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Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.
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A camera that lets you photograph sport, wildlife and news in ways you never thought were possible. Stay ahead of the competition, shooting at 30fps and identifying subjects just by looking at them. Welcome to the future of photography.
Capture fast-moving subjects in pin-sharp focus, with ease
Professionals following moving objects around the frame will enjoy the EOS R3’s ability to keep them in pin-sharp focus – even when shooting RAW at 30fps – thanks to Canon’s Dual Pixel CMOS AF technology. Alongside the people and animal (including birds) AF tracking technology found in the EOS R5 and EOS R6, the EOS R3 is perfect for motorsports photographers – with its ability to track racing cars and motorbikes. And when light conditions get tough, the camera can focus in extreme darkness at light levels.
Supporting Canon’s unique Eye Control AF technology, which enables professionals to select the AF point with only their eye, the EOS R3 is an extension of any photographers’ creativity – reacting quickly in the moment to capture the shot. In low light, the EOS R3 offers up to 8-stops of protection against camera shakeii with Canon’s revolutionary combined Image Stabilizer (IS) technology. The camera’s sensor-shift IS works in tandem with the optical IS built into many RF Mount lenses, for a result that lets professionals shoot handheld in very dim light or while using long shutter speeds to intentionally blur movement.
High-quality RAW at 30fps
At the heart of the EOS R3 lies a brand-new back illuminated stacked CMOS sensor, working together with Canon’s high-performance DIGIC X image processor. Today, Canon can confirm it will capture quality RAW files at a staggering 30fps with full AF/AE tracking. The breath-taking speed of the camera’s new sensor also redefines what can be done with an electronic shutter. Flash sync is now possible with the electronic shutter when used with external Speedlites, and rolling shutter distortion when shooting fast-moving subjects has been reduced.
Oversampled 4K and RAW recording abilities
In addition to its next-level still photography capabilities, the EOS R3 is suited to those looking to capture high-quality video. The camera will record oversampled 4K, or users can record RAW footage internally. Canon Log 3 is also available to provide professionals with greater dynamic range and colour grading possibilities. Crucially, the same object recognition available to stills photographers is also available to videographers, so filmmakers can track fast-moving objects around the frame, keeping them in sharp focus.
Built for professionals
Built to withstand the rigours of day-to-day professional use, the EOS R3 will have a tough, magnesium-alloy body featuring dust and water resistance to the same level as Canon’s legendary EOS-1D X series – ensuring it can cope in the toughest weather conditions. Dual card slots allow image files to be written to SD or CFexpress memory cards. The camera is powered by a high-capacity LP-E19 battery – the same as the one found in Canon’s EOS-1D X Mark III cameras – enabling professionals to use and share batteries between cameras that they may already have in their kitbag. The camera will also offer a choice of controls with both multi controller and smart controller – for completely intuitive operation. Offering three customisable dials on the body, plus a Lens Control ring on each RF Mount lens, this allows shutter speed, aperture, ISO, and exposure compensation all to be easily adjusted while the camera is at the photographer’s eye. The EOS R3 is also equipped with a Vari-Angle screen letting professionals compose easily from creative perspectives.
Advanced connectivity
As a camera intended for leading sports and news shooters – connectivity is vital. Offering a built in Wired LAN socket and 5GHz Wi-Fiiii allowing communication with computer networks, laptops and mobile devices, professionals can share images quickly and easily. As previously announced, the EOS R3 is also compatible with the Canon Mobile File Transfer app. What’s more, the EOS R3 will feature a new accessory shoe which provides data communication and power for new accessories when attached to the camera.
Latest Key Features
Outpace. Outperform.
Capture speed in a way never thought possible. The EOS R3 is the new high-performance, high-speed mirrorless camera to mark a new era for pro sports photography and filmmaking – coming soon.
The new high-performance, high-speed mirrorless pro camera.
A camera designed to capture the fastest moving action in a way never thought possible.
Specialised for capturing objects moving at high speed. Built to meet the demands of professional sports users with ultra-responsiveness, high sensitivity, reliability and durability.
