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Panasonic is proud to introduce the LUMIX GH5M2, a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5.
The LUMIX GH5M2 achieves C4K*1/4K 60p 4:2:0 10-bit unlimited*2 video recording and can simultaneously output 4K 4:2:2 10-bit over HDMI.
The LUMIX GH5M2 is capable of wireless live streaming in FHD/60p via the simple-to-use LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming*3.
The 20.3-megapixel Digital Live MOS Sensor with AR (Anti-Reflective) coating captures details cleanly and drives excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine.
To achieve stable handheld shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed*4. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion.
A 3.0-inch free-angle LCD with a 3:2 aspect ratio and high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors.
The LUMIX GH5M2 will be available from the end June at £1,499 RRP for body only, £1,699 RRP for GH5M2 M Kit (with 12-60 LUMIX lens), and £1,999 RRP for GH5M2 L Kit (with LEICA 12-60mm lens). From today until the 31st July, Panasonic LUMIX UK are also running a pre-order launch offer of a free 25mm F1.7 lens (H-H025) and battery (DMW-BLK22) by redemption*5.
*1 Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).
*2 On condition that the camera is under the environment where the operation is guaranteed and is running on the battery. Recording time depends on the capacity of the battery and the SD Memory Card. Recording may stop in C4K/4K 60p 10-bit and Anamorphic mode automatically to protect the camera.
*3 16Mbps cannot be selected when the RTMPS URL is set.
*4 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.
*5 Offer available between 25th May – 31st July by redemption. UK customers only. Terms and conditions apply, visit the website for further details.
Wireless live streaming with minimal equipment
High-quality live streaming is possible both indoors and outdoors with minimal equipment: just the LUMIX GH5M2 and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps*1 is supported.
For wired live streaming, the dedicated LUMIX Webcam Software is available for free download.
Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform.
*1 16Mbps cannot be selected when the RTMPS URL is set.
High quality video performance
The LUMIX GH Series features outstanding video performance for professional videography and the LUMIX GH5M2 is no exception, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes.
To deliver high dynamic range and a broad colour spectrum, V-Log L is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s on-board video toolkit.
Like the S1H video flagship camera of the S Series, the LUMIX GH5M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode.
In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording.
A reliable tool for professionals
Tough enough to withstand heavy field use, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant* down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles.
To further support use outdoors, the camera boasts a new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording.
With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The red recording frame indicator on the screen and in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming.
*Splash Resistant is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with water.
Firmware update for GH5M2
The LUMIX GH5M2 will continue to evolve with a future firmware update scheduled by the end of 2021. The new firmware will include:
RTP/RTSP wired IP streaming
Firmware update for LUMIX G / LEICA DG lenses
An upcoming firmware for LUMIX G / LEICA DG lenses will make their use with the GH5M2 more convenient, enabling users to choose a non-linear or linear setting for the focus ring. In the non-linear setting, the focus shifts variably according to the rotation speed of the focus ring. In the linear setting, the focus shifts at fixed intervals according to how far the lens is turned, mimicking a manual lens. The sensitivity in the linear setting can be set between 90 and 360 degrees at 30-degree intervals.
Compatible lenses: H-E08018, H-X1025, H-ES12060, H-ES50200, H-RS100400, H-XA025, H-ES200, H-HSA12035, H-FS12060, H-HSA35100, H-FSA45200 and H-FSA100300.
The firmware programs will be available at the LUMIX Global Customer Support website on 8th June 2021.
Broad range of features and compatible accessories
Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac) / 2.4GHz (IEEE802.11b/g/n)
The LUMIX GH5M2 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and enable instant image sharing. Once the camera is connected to a smartphone/tablet with Panasonic's LUMIX Sync for iOS/Android, users can shoot, browse and share photos and videos remotely. Compatibility with Bluetooth 4.2 (BLE, Bluetooth Low Energy) keeps the camera connected to a smartphone with minimal power consumption. The settings on a LUMIX GH5M2 camera can also be copied and applied to other GH5M2 cameras using either the wireless LUMIX Sync or the SD card.
The dual-band Wi-Fi provides a secure and stable connection either to a device using the 2.4 GHz band or devices, which utilise the 5GHz-band (where available). This way, the GH5M2 provides connections not only to a smartphone but also to routers or other network devices on location.
XLR Microphone Adaptor (DMW-XLR1)
The Microphone Adaptor DMW-XLR1 is a plug-in adaptor for XLR microphones for recording high-resolution 96kHz/24bit stereo sound and is ideal for lip-sync recording. Dedicated switches provide quick and direct access to the controls. MIC, LINE and Condenser/Phantom Power are switchable.
