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Fast & Reliable Availability
We distribute our stock across multiple warehouses to ensure quick processing and delivery.
Need something urgently for Click & Collect?
If an item shows as in stock, please call us on 01442 292929 or email sales@proav.co.uk to confirm availability before visiting.
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Product Information
Atomos Ninja TX GO
With its 5-inch, 1500-nit HDR touchscreen, Ninja TX GO offers a far superior monitoring experience than the camera’s built-in display. It features professional tools such as EL Zone™, waveform, vectorscope, focus peaking, and more, giving content creators complete control over framing, exposure, and color accuracy on-set.
Ninja TX GO records directly to CFexpress Type B or external USB-C SSD storage and supports Apple ProRes, ProRes RAW, Avid DNx, and H.265/H.264 formats, providing flexibility across post-production workflows. With RAW-capable HDMI inputs, it can record up to 6Kp30 RAW, delivering exceptional image quality from today’s leading mirrorless and DSLR cameras.
What truly sets Ninja TX GO — and Ninja TX — apart from previous Ninja models is integrated camera control — a free feature that will allow direct adjustment of exposure settings such as aperture, shutter speed, and ISO on supported cameras from Canon, Fujifilm, Nikon, Panasonic, Sony, Z CAM and other leading brands. This makes Ninja TX GO the complete on-camera companion for monitoring, recording, and control in one device.
Ninja TX GO includes built-in Wi-Fi for seamless camera-to-cloud operation, including 20GB of free ATOMOSphere cloud storage, enabling direct upload to ATOMOSphere, Frame.io, Dropbox, and other services, or live streaming via NDI 6/HX3.
For those who need even more advanced options, Ninja TX, launched earlier this year, adds SDI input/output, AirGlu wireless timecode, and expanded 8Kp30 RAW recording capabilities for cinematic cameras.
Both models run on the next-generation AtomOS platform, providing faster performance, over-the-air updates, and a more refined user experience. A robust locking cable system for HDMI and USB-C connections ensures reliability in the most demanding production environments.
- Record up to 6Kp30 RAW over HDMI
- Encode to Apple ProRes / ProRes RAW / Avid DNx / H.265 / H.264
- Capture to CFexpress Type B or USB-C external storage
- Super-bright, 1500-nit, 5-inch touchscreen display
- Free camera control and touch-to-focus on supported camera models
- Built-in Wi-Fi 6E for camera to cloud workflows
- NDI 6 / HX3 TX/RX streaming capability
- AtomOS Linux-based operating system with OTA updates
- Secure locking HDMI / USB-C cable system
- Powered by USB-C, NP-F battery or AC adaptor
- Ninja TX GO monitor-recorder
- USB-C locking cable adaptor
- HDMI locking cable adaptor
- 2x Wi-Fi antenna
- 5x antenna tips (black, white, yellow, green, red)
- 2x antenna caps
- USB-C locking cable (45cm)
- Quick Start Guide
|
Dimensions (W x H x D mm) |
151mm x 92mm x 36mm |
|
Weight |
400gms |
|
Mount points |
1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
|
Environmental |
|
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Ambient operating temperature |
Up to 40 degrees Celsius |
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Construction |
|
|
Body |
Aluminium with ABS plastic |
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Cooling |
Actively controlled fan and heat sink |
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Power |
|
|
Input voltage |
6.2V to 16.8V DC |
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Operating power |
Up to 30W |
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Multi-function button |
Power / lock screen |
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Continuous power |
Via NP-F battery or USB-C PD Power |
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DC in connector |
Via Battery Eliminator (optional) |
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DTAP |
Up to 13W |
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USB PD IN |
45W capable, power supply required |
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USB PD OUT |
Up to 13W |
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Display |
|
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Size |
5.2-inch |
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Resolution |
