Atomos Ninja RAW Compact 5‑inch HDR Monitor‑recorder

Ninja RAW combines HDMI I/O, 1500nits HDR touchscreen, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, and camera control/touch to focus for supported cameras. Ideal for content creators with HDMI DSLRs and mirrorless cameras.

Bright, 1500-nit HDR touchscreen - see your images in true detail
Record in Apple ProRes or ProRes RAW over HDMI direct from the camera sensor to CFexpress Type B media or USB-C storage
Monitoring tools include EL Zone™ false color, focus peaking, waveform & more
Camera control – manage start/stop, ISO, shutter, aperture, white balance
Bypass in-camera compression & limitations on resolution and bit-depth
Supports ProRes RAW, ProRes RAW HQ, ProRes LT, 422 & 422 HQ
Compatible with all leading NLEs: DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer & more!
Locking cable adaptors included (HDMI & USB-C)
Lightweight & mobile – runs on NP-F batteries, USB-C power banks, or DC adaptor
Install firmware updates directly to the device via the internet

In the Box

Ninja RAW monitor-recorder
USB-C locking cable adaptor
HDMI locking cable adaptor
USB-C locking cable (45cm)
Quick Start Guide

Specifications

Dimensions (W x H x D mm)	151mm x 92mm x 36mm
Weight	400gms
Mount points	1 x anti-rotation 1/4-inch & 3/8-inch, top and bottom
Environmental
Ambient operating temperature	Up to 40 degrees Celsius
Construction
Body	Aluminium with ABS plastic
Cooling	Actively controlled fan and heat sink
Power
Input voltage	6.2V to 16.8V DC
Operating power	Up to 30W
Multi-function button	Power / lock screen
Continuous power	Via NP-F battery or USB-C PD Power
DC in connector	Via Battery Eliminator (optional)
DTAP	Up to 13W
USB PD IN	45W capable, power supply required
USB PD OUT	Up to 13W
Display
Size	5.2-inch
Resolution	1920 x 1080
Backlight Type	Edge lit
Brightness (cdm2 / Nits)	1500
Aspect ratio	16:9
Color Gamut	Rec.709
Calibration support	Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)
Color Pipeline
Gamma	Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut	BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display	.Cube format
3D LUT Down Stream	Loop out
3DLUT 50/50	Yes
Monitoring Modes	Native / HLG / PQ / 3D LUT
HDR Output Conversion	Log / HDR to HLG / PQ
Video Input
HDMI	1 x HDMI (2.0) up to 6Kp30
Locking port	Optional
Wi-Fi	No
USB	2 x USB-C 2.0/3.0
Bit Depth	8/10-bit video
Video Chroma Subsampling	4:2:2
Video Output
HDMI	1 x HDMI (2.0) up to 6Kp30
Locking port	Optional
Wi-Fi	No
USB	2 x USB-C 2.0/3.0
Bit Depth	8/10-bit video
Video Chroma Subsampling	4:2:2
Metadata
HDMI	RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut
Network
USB	2 x USB-C 2.0/3.0
Connectivity
Bluetooth	No
LANC	Yes
Audio In/Out
HDMI	8-channel, 24-bit
Analogue Audio Line In	3.5mm headphone jack, 2-channel input
Headphone Out	3.5mm headphone jack, 2-channel
Timecode
Embedded	HDMI
Time of day	Yes
Reference / Genlock input	No
LTC	No
Wireless AirGlu RF Server and Client	No
Wireless AirGlu BT Server	No
Resolution & Frame Rates (Record, Monitor & Playback)
RAW	Up to 6Kp30
4K DCI	23.98/24/25/29.9/30/50/59.94/60p
4K UHD	23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2048 x 1080	Yes
1080p	23.98/24/25/29.9/30/50/59.94/60/100/120p
1080 PsF	Converted to P and looped out PsF
1080i	50/59.94/60i
720p	50/59.94/60p
Supported Media
CF Express	Atomos certified CF Express Type B media
USB	Atomos certified USB 3.0 media
File System	ExFAT
Codecs
Apple ProRes RAW	ProRes RAW, ProRes RAW HQ
Apple ProRes	LT, 422, 422 HQ
H.265	LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
Playback
Playlist	Yes - create customer playlists from full or sub-clips
Loop	Yes - with user-customizable in/out markers
Apple ProRes RAW	Yes - recorded clips
Apple ProRes	Yes - with linear PCM audio
H.265	Yes
Recording
Pre-roll	ProRes only
Timelapse	Yes
Simultaneous Proxy Record	Yes
On-screen Monitoring Tools
Waveform	3 sizes – adjustable opacity & brightness
RGB parade	3 sizes – adjustable opacity & brightness
Vectorscope	2 sizes – adjustable opacity & brightness
1 x Zoom	Yes. 1:1 pixel mapping for 4K
2 x Zoom	Yes
Focus peaking	Colour selected / threshold setting / colour / mono / edges only
Atomos False Color	Yes, with scale
ARRI False Color	Yes
EL Zone	Yes
Zebra	Yes, adjustable
Isolate color channel	Blue only
Cine Frame Guides	Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides	Presets for 9:16, 1:1, 191:1, 4:5
Onion Skin	Yes
Safe areas	Action and graphic
Grid markers	9 grid
Anamorphic desqueeze	1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip	Vertical only
Onboard Signal Processing
Pulldown removal	24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD downscale for HD	Loop out - 4K UHD to HD
DCI Crop	Loop out - 17:9 to 16:9 crop
Remote Control
HDMI	Auto HDMI trigger, supported protocols - Canon, Sony, Atomos
Serial 2.5mm Jack	Calibration via optional USB to serial cable
AirGlu BT	No
AirGlu RF	No
Camera Control
USB-C	Start/stop recording, ISO, shutter, aperture, frame rate, touch to focus (with supported cameras)

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