Explosive Speed
The EOS R3 is coming. The first EOS to feature an entirely new stacked BSI CMOS sensor designed and manufactured by Canon and combined with the power of the DIGIC X imaging processor. Imagine a whole new dimension of hi-speed photography and filmmaking. Shoot 30fps with full AF/AE tracking with minimal image distortion when using the electronic shutter.
Master movement
The EOS R3 focusing has been elevated to another level and is able to accurately track and focus on faster moving action. Next generation Dual Pixel CMOS AF II can reliably track the eyes and heads of subjects at up to a full 30fps. Canon is excited to add a new subject to the AF tracking in the EOS R3.
Ultra responsive
Introducing a new generation of photographers to Canon’s ultra-ground-breaking Eye Control AF system. This AF control system has been engineered from the ground up for the 21st century. Imagine the ability to simply select and move the AF point with the look of your eye using the EOS R3’s viewfinder. Canon’s Eye Control AF offers unparalleled control over AF. The EOS R3's EOS-1D series inspired body allows for ultra-intuitive control in the most demanding professional situations.
Built for professionals
With EOS-1D series level dust and drip proof performance, the EOS R3 offers professional levels of weather resistance stand up to the adverse weather conditions professional photographers’ regularly face. Better still, it has the integrated grip that EOS-1D series users love and trust but with a reduced overall camera size and significantly lower weight vs the EOS-1D series.
Advanced connectivity
The EOS R3 is fully compatible with the newly announced Mobile File Transfer smartphone app, providing a new way to transmit images whilst on the move.
Next generation system
By using the RF mount the EOS R3 opens the door to previously unattainable capabilities; unseen optical excellence and unparalleled AF performance.
FLASH | |
---|---|
Modes |
E-TTL II Auto Flash, Metered Manual |
X-sync |
1/200sec mechanical shutter / 1/250th electronic |
Flash Exposure |
+/- 3EV in 1/3 increments with EX series Speedlite |
Flash Exposure Bracketing |
Yes, with compatible External Flash |
Flash Exposure Lock |
Yes |
Second Curtain Synchronisation |
Yes, via Speedlite |
Multi-Function shoe/ Hot Shoe/PC terminal |
Yes/Yes/Yes |
External Flash Compatibility |
E-TTL II with EX series Speedlite, wireless multi-flash support |
External Flash Control |
External Flash Control |
SHOOTING | |
Modes |
Stills; Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3) Movie: Program AE, Shutter priority AE, Aperture priority AE, Manual, and Custom (x3) |
Picture Styles |
Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3) |
Colour Space |
sRGB and Adobe RGB |
Image Processing |
Highlight Tone Priority (2 settings) Auto Lighting Optimizer (4 settings) Long exposure noise reduction Clarity High ISO speed noise reduction (4 settings) (still and video) Lens optical correction: - Peripheral illumination correction, Chromatic aberration correction Distortion correction (during/after still photo shooting, during video only) - Diffraction correction, Digital Lens Optimizer (during/after still photo shooting) Resize to M, S1, S2 Cropping: JPEG images can be cropped (Aspect ratios 3:2, 4:3, 16:9, 1:1) Cropping of images - Switch between vertical and horizontal cropping orientation - Image straightening - Cropping frame can be moved using touch screen operation RAW image processing Multiple exposure HDR HEIF to Jpeg conversion |
Drive modes |
