDMI streaming also possible. | |
| Focusing | Dual Pixel CMOS AF II with Eye/Face Detection and Tracking (people, animals, vehicles). |
| Movie Servo AF: Manual Focus. | |
| ISO | Auto: 100–25,600, expandable up to 102,400 (when custom picture is off). |
| Manual: 100–25,600, expandable up to 102,400 (when custom picture is off). | |
| Network Options | Communication functions via Wi-Fi FTP, FTPS, EOS Utility, image.canon, |
| Camera Connect, Streaming services, Cloud. | |
| Wired LAN: Built-in connector; Camera Control via EOS Utility and Browser Remote (BR-E1). | |
| Via USB: EOS Utility, Camera Connect, Content Transfer Mobile App (with optional HD Content Transfer License). | |
| Movie transfer: 4K 60p, 4K 30p, Full HD 60p and Full HD 30p. | |
| Simultaneous communication possible via 3 connections. | |
| Metadata Tag | User copyright information (can be set in camera). |
| Image capture details and GPS (via smartphone or accessory). | |
| IPTC data (via CTP app). | |
| Movie metadata includes caption (added via EOS Utility). | |
| Water/Dust Resistance | Yes. |
| Voice Memo | No. |
| Intelligent Orientation Sensor | Yes. |
| Playback Zoom | 1.5× to 10× in 15 steps. |
| Display Formats | (1) Single image |
| (2) Single image with information (2 levels): | |
| - Basic: Shutter speed, aperture, ISO, image quality, and file size. | |
| - Detailed: Adds histogram, white balance, Picture Style, color space, and more. | |
| (3) 4-image index | |
| (4) 9-image index | |
| (5) 36-image index | |
| (6) 100-image index | |
| (7) Jump display (1, 10, or specified no. of images) | |
| (8) Movie still, protected images, and RAW processing preview. | |
| (9) Playback with brightness and RGB histogram display. | |
| Slide Show | Image selection by: All images, by date, folder, movies, stills, protected images, or rating. |
| Available times: 1/2/3/5/10/20 seconds. | |
| Repeat: On/Off. | |
| Histogram | Brightness and RGB; available for both stills and video. |
| Highlight Alert | Yes (waveform for video included). |
| Image Erase | Erase single image / Select range / All images in folder / All images on card / All found images (during image search). |
| Image Erase Protection | Protect single image / Select range / All images in folder / All images on card / All found images (only during search). |
| Self Timer | 2 or 10 seconds; Continuous option available. |
| Menu Categories | (1) Shooting menu |
| (2) AF menu | |
| (3) Playback menu | |
| (4) Communication function (Network) | |
| (5) Custom settings (Setup menu) | |
| (6) Customize controls | |
| (7) Custom functions menu | |
| (8) My Menu | |
| Menu Languages | 29 languages: English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, |
| Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, | |
| Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean, Malay, Indonesian, Japanese | |
| Firmware Update | Updatable by user via Camera Connect app or EOS Utility (Camera Lens, External Speedlite, BR-E1 remote control, |
| Lens adapter, Power zoom adapter, Multi-function shoe compatible accessories). | |
| Interface | |
| Computer: SuperSpeed Plus USB 3.2 Gen 2 USB Type-C connector | |
| Wi-Fi: IEEE 802.11a/b/g/n/ac (5 GHz / 2.4 GHz) with Bluetooth 5.1 support | |
| Microphone: External Microphone (3.5 mm stereo mini jack) | |
| Headphone: Headphone socket (3.5 mm stereo mini jack) | |
| Other Terminals: E3-type terminal (remote control terminal), Multi-Function Shoe | |
| Direct Print | Not supported |
| PicBridge | Not supported |
| Storage Type | 1 × CFexpress Type B (maximum capacity 8 TB, compatible with CFexpress 2.0 and VPG400) |
| 1 × SD/SDHC/SDXC and UHS-II | |
| Supported Operating System | PC: Windows 11 |
| Macintosh: macOS 15, macOS 14, macOS 13 | |
| Software | Image Processing: Digital Photo Professional Ver. 4.21.10 or later; |
| Digital Photo Professional Express mobile app Ver. 1.12.10 or later. | |
| Other: EOS Utility Ver. 3.20.10 or later; Picture Style Editor Ver. 1.32.10 or later; EOS Lens Registration Tool; EOS Web Service Registration Tool; | |
| Canon Camera Connect app Ver. 3.5.1 or later (iOS/Android); Content Transfer | Mobile Professional app (iOS/Android). |
| Power Source | |
| Battery: Rechargeable Li-ion Battery LP-E6P (supplied). | |
| Battery Life: With LCD Approx. 620 shots (at 23°C / 73°F). With viewfinder approx. 390 shots (at 23°C / 73°F). | |
| Battery Indicator: 6 levels. | |
| Power Saving: Screen off time – 5 sec / 10 sec / 15 sec / 20 sec / 30 sec / 1 min / 2 min / 4 min / 8 min / 15 min / 30 min / Disable. | |
| Auto power off – 15 sec / 30 sec / 1 min / 3 min / 5 min / 10 min / 30 min / Disable. | |
| Viewfinder off – 1 min / 3 min / Disable. | |
| Power Supply & Battery Chargers | Battery charger LC-E6E (supplied). |
| Car Battery Charger CBC-E6, DC Coupler DR-E6P, PD-E2 USB power adapter, PD-E1 USB power adapter. | |
| Accessories | |
| Lenses | All RF and RF-S lenses (EF & EF-S via Lens Adapters). |
| Lens Adapters | EF TO EOS R ADAPTER, EF TO EOS R ADAPTER WITH CONTROL RING, EF TO EOS R Drop-in Filter ADAPTER. |
| Flash | Canon Speedlites (EL-1, EL-5, EL-10, 300EX, 220EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 480EX II, |
| 480EX III-RT, 580EX, 580EX II, 600EX, 600EX-RT, 600EX II-RT, Macro Ring Lite MR-14EX, Macro Twin Lite MT-24EX, | |
| Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT, Speedlite Transmitter ST-E10, ST-E2, ST-E3-RT (ver. 2)). | |
| Multi-Function Shoe Adapter AD-E1, Speedlite Bracket SB-E2, Macro Twin Lite MT-26EX-RT. | |
| Battery Grip | BG-R20 battery grip, BG-R20 battery grip set. |
| Remote Controller/Switch | Remote controller and switch compatible with RS-80E3, Remote Switch RS-60E3, |
| and Bluetooth remote control BR-E1. | |
| Other Accessories | GP-E2 GPS receiver (via hot shoe mount). |
| Multi-Function Shoe Adapter AD-E1. | |
| Multi-Function Shoe Directional Stereo Microphone DM-E1D. | |
| Multi-Function Shoe Adapter for Smartphone Link AD-P1 for Android, Stereo Microphone DM-E1, | |
| External Monitor Cable IFC-100U (Type C), HDMI Cable HTC-100, Remote Controller RC-6, Hand Strap E2, Shoulder Strap ER-SC2, | |
| Grip Holder GR-E3, Interface Cable IFC-400U. | |
| Physical Specifications | |
| Body Materials | Magnesium alloy body and chassis with some carbon-fiber reinforced polycarbonate with glass fiber. |
| Operating Environment | 0–40 °C, 85% or less humidity. |
| Dimensions (W×H×D) | Approx. 138.4 mm × 98.4 mm × 84.4 mm. |
| Weight (Body Only) | Approx. 609 g (689 g with card and battery). |