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Ninja Ultra is a leap forward in filmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC) .
Ninja Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media.
RecordAssist and PlayBackAssist cover pre-arranged or remote shots , while improved false color tools like Arri False Color or EL Zone fit with today's creators needs.
In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.
Share what’s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio comunication between devices in the included feature Atomos RemoteView*.
These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras.
Ninja Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable conection. Atomos’ close partnerships with major camera manufacturers ensure that Ninja Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
Capture your vision with the Ninja Ultra
Ninja Ultra brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless.
Record with the ultimate monitor-recorder
Ninja Ultra is the ultimate field monitor for on-the-go film and video creators who value high quality industry standard codecs like ProRes and ProRes RAW. The Ninja’s state-of-the-art screen maintains clarity and color in the brightest conditions and displays bright, clear HDR images for on-set or on-location monitoring.
Compact monitor-recorder made perfect
The Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminium body weighs just 360g and is only 25mm deep for easy mounting on any rig.
New AtomOS, New Look, New Possibilities
Introducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja Ultra, it not only looks amazing, but introduces a host of great new features.
We’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.
Endless features with OS11
The Ninja Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & Atomos and ARRI False Color, EL Zone colorized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more.
Unlock the full potential of your camera with Ninja Ultra
Ninja Ultra’s wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI.
Ninja Ultra & up to 8K ProRes RAW
Over 55 cameras which now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix.
Ninja Ultra & Atomos Connect module
Add an Atomos Connect module to the Ninja Ultra to access to cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet
Access to Atomos RemoteView with a subscription to Atomos Cloud Services, using Atomos Credits for a simple 'pay as you go service'. Atomos RemoteView is a unique new service that lets you share what’s on your Atomos screen with other Atomos users, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through the camera taking the shot.
What’s more, you can do this remotely from anywhere in the world. It’s a new degree of creative freedom for filmmakers.
NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja Ultra can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.
Product Comparison | Ninja | Ninja Ultra |
---|---|---|
RecordAssist, Playback Assit & TimeLapse | Yes | Yes |
Atomos RemoteView | Requires ACS subscription + credits | Requires ACS subscription + credits |
Supported Wi-Fi standard (requires ATOMOS CONNECT) | 6 | 6E |
Apple ProRes | Yes | Yes |
Apple ProRes RAW | Yes (6K) | Yes (8K) |
Apple ProRes RAW + H.265 (Dual Record) | No | Yes |
Avid DNx (QuickTime) | Yes | Yes |
H.265 | Yes | Yes |
H.265 4K for C2C workflow | Yes | Yes |
H.265 Record + Stream/Live Show/NDI TX | Yes | Yes |
NDI 4K TX Pro, Mode | No | One-off activation |
NDI HD TX Pro | One-off activation | One-off activation |
ARRI/Canon/Sony/RED Camera SDI Cine filename support | No | Yes |
Atomos Care360 Premium Warranty | Optional Purchase | Optional Purchase |
Atomos Ninja Ultra | |
---|---|
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 5.2-inch |
Resolution | 1920 x 1080 |
PPI | 427 |
Bit depth | 10-bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / Nits) | 1000 |
Aspect ratio | 16:09 |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro & ColorChecker Display Plus |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red Drag |
3D LU+A76T Display | .Cube Format |
3D LUT Down Stream | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
HDMI | 1 x HDMI (2.0) 4Kp60 |
HDMI RAW | Apples ProRes RAW up to 6K with compatible cameras |
SDI | Optional Via Atomos Connect module |
SDI RAW | Optional Via Atomos Connect module |
Bit Depth | 8/10-bit video / RAW up to 16-bit |
Video Chroma Subsampling | 4:2:2 |