1920 x 1080 |
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Backlight Type |
Edge lit |
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Brightness (cdm2 / Nits) |
1500 |
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Aspect ratio |
16:9 |
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Color Gamut |
Rec.709 |
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Calibration support |
Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
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Color Pipeline |
|
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Gamma |
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
|
Gamut |
BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
|
3D LUT Display |
.Cube format |
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3D LUT Down Stream |
Loop out |
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3DLUT 50/50 |
Yes |
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Monitoring Modes |
Native / HLG / PQ / 3D LUT |
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HDR Output Conversion |
Log / HDR to HLG / PQ |
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Video Input |
|
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HDMI |
1 x HDMI (2.0) up to 6Kp30 |
|
Locking port |
Optional |
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Wi-Fi |
Wi-Fi 6E |
|
USB |
2 x USB-C 2.0/3.0 |
|
Bit Depth |
8/10-bit video |
|
Video Chroma Subsampling |
4:2:2 |
|
Video Output |
|
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HDMI |
1 x HDMI (2.0) up to 6Kp30 |
|
Locking port |
Optional |
|
Wi-Fi |
Wi-Fi 6E |
|
USB |
2 x USB-C 2.0/3.0 |
|
Bit Depth |
8/10-bit video |
|
Video Chroma Subsampling |
4:2:2 |
|
Metadata |
|
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HDMI |
RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
|
Network |
|
|
Wi-Fi |
Wi-Fi 6E |
|
USB |
2 x USB-C 2.0/3.0 |
|
Connectivity |
|
|
Bluetooth |
No |
|
LANC |
Yes |
|
Audio In/Out |
|
|
HDMI |
8-channel, 24-bit |
|
Analogue Audio Line In |
3.5mm headphone jack, 2-channel input |
|
Headphone Out |
3.5mm headphone jack, 2-channel |
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Timecode |
|
|
Embedded |
HDMI |
|
Time of day |
Yes |
|
Reference / Genlock input |
No |
|
LTC |
No |
|
Wireless AirGlu RF Server and Client |
No |
|
Wireless AirGlu BT Server |
No |
|
Resolution & Frame Rates (Record, Monitor & Playback) |
|
|
RAW |
Up to 6Kp30 |
|
4K DCI |
23.98/24/25/29.9/30/50/59.94/60p |
|
4K UHD |
23.98/24/25/29.9/30/50/59.94/60p |
|
2K DCI 2048 x 1080 |
Yes |
|
1080p |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
|
1080 PsF |
Converted to P and looped out PsF |
|
1080i |
50/59.94/60i |
|
720p |
50/59.94/60p |
|
Supported Media |
|
|
CF Express |
Atomos certified CF Express type B media |
|
USB |
Atomos certified USB 3.0 media |
|
File System |
ExFAT |
|
Codecs |
|
|
Apple ProRes RAW |
ProRes RAW, ProRes RAW HQ |
|
Apple ProRes |
LT, 422, 422 HQ |
|
Avid DNxHD |
DNxHD 220x, 220, 145, 36 |
|
Avid DNxHR |
LB, SQ, HQ, HQX |
|
H.265 |
LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
|
Playback |
|
|
Playlist |
Yes - create customer playlists from full or sub-clips |
|
Loop |
Yes - with user-customizable in/out markers |
|
Apple ProRes RAW |
Yes - recorded clips |
|
Apple ProRes |
Yes - with linear PCM audio |
|
Avid DNx |
Yes - with linear PCM audio |
|
H.265 |
Yes |
|
Recording |
|
|
Pre-roll |
ProRes, DNxHD only |
|
Timelapse |
Yes |
|
Simultaneous Proxy Record |
Yes |
|
On-screen Monitoring Tools |
|
|
Waveform |
3 sizes – adjustable opacity & brightness |
|
RGB parade |
3 sizes – adjustable opacity & brightness |
|
Vectorscope |
2 sizes – adjustable opacity & brightness |
|
1 x Zoom |
Yes. 1:1 pixel mapping for 4K |
|
2 x Zoom |
Yes |
|
Focus peaking |
Colour selected / threshold setting / colour / mono / edges only |
|
Atomos False Color |
Yes, with scale |
|
ARRI False Color |
Yes |
|
EL ZONE |
Yes |
|
Zebra |
Yes, adjustable |
| Isolate color channel | Blue only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
| Onboard Signal Processing | |
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD | Loop out - 4K UHD to HD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
| Remote Control | |
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack | Calibration via optional USB to serial cable |
| AirGlu BT | No |
| AirGlu RF | No |