PC Software LUMIX Tether
With LUMIX Tether, users can control the camera on a PC via USB. The software lets both the user and other viewers see images on a PC screen while shooting is in progress, assisting in commercial photoshoots of portraits, products, etc. The software supports 6K and 4K photos*, can be used to start and stop video recording, and allows the user to choose the save folder.
*6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
Type | Digital Single Lens Mirrorless camera |
---|---|
Recording Media | "SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards." |
Lens Mount | Micro Four Thirds mount |
Image Sensor | Live MOS sensor (17.3 x 13.0 mm) |
Type | |
Camera Effective Pixels/ Total Pixels | 20.33 megapixels / 21.77 megapixels |
AR (Anti Reflection ) coating | Yes |
Aspect Ratio / Colour Filter | 4:3 / Primary color filter |
Dust Reduction System | Image sensor shift type |
Latitude | 12 stops (V-Log L) |
Still Image | |
Recording File Format | Still image JPEG (DCF, Exif 2.31), RAW 6K PHOTO (*1) / 4K PHOTO (*1) "6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) Extracted still images: JPEG (DCF, Exif 2.31)" |
Aspect Ratio | 4:3 / 3:2 / 16:9 / 1:1 |
File Size (Pixels) | 4:3 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) 3:2 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) 16:9 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) 1:1 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) |
Image Quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
Colour Space | sRGB, AdobeRGB |
Motion Picture | |
Recording File Format | "MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately). MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))" |
System Frequency | 59.94Hz / 50.00Hz / 24.00Hz |
Image area of video | Full / Pixel by Pixel |
"MOV (*1) High-res audio is selectable only when using the DMW-XLR1 (sold separately)." |
59.94Hz 50.00Hz 24.00Hz |
MP4 (*1) |
59.94Hz [4K] 3840x2160 [FHD] 1920x1080 50.00Hz [4K] 3840x2160 [FHD] 1920x1080 24.00Hz - |
Variable Frame Rate | |
"MOV (*1) High-res audio is selectable only when using the DMW-XLR1 (sold separately)." |
59.94Hz [C4K] 4096x2160 [4K] 3840x2160 [Anamorphic 4K] 3328x2496 (4:3) [FHD] 1920x1080 50.00Hz [C4K] 4096x2160 [4K] 3840x2160 [Anamorphic 4K] 3328x2496 (4:3) [FHD] 1920x1080 24.00Hz [C4K] 4096x2160 [4K] 3840x2160 [Anamorphic 4K] 3328x2496 (4:3) [FHD] 1920x1080 |
Streaming | |
Protocol | RTMP / RTMPS |
Streaming Quality | NTSC (59.94Hz) [FHD] 1920x1080 [HD] 1280x720 PAL (50.00Hz) [FHD] 1920x1080 [HD] 1280x720 |
Type | OLED Live View Finder |
Pixels | Approx. 3.68 million dots |
Field of View / Magnification | Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
Eye Point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt) |
Eye Sensor | Yes |
Display Speed | 120fps / 60fps |
Rear Monitor | |
Type | TFT LCD monitor with static touch control |
Monitor Size | Free-angle, 3.0-inch (7.5cm), 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of View | Approx. 100% |
Focus | |
Type | Contrast AF system |
DFD Technologt | Yes |
Focus Mode | AFS (Single) / AFC (Continuous) / MF |
AF Mode | "Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position)" |
AF Detective Range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
AF Custom Setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
AF Assist Light | Yes |
AF Lock | Set the Fn button in custom menu to AF lock |
Post Focus / Focus Shaking | Yes / Yes |
Focus Ring Control | Nonlinear / Linear *When a compatible lens is attached. |
Others | Focus Peaking, 1-Area AF Moving Speed, AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, Loop Focus Frame, AFC Start Point (225-Area), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume |
Exposure Control | |
Light Metering System | 1,728-zone multi-pattern sensing system |
Light Metering Mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering Range | EV0-18 (F2.0 lens, ISO100 equivalent) |
Recording Mode | Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure / Creative Video / Custom 1, 2, 3, 4 / Intelligent Auto |
ISO Sensitivity (Standard output) | "Still image: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step)" |
Exposure Compensation | 1/3 EV step ±5EV (±3EV for motion picture) |
AE lock | Set the Fn button in custom menu to AE lock |
Image Stabilization System | "Image sensor shift type (5-axis / 6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used. Dual I.S. (6.5-stop* Dual I.S. 2 compatible) |
White Balance | |
White Balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
White Balance Adjustment | Blue/Amber bias, Magenta/Green bias |
Colour Temperature Setting | 2500-10000K in 100K |
Shutter | |
Type | Focal-plane shutter |
Shutter Speed | "Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/16,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2" |
Self Timer | 10sec, 3 images / 2sec / 10sec / Custom Time |
Remote Control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
Bracket | |
AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
Aperture Bracket | 3, 5 or all positions |
Focus Bracket | 1 to 999 images, focus steps can be set in 10 levels |
White Balance Bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting |
Burst Shooting | |
Burst Speed | Mechanical shutter / Electronic front curtain shutter "AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 9 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) " Electronic shutter "AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 7 frames/sec (with Live View), M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) " |