Single, Continuous High+, Continuous High, Continuous Low, Self-timer (2s+remote, 10s+remote) |
Continuous Shooting |
Max. Approx. 12 fps. with Mechanical shutter/1st curtain electronic speed maintained for 1000+ JPEG or 1000 RAW images or 30 FPS with electronic shutter speed maintained for 540 JPEG or 150 RAW images |
Interval timer |
Built in |
FILE TYPE - STILLS | |
Still Image Type | RAW 14 bit: RAW and C-RAW (Canon original RAW 3rd edition) JPEG 8 bit: 10 compression options HEIF 10 bit: 10 compression options Complies with Exif 2.31 and Design rule for Camera File system 2.0 Complies with Digital Print Order Format [DPOF] Version 1.1 |
RAW+JPEG/HEIF simultaneous recording | Yes, any combination of RAW + JPEG or RAW + HEIF possible, |
Image Size | RAW/ C-RAW: 3:2 ratio 6000x4000, 1.6x (crop) 3744x2496 JPEG/ HEIF: 3:2 ratio (L,) 6000x4000, (M) 3984x2656, (S1) 2976x1984, (S2) 2400x1600 1.6x (crop) (L) 3744x2496, (S2) 2400x1600 4:3 ratio (L) 5328x4000, (M) 3552x2664, (S1) 2656x1992, (S2) 2112x1600 16:9 ratio (L) 6000x3368, (M) 3984x2240, (S1) 2976x1680, (S2) 2400x1344 1:1 ratio (L) 4000x4000, (M) 2656x2656, (S1) 1984x1984, (S2) 1600x1600 |
Folders | New folders can be manually created, named and selected |
EOS MOVIE | |
Movie Type | MP4 Video: 4K DCI/ UHD (17:9 / 16:9), Full HD (16:9) 4K/ Full HD: AVC/H.265 variable (average) bit rate, Audio: Linear PCM 4K/ Full HD: MPEG4 AVC/H.264 variable (average) bit rate, Audio: Linear PCM 6K RAW: 12-bit CRM Audio: Linear PCM |
Movie Size | 6K DCI (17:9) 6000 x 3164 (59.94, 50, 29.97, 25, 24, 23.98 fps) RAW 4K DCI (17:9) 4096 x 2160 (59.94, 50, 29.97, 25, 24, 23.98 fps) intra or inter frame / light inter frame (4K UHD (16:9) 3840 x 2160 (119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) intra or inter frame Full HD (16:9) 1920 x 1080 (119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) intra or inter frame Full HD (16:9) 1920 x 1080 HDR (29.97, 25 fps) inter frame |
Colour Sampling (Internal recording) |
6K RAW 12bit, 4K/ Full HD - YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit |
Canon Log | Yes, Canon Log 3 |
Movie Length | Max duration 6 hours. (excluding High Frame Rate movies). No 4 GB file limit with exFAT formatted card. |
High Frame Rate Movie | MOV Video: 4K – DCI 4096x2160 / UHD 3840x2160/ Full HD 1920 x1080 at 100 fps or 119.9 fps 9 Recorded as 1/4-speed slow motion movie |
Frame Grab | 8.8-megapixel JPEG still image frame grab from 4K DCI movie possible 8.3-megapixel JPEG still image frame grab from 4K UHD movie possible (HEIF only possible when HDR PQ is set) |
Bitrate/Mbps | CRM: 6K RAW (59.97p/50p): Approx. 2600 Mbps 6K RAW (29.97p/25.00p/): Approx. 2000 Mbps 6K RAW (24.00p/23.98p): Approx. 1600 Mbps 6K C-RAW (59.97p/50p): Approx. 1800 Mbps 6K C-RAW (29.97p/25.00p): Approx. 900 Mbps 6K C-RAW (24.00p/23.98p): Approx. 720 Mbps MOV: MP4 H.264 Canon Log off: 4K DCI/UHD (119.9p / 100p): Approx. 1880 Mbps 4K DCI/UHD (59.94p/50.00p): ALL-I Approx. 940 Mbps 4K DCI/UHD (59.94p/50.00p): IPB Approx. 230 Mbps 4K DCI/UHD (59.94p/50.00p): IPB Light Approx. 120 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): ALL-I Approx. 470 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): IPB Approx. 120 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): IPB Light Approx. 60 Mbps Full HD (119.9p / 100p): Approx. 360 Mbps Full HD (59.94p/50.00p): ALL-I Approx. 180 Mbps Full HD (59.94p/50.00p): IPB Approx. 60 Mbps Full HD (59.94p/50.00p): IPB light Approx. 35 Mbps Full HD (29.97p/25.00p/24.00p/23.98p):ALL-I Approx. 