Number of Recordable Images | "RAW / RAW+JPEG: More than 108 images JPEG: More than 999 images (When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"" inserted into card slot 1.) *When recording is performed under the test conditions specified by Panasonic." |
6K PHOTO (*1) / 4K PHOTO (*1) | |
Burst Speed | "6K PHOTO: 30 frames/sec 4K PHOTO: 60 frames/sec, 30 frames/sec" |
Exif information | Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) |
Time Lapse Shot | Yes |
Stop Motion Animation | Yes |
Flash | |
Flash Type | TTL External Flash (sold separately) |
Flash Mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
Flash Synchronization | 1st Curtain Sync, 2nd Curtain Sync. |
Flash Output Adustment | 1/3EV step ±3EV |
Synchronization Speed | Less than 1/250 second |
Wireless Control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
Flash Sync Socket | Yes |
Extra Tele Conversion | 2.0x (EX S), 1.4x (EX M) *Only for still image recording. |
Photo Style | |
Photo Style | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log L / Hybrid Log Gamma / My Photo Style 1-10 |
Picture Adjustment | "Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB *Adjustable settings vary depending on the Photo Style mode." |
Filter | "Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. " |
Motion Picture Function | |
Master Pedestal Level | 31 steps |
Luminance Level | "8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023" |
Wave form Monitor/ Vectorscope | Selectable |
LUT view assist | Monitor / HDMI |
HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
Anamorphic desqueeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF |
Synchro scan | Yes |
Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.) |
SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
Colour Bars/ 1kHz test zone | Yes (SMPTE / EBU / ARIB) / Yes |
Knee Control | Yes (in Like709 mode) |
Other Functions | Red REC Frame Indicator, Streaming Blue Frame Indicator, |
Vertical Position Information | |
Level Gauge | Yes |
Function Button | REC Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Motion Pic. Rec Quality (My List) / Variable Frame Rate / Time Code Display / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Level Limiter / XLR Mic Adaptor Setting / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control/ Zoom Control / Step Zoom / Zoom Speed / Destination Card Slot / Off (Disable Press and Hold) / Restore to Default PLAY Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default |
OSD Language | Please refer to "OSD" Sheet |
PictBridge compatible | |
Interface | |
USB | SuperSpeed USB 3.1 Gen1 Type-C |
HDMI (*2) |
HDMI Playback |
Remote Input | φ2.5mm |
Microphone | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
External Mic / external audio device | "φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE is selectable. Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately)." |
XLR Microphone | Yes with DMW-XLR1 (sold separately) |
Speaker | Monaural |
Headphone Ouput | φ3.5mm |
SD card slot | Slot 1, Slot 2 |
Wireless | |
Wi-Fi | "2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries. Please refer to ""Wi-Fi"" Sheet" |
Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |
Dust and Splash Resistant | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water." |
Power | |
Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
Battery Life (CIPA Standard) | Approx. 400 images, 1200 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 410 images, 1200 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
Continuous recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 120 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 140 min with H-ES12060 / H-FS12060 |
Actual recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 60 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 70 min with H-ES12060 / H-FS12060 |
Battery Grip | DMW-BGGH5 (sold separately) |
Dimensions/Weight | |
Dimensions (W x H x D) | Approx. 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions) |
Weight | Approx. 727g / 1.60 lb (SD Memory Card x 1, Battery, Body) Approx. 647g / 1.43 lb (Body only) |
Operating Environment | |
Operating Temperature (*3) | -10oC to 40oC (14oF to 104oF) |
Operating Humidity | 10%RH to 80%RH |
Standard Accessories | |
Software | Recording LUMIX Sync ・ This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software. https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS) LUMIX Network Setting Software LUMIX Tether Playback / Editing |
Standard Accessories | "DC-GH5M2 Kit Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C), Cable Holder DC-GH5M2L Kit / DC-GH5M2M Kit ・ The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet." |
"(*1) About motion picture recording - Use a card with SD Speed Class with ""Class 4"" or higher when recording motion pictures in [MP4(under 28Mbps)]. - Use a card with SD Speed Class with ""UHS-I / UHS-II UHS Speed Class 3 (U3)"" when recording motion pictures with [MP4] in [4K] or [MOV]. (SD speed class is the speed standard regarding continuous writing.) - Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for C4K/4K ALL-Intra video recording. - MP4 motion pictures with [MP4] in [4K]: - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. - MP4 motion pictures with [MP4] in [FHD]: - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. - 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. It may cause problems such as freezing when played on these devices. - When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down. (*2) For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as""4K compatible"". (*3) The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees." |