90 Mbps Full HD (29.97p/25.00p/24.00p/23.98p): IPB Approx. 30 Mbps Full HD (29.97p/25.00p/24.00p/23.98p): IPB Light Approx. 12 Mbps MOV: MP4 H.265 Canon Log on 4K DCI/UHD (119.9p / 100p): Approx. 1880 Mbps 4K DCI/UHD (59.94p/50.00p): ALL-I Approx. 1000 Mbps 4K DCI/UHD (59.94p/50.00p): IPB Approx. 340 Mbps 4K DCI/UHD (59.94p/50.00p): IPB Light Approx. 170 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): ALL-I Approx. 470 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): IPB Approx. 170 Mbps 4K DCI/UHD (29.97p/25.00p/24.00p/23.98p): IPB Light Approx. 85 Mbps Full HD (119.9p / 100p): Approx. 470 Mbps Full HD (59.94p/50.00p): ALL-I Approx. 230 Mbps Full HD (59.94p/50.00p): IPB Approx. 90 Mbps Full HD (59.94p/50.00p): IPB light Approx. 50 Mbps Full HD (29.97p/25.00p/24.00p/23.98p):ALL-I Approx. 135 Mbps Full HD (29.97p/25.00p/24.00p/23.98p): IPB Approx. 45 Mbps Full HD (29.97p/25.00p/ |
Dual recording | Yes |
Microphone | Built-in mono microphone (48 KHz, 16-bit x 2 channels) |
HDMI Display | Output to external monitor only (output of images and shooting information, images are recorded to the card) Camera screen and External Monitor output (Simultaneous recording to camera and external recorder, camera screen shows images with shooting information) |
HDMI Output | 4K (DCI) 59.94p / 50.00p/29.97p /25.00p/24.00p/ 23.98p, 4K (UHD) 59.94p / 50.00p/ 29.97p / 25.00p / 23.98p, Full HD 59.94p / 59.94i, 50.00p / 50.00i 480p 59.94p 576p 50p Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound output via HDMI is also possible |
Focusing | Dual Pixel CMOS AF II with Eye/Face Detection and Tracking AF (people, animals and vehicles), Movie Servo AF |
ISO | Auto: 100-25600, H: up to 102400 Manual: 100-25600, H: up to 102400, |
IMAGE SENSOR | |
Type | 36 x 24 mm CMOS |
Effective Pixels | Approx. 24.1 megapixels |
Total Pixels | Approx. 26.7 megapixels |
Aspect Ratio | 3:2 |
Low-Pass Filter | Built-in/Fixed |
Sensor Cleaning | EOS integrated cleaning system |
Colour Filter Type | Primary Colour |
Sensor Shift IS | Yes, up to 8-Stops advantage depending on the lens used 1 |
SHUTTER | |
Type | Electronically controlled focal-plane shutter and Electronic shutter function in sensor |
Speed | Mechanical: 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb Electronic: 30-1/64000 (1/2 or 1/3 stop increments up to 1/16000 then 1 stop until 1/64000) (Total shutter speed range. Available range varies by shooting mode) |
Shutter Release | Soft touch electromagnetic release |
WHITE BALANCE | |
Type | Auto white balance with the imaging sensor |
Settings | AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour Temperature Setting White balance compensation: 1.Blue/Amber +/-9 2.Magenta/Green +/-9 |
Custom White Balance | Yes, 5 setting can be registered |
WB Bracketing | +/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release Selectable Blue/Amber bias or Magenta/Green bias |
VIEWFINDER | |
Type | 0.5- inch OLED colour EVF |
Dot count | 5.76 Million dots (1600x1200) |
Coverage | Approx. 100% |
Magnification | Approx. 0.76x 5 |
Eyepoint | Approx. 23mm (from eyepiece lens centre) |
LCD MONITOR | |
Type | 8.01 cm (3.2") Clear View LCD II, Approx. 4.15 million dots |
Coverage | Approx. 100% |
Viewing Angle horizontally/ vertically | Approx. 170° vertically and horizontally |
Brightness Adjustment | Manual: Adjustable to one of seven levels Colour Tone Adjustment: 4 settings |
Touch-screen operations | Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in still and Movies, touch shutter is possible in still photo shooting. |